感動 (86~115) 盧瑞彥(品管學 。Al Hirschfeld (1903-2003,美國漫畫名家)：音樂劇。黃昏市場人情意味濃/ 成熟學生年長學生 從《柏林記憶》談時事......《柴静访谈贺卫方：没有独立的司法，没有一个人是安全的》。 感動：生活感想。假仙、金光 CHAN CHAN 滾、珠戲、翻譯、遊戲。ˇ淺言、淺讀"的必要：我所知道的"A.I. 發展簡史" 。咖啡.(頌) —凱達格蘭大道1/11夜景【臺灣本來就是我們的】；曹永洋師生贈書。 阿公李遠；新港素園。鈴木大拙 (D. T. Suzuki 1870~1966) 一首古詩， 寓言 "品質金三角《台灣老樹》 龜山石雲寺、九芎樹.....同情與智慧 (the things that matter most).胡適；胡適；李顯龍李怡嚴；劉光能......富察、鈴木英司林國彰司馬中原........90秒、3天。張昭鼎 (1934~1993 籌建臺灣原子與分) 謝志偉、吳鳴等多人......賀龍年(文化、美術) 中國財新傳媒。張誌家。《雅舍遺珠》《論語今讀》元旦的一些領悟：工作可啟發靈感（Don't wait for inspiration. It comes while working' - Henri Matisse,），可促進＂觸類旁通＂（我的人工智慧的故事、體驗：英語學習歲末懷念故友鄭明萱(名譯家，.......品味，格調不可強辯。

 

 

感動(115) ：故事開始的地方盧瑞彥(品管學會（我的「品質成本｣ 老師1982；《Juran 品管手冊 使用法》）：盧瑞彥理事長(品質學會、淡江大學張家宜董事長、漢清講堂104 A Witness to Bravura (Tony K.J. Chen) 盧瑞彥 ) 、淡江大學(建築系賴怡成教授......)得道多助 全面品管1992，國家品質獎2009；葉清來 總經理(宏遠興業 )

https://www.facebook.com/hanching.chung/videos/1390009501624569

https://hcmemory.blogspot.com/2024/01/115-19922009.html

感動 (113) Al Hirschfeld (1903-2003,美國漫畫名家)：音樂劇 (Stephen_Sondheim)，人物漫畫，紐約時報

https://www.facebook.com/hanching.chung/videos/1557319945040973

    感動 (109)   黃昏市場人情意味濃/ 此間處處有溫情 (林公孚)   數則故事 (行天宮不義得來的飯糰(Jean Huang) 、千里送鵝毛(許定銘)［聞書下馬］(山青)、美日詩 ( 北斗/林義正 )    

https://hcmemory.blogspot.com/2024/01/blog-post_43.html

https://www.facebook.com/hanching.chung/videos/1409102103039286

   感動 (109)   黃昏市場人情意味濃/ 此間處處有溫情 (林公孚)   數則故事 (行天宮不義得來的飯糰(Jean Huang) 、千里送鵝毛(許定銘)［聞書下馬］(山青)、美日詩 ( 北斗/林義正 )    

https://hcmemory.blogspot.com/2024/01/blog-post_43.html

https://www.facebook.com/hanching.chung/videos/1409102103039286

感動 (86~108)    成熟學生年長學生  從《柏林記憶》談時事......《柴静访谈贺卫方：没有独立的司法，没有一个人是安全的》。 感動：生活感想。假仙、金光 CHAN CHAN 滾、珠戲、翻譯、遊戲。ˇ淺言、淺讀"的必要：我所知道的"A.I. 發展簡史" 。咖啡.(頌)   —凱達格蘭大道1/11夜景【臺灣本來就是我們的】；曹永洋師生贈書。 阿公李遠；新港素園。鈴木大拙 (D. T. Suzuki 1870~1966) 一首古詩， 寓言 "品質金三角《台灣老樹》 龜山石雲寺、九芎樹.....同情與智慧 (the things that matter most).胡適；胡適；李顯龍李怡嚴；劉光能......富察、鈴木英司林國彰司馬中原........90秒、3天。張昭鼎 (1934~1993 籌建臺灣原子與分) 謝志偉、吳鳴等多人......賀龍年(文化、美術) 中國財新傳媒。張誌家。《雅舍遺珠》《論語今讀》元旦的一些領悟：工作可啟發靈感（Don't wait for inspiration. It comes while working' - Henri Matisse,），可促進＂觸類旁通＂（我的人工智慧的故事、體驗：英語學習歲末懷念故友鄭明萱(名譯家，.......品味，格調不可強辯。

