2024年8月25日 星期日

DAVID BOHM。Tilda Swinton

 In a 2021 interview with Vogue, Swinton mentioned that she identifies as queer. She was quoted as saying, "I'm very clear that queer is actually, for me anyway, to do with sensibility. I always felt I was queer – I was just looking for my queer circus, and I found it. And having found it, it's my world." She said that her collaborations with several creative visionaries helped her to find a sense of familiar belonging.[74] In a 2022 profile by The Guardian, she stated, "It just so happened I'd also been a queer kid – not in terms of my sexual life, just odd."[75] 

In 2013, she was named as one of the 50 best-dressed over 50 by The Guardian.[49]

阮慶岳

昨天趕上了蒂妲・史雲頓（Tilda Swinton）在臺北表演藝術中心藍盒子的《親愛的帕索里尼》（Embodying Pasolini）演出。這是一場近乎極簡美學的舞台呈現，卻讓我有著深深的觸動。
最讓我印象深刻的，自然是那30套只為帕索里尼電影而誕生的衣服，如此地華麗、優美而神聖。我甚至不太在乎這些衣服與帕索里尼電影的連結線索，就看著蒂妲・史雲頓以她帶著離世孤絕的獨特氣質，一件一件地向我們展示這些衣服的驚人美麗。
我覺得這場演出像一首輓歌，哀悼著一個逝去的年代，就是那曾經以手工、質料所細細縫製出來的一種美學品味，那樣一種與貴族階級美學息息相關的文化饗宴。然而，這一切卻在20世紀的工業化生產浪潮、以及民主運動的去階級化運動裡，逐步地退出了人類文明的視野裡。
帕索里尼的電影是如此地憤怒，而演員的衣裝卻又是如此的華麗，其間的落差與斷裂是超乎想像的巨大。我覺得帕索里尼的電影，或就是在描寫正在分裂的兩個時代的混亂與集體瘋狂狀態，因此他選擇以交織的愛與恨，來作為他電影敘事的基調吧！
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28

Ben Chen

愛因斯坦對量子力學「完備性」的最大懸念：
量子糾纏。
可能是顯示的文字是「祂的用意是深奧幽玄 用意是深奧幽玄，而非液詐戲要 而非狡詐戲耍 The Lord God ThelordGodissubtl,butmalicio is subtle, but malicious he is not. 1954年， 愛因斯坦寫信給流亡在巴西的Davi Bohm: You should not be depressed by the enormity of the problem. If God has created the world his primary worry was certainly not to make its understanding easy for us. I feel it strongly since fifty years. 」的圖像
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