好生動的形容
「自然殺手」，孫德鴻提到，建築系就像是殺手學校一樣，我們在培養的就是殺手，每個人都跑出來，執行捅這個自然一刀的過程
【政府禁的就是該看的 孫德鴻的反叛青春】
http://pics.ee/tdoz
http://pics.ee/tdoz
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#紐瑞耶夫還有重見天日的機會嗎？據波修瓦劇院表示，檔期太滿，最快要等到明年5月，總統大選之後......
From Wikipedia, the free encyclopedia
| Rudolf Nureyev | |
|---|---|
Rudolf Nureyev in 1973 by Allan Warren
| |
| Born | Rudolf Khametovich Nureyev 17 March 1938 near Irkutsk, Russian SFSR, Soviet Union |
| Died | 6 January 1993 (aged 54) Levallois-Perret, France |
| Cause of death | AIDS-related complications |
| Nationality | Soviet |
| Citizenship | Austria |
| Alma mater | Mariinsky Ballet School |
| Occupation | Dancer Choreographer Ballet director |
| Years active | 1958–1992 |
| Height | 173 cm (5 ft 8 in) |
| Partner(s) | Erik Bruhn (1961–1986) |
| Website | www.nureyev.org |
Rudolf Khametovich Nureyev (Bashkir: Рудольф Хәмит улы Нуриев, Tatar: Рудольф Хәмит улы Нуриев, Russian: Рудо́льф Хаме́тович Нуре́ев; 17 March 1938 – 6 January 1993) was a Soviet ballet dancer and choreographer. He was director of the Paris Opera Ballet from 1983 to 1989 and its chief choreographer until October 1992.
Named Lord of the Dance,[1][2][3] Rudolf Nureyev is regarded as one of ballet's most gifted male dancers.[1][4][5][6]
In addition to his technical prowess, Rudolf Nureyev was an accomplished choreographer. He produced his own interpretations of numerous classical works,[7] including Swan Lake, Giselle, and La Bayadère.[8]
Rudolf Nureyev had his early career with the Mariinsky Ballet in St. Petersburg. He defectedfrom the Soviet Union to the West in 1961, despite KGB efforts to stop him.[9] This was the first defection of a Soviet artist during the Cold War and it created an international sensation.
He went on to dance with The Royal Ballet in London and from 1983 to 1989 served as director of the Paris Opera Ballet.
Contents
[hide]- 1Early life
- 2Education at Vaganova Academy
- 3Principal with Kirov ballet
- 4Defection to Paris
- 5Royal Ballet
- 6Nureyev and his dance partnerships
- 7The Nureyev phenomenon
- 8Style
- 9Director of the Paris Opera Ballet
- 10Influence
- 11Personality and personal life
- 12Final years
- 13Death, funeral and tributes
- 14Homage to Rudolf Nureyev
- 15Literature
- 16Reviews
- 17Filmography
- 18See also
- 19External links
- 20Sources
- 21Notes and references
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ON THIS DAY 17 June Graphics version >> BBC News >>
| Search ON THIS DAY by date |   |
Front Page | Years | Themes | Witness
1961: Russian dancer in freedom dash
Principal dancer of the Kirov Ballet, Rudolf Nureyev, has broken free from Russian embassy guards at a Paris airport and requested asylum in France.
The 23-year-old Russian dancer dashed through a security barrier at Le Bourget airport shouting in English: "I want to be free."
It is understood Nureyev was approached by two Russian guards as he was waiting, with the rest of his troupe, to board a BEA Vanguard plane to London.
The guards informed him that he was required to return to Moscow instead of going to London, but, as he was being escorted to a waiting Russian aircraft, he made his dash for freedom.
Temporary asylum
He was taken into the airport police station by two French police officers, followed by the two furious Russian guards, and a heated argument ensued.
He was immediately granted temporary asylum in France and his case was referred to the Office for the Protection of Refugees and Stateless Persons.
The Leningrad Kirov Ballet troupe continued their journey to London without their principal dancer. They are due to begin a four-week season at Covent Garden next week, having just finished a three-week season in Paris.
There has been widespread speculation that during his time in Paris, Rudolf Nureyev has fallen in love with 21-year-old Clara Saint, daughter of a wealthy Chilean painter based in Paris.
His association with Miss Saint and other members of Paris society had caused concern to the Russian authorities and was apparently a major reason behind his summons back to Moscow.
But Miss Saint said she was simply a friend of Mr Nureyev's and that here had been "nothing serious" between them.
She said: "I have no idea why he asked for political asylum here. At a party last night he seemed perfectly normal and happy.
"I believe it was only after two Soviet Embassy officials told him he had to go back to Moscow instead of to London that he decided to ask for French protection."
Mr Nureyev is also known to have become friendly with Serge Lifar, former director of the Paris Opera and star of Russian impresario Diaghilev's Ballets Russes in the 1920s.
And it is thought the prospect of a future career under Mr Lifar's guidance may have influenced Mr Nureyev's decision to stay in France.
In Context
Within a week of his defection, Rudolf Nureyev was signed up by the Grand Ballet du Marquis de Cuevas in Paris.
Within a week of his defection, Rudolf Nureyev was signed up by the Grand Ballet du Marquis de Cuevas in Paris.
He never returned to Russia, settled in the West and soon became an international star.
He is regarded by many as the greatest male dancer of the 20th century.
Not long after he settled in the West he met leading British dancer Margot Fonteyn who brought him to the Royal Ballet in London, which formed his base for the rest of his dancing career.
During the 1970s Nureyev appeared in several films and in 1983 he was appointed director of the Paris Opera Ballet.
In the early years of his career Nureyev struggled to come to terms with his homosexuality.
However after he settled in the West he had relationships with several well-known men, including Eric Bruhn, director of the Royal Swedish Ballet, and film star Anthony Perkins.
He died on 6 January 1993 from an Aids related illness. According to his last wishes, Rudolf Nureyev was buried in the Russian cemetery at Sainte-Geneviève-des-Bois, near Paris.
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法國導演克勞德．李路許（Claude Lelouch）在1981年拍攝的名片《戰火浮生錄(Les uns et les autres)》。
此中有 Rudolf Nureyev 的故事。電影末的獨舞《波麗露》 (Boléro) 的舞者為
Jorge Donn - Wikipedia
https://en.wikipedia.org/wiki/Jorge_Donn
Jorge Donn was an Argentine internationally known ballet dancer. He was best known for his ... que la mort me dit, Leda (with Maya Plisetskaya); 1979: Boléro by Ravel (first male performer),
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