 感動 (108): 成熟學生年長學生：控制咖啡豆數量的英國Fred.   東海練馬可教授（Mark Thelin 1933-2014）「我的大作就是我的學生。」；顏鴻森教授 東海中系 大三  

https://hcmemory.blogspot.com/2011/06/0603-2011.html

https://www.facebook.com/hanching.chung/videos/700879015369591

感動 (107)：從《柏林記憶》談時事(王璞)。有用的多數，重要的少數。中方向美方、日方、德方等多國嚴正交涉......heroes (useful many. vital few )：謝志偉的東吳故事；選舉觀察 國內議題，高利率……：陳方隅 黃哲斌......  耶翰 万次郎......。無情，施明德到柯文哲／盧秀燕/林志潔，苗博雅與吳音寧 .....可以。台灣選舉"遊戲"中的年輕（影片簡介streaming tags……）與利益崇拜；長期趨勢：年輕人買不起房子、火車/飛機誤點率.....(美英德.....)，

https://hcmemory.blogspot.com/2024/01/twitter-11.html

https://www.facebook.com/hanching.chung/videos/3743251095961872

 感動 (106)：世局，天候下，衆生生活多辛苦，要感恩……。感動萬分， “不受左右”的胡適，“不降志，不辱身，不追趕時髦，也不迴避危險；多芬的田園交響曲紀念。含淚看完《柴静访谈贺卫方：没有独立的司法，没有一个人是安全的》。  因真理 得自由 以服務 Freedom Through Truth For Service (燕京大學校訓)    

https://www.facebook.com/hanching.chung/videos/937292717959981

https://hcmemory.blogspot.com/2024/01/blog-post_7.html

 感動 (105)：2024年台灣總統、立委大選親歷記：十字路口的志工四人.....香港朋友的反應令我驚訝。選舉風度，教育；《報導者》、野島剛等人有洞識力的選舉觀察。網路評論與發揮贏過報紙與雜誌。Life is too short to read a bad book. 堀込憲二 Horigome Kenji 的 台灣磁磚情： "小磁磚．大歷史。張己任珍藏的日出時，讓悲傷終結 ( (All the Mornings of the World) by Alain Corneau古大提琴的電影 戴洪軒  遺作) 想到 名家   Jordi Savall i Bernadet 。大冷天將小朋友全身緊包 (  bundled up ) "大風天，體感溫度負20度，來一杯告爾多咖啡（Cordato）。 王璞介紹札加耶夫斯：鄰人吶，你們願意過甚麼日子你們去過好了，但是我們：不！。

https://hcmemory.blogspot.com/2024/01/man-for-himself.html

https://www.facebook.com/hanching.chung/videos/756102579188977

感動 (104)：生活感想。假仙、金光 CHAN CHAN 滾、珠戲、翻譯、遊戲。ˇ淺言、淺讀"的必要：我所知道的"A.I. 發展簡史" 。情、友情、愛情、"真智慧"等之難得與難能可貴。人與、推理小說《女畫家》與AI(人工智慧)。 無法"愛"、"同情、理解、智慧、"真智慧"的悲哀：無法克服的"愚蠢之牆"「バカの壁」。......."馬英九和戰鬥藍的言行，是舔共賣台，是公然叛國"(曹興誠)。十年後仍反服貿的幾大理由。"respect vs smart"-- 中美交流的重點:我注意過唐獎漢學獎得主潔西卡．羅森的台大演講及《Life and Afterlife in Ancient China》對談。陳耀昌談：鍾肇政譯連城三紀彥（1948－2013）《一朵桔梗花》（林白出版社，1985）

https://hcmemory.blogspot.com/2024/01/104194820131985life-and-afterlife-in.html

https://www.facebook.com/hanching.chung/videos/914341126865641

感動 (103)：咖啡.(頌)   — James Boswell, The Life of Samuel Johnson, LL. D.....'.......For any thing I see, foreigners are fools?......'998元首款咖啡糖果 買就送500ml星巴克保溫杯_咖啡杯；日航和阿拉斯加航空事故「奇蹟」的真相：監管、培訓、專業知識、努力、不斷改進基礎設施的奇蹟，也是機組人員專業素養和英雄氣概的奇蹟。

