2025年7月15日 星期二

Rudolf van den Berg (1949 –2025) 荷蘭導演。Billy Jones, (1979 –2025享年45歲) 獨立音樂界的掌舵人......幫助紐約市保持了其文化活力 (“Baby’s stood for making something new.)

 無影無蹤

（快訊）荷蘭導演魯道夫．范．登．貝治（Rudolf van den Berg）辭世，享壽76歲。他的代表作包括《Bastille》（1984）、《Snapshots》（2002）、《Tirza》（2010）、《真假維梅爾 A Real Vermeer》（2016）等作。生涯曾四度榮獲荷蘭電影最高榮譽金牛獎，為當代荷蘭電影代表人物之一。
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自2009年起，貝治便透露自己要全心投入野心之作《Spinoza》，作品講述的是17世紀荷蘭哲學家史賓諾沙（Baruch de Spinoza）的一生。作品目前已攝製完成，並在近期完成聲音後期工作。
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2025年7月12日，魯道夫．范．登．貝治因心臟驟停無預警告別人世，無緣看到《Spinoza》問世。


Rudolf van den Berg (Dutch pronunciation: [ˈrydɔl(ə)(f) fɑn də(m) ˈbɛr(ə)x]; 6 January 1949 – 12 July 2025) was a Dutch film director and screenwriter.

Van den Berg made films and documentaries for over thirty years. Often praised and crowned, sometimes seriously criticized, Van den Berg's work always succeeded in stirring passionate reactions.

His eighth feature film Tirza was released in September 2010. It is a heart-breaking, edgy story of a man in search of his missing daughter. In the desert of Namibia the father will be forced to confront the man who destroyed the life of his favorite child. The film was selected as the Dutch entry for the Best Foreign Language Film at the 83rd Academy Awards[1] but it didn't make the final shortlist.[2]

Süskind, a war story, written by Chris W. Mitchell and Van den Berg himself was released on 19 January 2012. Just as Tirza, it is also a coproduction between Cadenza Films and FuWorks.

Van den Berg died from a cardiac arrest on 12 July 2025, at the age of 76.[3][4]

Filmography

  • 1976 : Algerian Times (documentary; director)
  • 1979 : The Alien's Place (documentary; director)
  • 1982 : Sal Santen Rebel (documentary; writer/director)
  • 1984 : Bastille (writer/director)
  • 1985 : Stranger at Home (documentary; writer/director)
  • 1987 : Looking for Eileen (writer/director)
  • 1989 : Evenings (director)
  • 1992 : De Johnsons (director)
  • 1996 : The Cold Light of Day (director)
  • 1997 : For My Baby (writer/director)
  • 1998 : Oud Geld (TV) (director)
  • 1998 : De Keerzijde (TV) (director)
  • 2001 : Snapshots (writer/director)
  • 2007 : Steel & Lavender (documentary; writer/director)
  • 2008 : Schatz (documentary; writer/director)
  • 2010 : Tirza (writer/director)
  • 2012 : Süskind (writer/director)
  • 2016 : A Real Vermeer (writer/director)

主なフィルモグラフィ




Billy Jones, Impresario of New York’s Indie Music Scene, Dies at 45

He opened Baby’s All Right and three other nightclubs, a restaurant and a record store in a dozen years, helping the city maintain its cultural verve.

Listen to this article · 7:10 min Learn more
An unshaven Billy Jones, wearing a t-shirt, arms outstretched with a record in one hand, sitting in a chair with shelves of records behind him.
Billy Jones in 2023. He didn’t achieve his own dream of indie-rock stardom, but by opening clubs like Baby’s All Right he made the dream possible for others.Credit...Robert Blair

The exterior of a club in Brooklyn, with people standing around outside. Above the door is a sign reading “All Right.”
Mr. Jones’s best-known club, Baby’s All Right, in Williamsburg, Brooklyn, in 2014.Credit...Benjamin Norman for The New York Times
A close-up of an unshaven Billy Jones with tousled hair, wearing a black sweatshirt.
Mr. Jones in 2018. “There were some people who were lamenting the death of music, which Billy would find ridiculous,” one of his business partners said. “Baby’s stood for making something new.”Credit...Eliza Soros


Two guitar players and a drummer perform on a stage, with a wall of bright lights behind them.
The Australian band Cloud Control appeared at Baby’s All Right in 2014.Credit...Benjamin Norman for The New York Times

Mr. Jones made Baby’s All Right a place to catch early performances of musicians on their way to glory. Billie Eilish performed music from her first EP there in 2017, when she was just 15.

An older man wearing a straw hat and dark clothing plays a saxophone in the foreground. In the background, another man, wearing a white shirt, tie and vest, plays the bass.
The saxophonist Pharoah Sanders performed with the bassist Juini Booth at Baby’s All Right in 2015.Credit...Sam Polcer for The New York Times
紐約獨立音樂界的掌舵人比利瓊斯逝世，享年45歲
他在十多年間開設了「寶貝的正確？」（Baby’s All Right）等三家夜總會、一家餐廳和一家唱片店，幫助這座城市保持了其文化活力。

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鬍子拉碴的比利瓊斯穿著T卹，雙臂伸展，一手拿著唱片，坐在椅子上，身後擺滿了唱片架。
2023年的比利瓊斯。他未能實現成為獨立搖滾明星的夢想，但透過開設像「寶貝的正確」這樣的夜總會，他讓其他人的夢想成真。圖片來源：羅伯特布萊爾
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