https://www.facebook.com/hanching.chung/videos/337474155863951

https://hcmemory.blogspot.com/2024/01/103.html

感動 (102)：凱達格蘭大道1/11夜景 ( 台北Erin Wu 2024). 52 Places to Go in 2024 (By The New York Times)： Yamaguchi Prefecture (山口県)【臺灣本來就是我們的】；"國共合作"新的《毀滅的種子》(SEEDS OF DESTRUCTION)。台灣美國中國日本.......電影 〈教父〉 ：“ 他......轉向黑手黨頭目求助，尋求復仇。”   苗栗縣長徐耀昌自省：一群只為私我卻罔顧中華民國前途的政客，例如馬英九侯友宜等這類想自欺欺人的(要解除台灣的防衛意志和力量。要把台灣的經濟、民生鎖進中國。)就是新的"國共合作"的《毀滅的種子》。且看中國百般鬥爭、摧毀香港，勞改，"中國夢"，白紙革命....。 免休學離校探索計畫。 習近平連"新都河北雄安新區"都鬧空城，夢難圓：Xi Jinping’s empty dream city shows limits of his power, even in China

https://www.facebook.com/hanching.chung/videos/362186923200452

https://hcmemory.blogspot.com/2024/01/102-xi-jinpings-empty-dream-city-shows.html

 感動 (101)：新港素園 非親屬關係的 愛的一家人。阿公李遠和浪花兄弟：都是基因惹的禍；紙風車劇團去年台中清水演出 人山人海 ；  曹永洋師生贈(2024.1.9)：《戰爭與和平》(戰爭與群眾)  、《山色如此》(李美慧)、《紅土印象》、《齊白石》(何懷碩畫)、《芥川龍之介的世界》...... 《荒野之狼》 (赫塞著 施智璋譯-贈我2本書，詳後天文《維根斯坦》《風華再起  大稻埕百年》)志文出版社新潮文庫108黃哲斌推薦選情   衛報社論台灣選舉 FT 摘要三點

https://www.facebook.com/hanching.chung/videos/725157383157325

https://hcmemory.blogspot.com/2024/01/ft.html

感動（100）： 

胡適與日本禪學學者之交流 (2016，漢清講堂129)，偏重 鈴木大拙 (D. T. Suzuki 1870~1966) 《鈴木大拙展　Life=Zen=Art .....》談一首古詩， 寓言 "品質金三角 (The three corners of quality By W. Edwards Deming)《轉危為安》(1986)" ： 鐘聲；撞木/鈴舌；詩 ( 1985~2024.1 的了解  (古印度/中國/日本 ；美國 戴明博士等。荷蘭：高羅佩（Robert Hans van Gulik，1910—1967）《高羅佩：其人其書》："晚間的山嵐") (2023)

https://hcmemory.blogspot.com/2024/01/198520241.html

https://www.facebook.com/hanching.chung/videos/722541146519562

動（99）《台灣老樹》 龜山石雲寺、九芎樹.....網路補足、充實...... 。通膨，悄悄來，悄悄去？......紐約下雪.....漫遊者如波特來爾..... John Lennon & Yoko Ono. Double Fantasy By Kishin Shinoyama (1940–2024).....   2023年台灣兩本譯界相關的書：《張清吉紀念文集：漁夫‧三輪車伕‧出版家‧文化人》《譯氣風發的高雄煉油廠：30位譯者X 60篇譯作，重溫《拾穗》月刊開啟的文藝之窗》

https://www.facebook.com/hanching.chung/videos/895785335196641

感動（98）：同情與智慧 (the things that matter most).：談點大學時代就該翻譯：胡適；.......。李顯龍（數學才華.....20年"總理）。養樂多(「Yakult」世界語的「Jahurto」，意即優格。)新廣告。李怡嚴；劉光能一張圖、賀卡，科西嘉的復仇|。737 Max 9 (FAA)

https://www.facebook.com/hanching.chung/videos/402563285541877

感動 (93)：富察、鈴木英司《被中國拘禁的2279日》；林國彰 "台北道" (呂學源) 、一杯青的寧靜 (林公孚)、司馬中原前輩辭世（1933.02.02-2024.01.04 ；季季 ：第一批皇冠基本作家） 。 離台感言(Yiwu Liao廖)、202X的宏大敘事與雞零狗碎(中國網路大V李承鵬)。要了解美國慈善事業全貌，遠比前三名重要：2023年三位慈善大家：Warren Buffett, James Simons and Phil Knight ；小說靠口碑‘That Octopus Book’ 賣百多萬本：章漁哥夜遊(“Remarkably Bright Creatures”暫譯 )".......！馬麻好會教！跟魚丸一對一這麼多天！"

https://www.facebook.com/hanching.chung/videos/955873959574322

https://hcmemory.blogspot.com/2024/01/93-kids-speak-more-when-adults-around.html

 

感動 (104)：生活感想。假仙、金光 CHAN CHAN 滾、珠戲、翻譯、遊戲。ˇ淺言、淺讀"的必要：我所知道的"A.I. 發展簡史" 。情、友情、愛情、"真智慧"等之難得與難能可貴。人與、推理小說《女畫家》與AI(人工智慧)。 無法"愛"、"同情、理解、智慧、"真智慧"的悲哀：無法克服的"愚蠢之牆"「バカの壁」。......."馬英九和戰鬥藍的言行，是舔共賣台，是公然叛國"(曹興誠)。十年後仍反服貿的幾大理由。"respect vs smart"-- 中美交流的重點:我注意過唐獎漢學獎得主潔西卡．羅森的台大演講及《Life and Afterlife in Ancient China》對談。陳耀昌談：鍾肇政譯連城三紀彥（1948－2013）《一朵桔梗花》（林白出版社，1985）

https://hcmemory.blogspot.com/2024/01/104194820131985life-and-afterlife-in.html

https://www.facebook.com/hanching.chung/videos/914341126865641

 感動 (92 )：90秒、3天。張昭鼎 (1934~1993 籌建臺灣原子與分) 謝志偉、吳鳴等多人談“在路上” (標題如果是On the Road，在美國文化史，數個出處)。

https://www.facebook.com/hanching.chung/videos/1287172008620433

https://hcmemory.blogspot.com/2024/01/82.html

感動 (91 )：賀龍年(文化、美術)   "天龍"與本土本地創新。龍 vs sphinx： 翻譯之難，以情感教育Sentimental Education中一短句/語The flaps of her cap fell like the fillets of a sphinx. 為例。黃仁勳(Jensen Huang 輝達CEO) 。.   黎智英2日出庭續審 3項指控喊無罪。訃 OBI. 挽中國財新傳媒。張誌家

龍 vs  sphinx

https://www.facebook.com/hanching.chung/videos/904416647504041

https://hctranslations.blogspot.com/....../the-flaps......

感動 (90 )：元旦    遇楊碧川先生。 John Williams (91歲，繼續作曲) 。 聖保羅、戴明《新經濟學》到  托爾斯泰《一日一善 冬 生命的融合》。 梁實秋（1903年1月6日—1987年11月3日）《雅舍遺珠》；（李澤厚 1930年6月13日—2021年11月2日）《論語今讀》；

https://www.facebook.com/hanching.chung/videos/875119967730878

https://hcmemory.blogspot.com/2023/12/blog-post_30.html

 感動（89）：元旦的一些領悟：工作可啟發靈感（Don't wait for inspiration. It comes while working' - Henri Matisse,），可促進＂觸類旁通＂（我的人工智慧的故事、體驗：英語學習：注意（到＂爭眼球的經濟時代）attention (economy)/ attend）Richard P. Feynman — 'Knowledge isn't free. You have to pay attention.' 。＂謀殺 murder＂一字由來已久，從一群烏鴉到驚悚電影：A Murder of Crows ）。卓別林過世，日本朝日新聞"天聲人語"專欄的一篇評論文章Ｍemories of Chaplin (老優之死1977.12.27 )很深入；《舞台春秋》(Limelight(1952/1972))中卓別林母親舞台失聲之慘痛經他由"長良川鵜飼" (cormorant  fishing)   對日本文明的觀察、批評。

https://www.facebook.com/hanching.chung/videos/936336831185882

https://hcmemory.blogspot.com/2023/12/89-to-light-house.html

 感動（88）：  "  新年頭，舊年尾！祝福大家平安喜樂！萬事如意！國泰民安！  "   (廖為民)  ；"I am very proud of him and it's a wonderful legacy for him." 英國9 歲 男童慈善家( New Year Honour )  Charles Yu游朝凱(第二代台美人) “Interior Chinatown,” (the National Book Award) 等書作者訪談 (張鐵志  Verse  13)。記湯皇珍(何定照) 。   歲末懷念故友鄭明萱(名譯家，2014.3.27去世。) 物換星移幾度秋：寄小讀者：巴森《從黎明到衰頹》中一頁： Thomas Carlyle 及其《衣裳哲學》一句 。New day. New ideas. 

https://www.facebook.com/hanching.chung/videos/244290248685140

感動 （86~87）：動態雕塑與音樂.......張目看歷史：習近平難過的 2023 。台灣的政績好 (蔡英文)。上野：吳昌的世界 (Ben Chen ) ；陳舜臣："遠離一切顛倒"夢"想"；明朝 香使(大白鯨時代；澳門)；金農：青木正兒。紐約大學商學院的戴明講座(Toyoda 家族捐贈) 首屆的主持人。 重溫2021年直播：東海-台北：相識50年活動，訪師友。 "Dear Theo，大學時代梵谷的故事； ‘告別東海 TIME 05 、非官方論壇 ：感謝按過讚的朋友。人工科學The Sciences of the Artificial。

https://www.facebook.com/hanching.chung/videos/1059012285348601

https://hcmemory.blogspot.com/2023/12/8687-2023-ben-chen-toyoda-2021-50-dear.html

感動 (86 )：“Happy New Year)” 品味，格調不可強辯：講到品味 那是無法爭辯的 De Gustibus，

告別兩“單位” Party's Over： 東海 TIME 、非官方論壇 。

張眼看歷史：敏隆講堂：NHK: Steven Jobs, 日本禪寺與料理等等，創新大國 從電鍋到潛艦，新幹線等等，不簡單；《日本半導體復權之路》，牧本次生 (1937~ 。Ben Chen介紹)。

菸酒公賣局、公司到真假"慘品"百花齊放，懷念胡適林語堂的酒菸。何穎怡：世界的潮流都是懲罰「販毒者」不懲罰「使用者」。世界十大烟草公司：菸/鴉片 2020 2023 by market capitalization (as of Mar 31, 2023)。

洞察(或摸白象)中國的"中文網"，《紐約時報》《華爾街日報》《德國之聲 D/Wd》。 books of the year 等：台灣的"2023文學備忘錄 " 紐約時報的多樣2023：十大書、電影......備忘錄。

最難忘照片之一：1918年Henri Matisse ( 1869 – 1954)等 拜訪Pierre-Auguste Renoir (1841 – 1919) , Albert Marquet (1875~1947), Walther Halvorsen 1887~1972, Henri Matisse ( 1869 – 1954) and Catherine Hessling

“Happy New Year (Party’s Over)” by Norman Rockwell (1945)

告別兩“單位” Party's Over：

東海 TIME 05、

非官方論壇 ： 感謝過去所有按過讚的朋友: 萬分感謝。

品味無可爭辯。講到品味 那是無法爭辯的 De Gustibus: de gustibus non est disputandum There is no disputing about tastes.

2012.4.30

我翻譯人工科學時，請教Simon 這句話 de gustibus

接下來，發現許多經濟學名家都有這方面的論文。

The Sciences of the Artificial

Author Herbert A. Simon

Subjects science, philosophy

Genres non-fiction

Published 1969 (hbk); 1970 (pbk)

Publisher The MIT Press

ISBN 9780262190510

HCMEMORY.BLOGSPOT.COM

感動 (86 )：“Happy New Year)” 品味，格調不可強辯：講到品味 那是無法爭辯的 De Gustibus，告別兩“單位” Party's Over： 東海 TIME 、非官方論壇 。張眼看歷史：敏隆講堂：NHK: Steven Jobs, 日本禪

感動 (86 )：“Happy New Year)” 品味，格調不可強辯：講到品味 那是無法爭辯的 De Gustibus，告別兩“單位” Party's Over： 東海 TIME 、非官方論壇 。張眼看歷史：敏隆講堂：NHK: Steven Jobs, 日本禪寺與料理...

感動 （87）

寫在手背上的字(Ruey-Shiun Hwang)；

名星Hugh Grant 為長者端上聖誕餐上桌‘This was the real Love Actually’ 。

重溫2021年直播：東海-台北：相識50年活動，訪師友。 "Dear Theo，大學時代梵谷的故事； ‘

習近平難過的 2023 年 (作者顧爾德，真高手也)。

The Economist：英帝國子民：邱吉爾。

笨蛋，差距就在“土地正義”加美琴效應。陳續升：

侯友宜也加入土地正義這局混戰後，其實也蠻衰。

收入經濟學人的FB粉絲頁 數則：導演 Stanley Kubrick 不敢拍的片子，老先生拍出精簡/奇想版本 ：拿破崙；溫習托翁的戰爭與和平。

Robert Solow是紐約大學商學院的戴明講座(Toyoda 家族捐贈) 首屆的主持人

上野：吳昌的世界 (Ben Chen ) 陳舜臣：遠離一切顛倒夢想；明朝香使；金農：青木正兒。

HCMEMORY.BLOGSPOT.COM

感動 （87）寫在手背上的字(Ruey-Shiun Hwang)；名星Hugh Grant 為長者端上聖誕餐上桌‘This was the real Love Actually’ 。重溫2021年直播：東海-台北：相識50年活動，訪師友。 "Dear Theo，大學時代梵谷的

感動 （87）寫在手背上的字(Ruey-Shiun Hwang)；名星Hugh Grant 為長者端上聖誕餐上桌‘This was the real Love Actually’ 。重溫2021年直播：東海-台北：相識50年活動，訪師友。 "Dear Theo，大學時代梵谷的故事...

Elinor Ostrom, ( 1933~2012奧斯特羅姆，2009年諾貝爾經濟學獎)表明，無需強有力的政府監管或私有化，社區就能永續管理共享的自然資源——例如森林、漁業和水資源系統。她的工作是現代永續發展想法的基石，強調信任、合作和共享知識是支持共享管理的重要工具。

Elinor Ostrom, Winner of Nobel in Economics, Dies at 78

By CATHERINE RAMPELL

Professor Ostrom’s prizewinning work examined how people collaborate and organize themselves to manage common resources like forests or fisheries, even when governments are not involved.

経済学者のオストロム氏死去　女性初のノーベル経済学賞

オストロム氏＝インディアナ大提供

エリノア・オストロムさん（米国のノーベル経済学賞受賞者、米インディアナ大教授）が１２日、インディアナ州の病院で死去、７８歳。同大によると、死因はがん。

２００９年に女性で初めてノーベル経済学賞を受賞した。政府などが管理していない牧草地や森林などの共有資源は荒れ果てると考えられてきたが、使う人たちが自分たちで規則をつくって利害調整し、うまく運営されることを解明した。

１０年には環境問題に貢献した人に贈られる「ＫＹＯＴＯ地球環境の殿堂」に、１２年には米タイム誌の「世界で最も影響力がある１００人」に選ばれた。（ワシントン）

Elinor Ostrom, defender of the commons, died on June 12th, aged 78

Jun 30th 2012 | from the print edition

IT SEEMED to Elinor Ostrom that the world contained a large body of common sense. People, left to themselves, would sort out rational ways of surviving and getting along. Although the world’s arable land, forests, fresh water and fisheries were all finite, it was possible to share them without depleting them and to care for them without fighting. While others wrote gloomily of the tragedy of the commons, seeing only overfishing and overfarming in a free-for-all of greed, Mrs Ostrom, with her loud laugh and louder tops, cut a cheery and contrarian figure.
Years of fieldwork, by herself and others, had shown her that humans were not trapped and helpless amid diminishing supplies. She had looked at forests in Nepal, irrigation systems in Spain, mountain villages in Switzerland and Japan, fisheries in Maine and Indonesia. She had even, as part of her PhD at the University of California, Los Angeles, studied the water wars and pumping races going on in the 1950s in her own dry backyard.

All these cases had taught her that, over time, human beings tended to draw up sensible rules for the use of common-pool resources. Neighbours set boundaries and assigned shares, with each individual taking it in turn to use water, or to graze cows on a certain meadow. Common tasks, such as clearing canals or cutting timber, were done together at a certain time. Monitors watched out for rule-breakers, fining or eventually excluding them. The schemes were mutual and reciprocal, and many had worked well for centuries.

Best of all, they were not imposed from above. Mrs Ostrom put no faith in governments, nor in large conservation schemes paid for with aid money and crawling with concrete-bearing engineers. “Polycentrism” was her ideal. Caring for the commons had to be a multiple task, organised from the ground up and shaped to cultural norms. It had to be discussed face to face, and based on trust. Mrs Ostrom, besides poring over satellite data and quizzing lobstermen herself, enjoyed employing game theory to try to predict the behaviour of people faced with limited resources. In her Workshop in Political Theory and Policy Analysis at the University of Indiana—set up with her husband Vincent, a political scientist, in 1973—her students were given shares in a notional commons. When they simply discussed what they should do before they did it, their rate of return from their “investments” more than doubled.

“Small is beautiful” sometimes seemed to be her creed. Her workshop looked somewhat like a large, cluttered cottage, reflecting her and Vincent’s idea that science was a form of artisanship. When the vogue in America was all for consolidation of public services, she ran against it. For some years she compared police forces in the town of Speedway and the city of Indianapolis, finding that forces of 25-50 officers performed better by almost every measure than 100-strong metropolitan teams. But smaller institutions, she cautioned, might not work better in every case. As she travelled the world, giving out good and sharp advice, “No panaceas!” was her cry.

Scarves for the troops
Rather than littleness, collaboration was her watchword. Neighbours thrived if they worked together. The best-laid communal schemes would fall apart once people began to act only as individuals, or formed elites. Born poor herself, to a jobless film-set-maker in Los Angeles who soon left her mother alone, she despaired of people who wanted only a grand house or a fancy car. Her childhood world was coloured by digging a wartime “victory” vegetable garden, knitting scarves for the troops, buying her clothes in a charity store: mutual efforts to a mutual end.
The same approach was valuable in academia, too. Her own field, institutional economics (or “the study of social dilemmas”, as she thought of it), straddled political science, ecology, psychology and anthropology. She liked to learn from all of them, marching boldly across the demarcation lines to hammer out good policy, and she welcomed workshop-partners from any discipline, singing folk songs with them, too, if anyone had a guitar. They were family. Pure economists looked askance at this perky, untidy figure, especially when she became the first woman to win a shared Nobel prize for economics in 2009. She was not put out; it was the workshop’s prize, anyway, she said, and the money would go for scholarships.

Yet the incident shed a keen light on one particular sort of collaboration: that between men and women. Lin (as everyone called her) and Vincent, both much-honoured professors, were joint stars of their university in old age. But she had been dissuaded from studying economics at UCLA because, being a girl, she had been steered away from maths at high school; and she was dissuaded from doing political science because, being a girl, she could not hope for a good university post. As a graduate, she had been offered only secretarial jobs; and her first post at Indiana involved teaching a 7.30am class in government that no one else would take.
There was, she believed, a great common fund of sense and wisdom in the world. But it had been an uphill struggle to show that it reposed in both women and men; and that humanity would do best if it could exploit it to the full.

--

奧斯特羅姆打破了傳統觀念，她表明，無需強有力的政府監管或私有化，社區就能永續管理共享的自然資源——例如森林、漁業和水資源系統。她的工作是現代永續發展想法的基石，強調信任、合作和共享知識是支持共享管理的重要工具。在全球環境挑戰頻繁的時代，奧斯特羅姆的想法仍然是集體行動和地球管理的強大指南。
奧斯特羅姆因其貢獻而榮獲2009年諾貝爾經濟學獎。
了解更多有助於我們理解和珍惜地球的獎項：

Elinor Ostrom shattered conventional wisdom by showing that communities can sustainably manage shared natural resources – like forests, fisheries, and water systems – without strong government regulations or privatisation. Her work is a cornerstone for modern thinking on sustainability, emphasising trust, cooperation, and shared knowledge as essential tools to support shared stewardship. In an era of global environmental challenges, Ostrom’s ideas remain a powerful guide for collective action and planetary stewardship.

Ostrom received the 2009 prize in economic sciences for her contributions.

Read about more prizes that help us understand and value our Earth: https://www.nobelprize.org/....../11-prizes-that-help....../

希弗林/拉羅．西夫林（Lalo Schifrin）. 滾石傳奇主唱Mick Jagger米克賈格爾 80歲。Netflix 生平紀錄片。 捐善款$30 Million in Prize Money and Sponsorship Earnings to Homeless Charities!。他對財富和遺產更深層的個人哲學，更注重社會利益而不是家族繼承。 德意志人：一部詩人、作家、哲學家和思想家的自傳巴黎聖母院主教的華麗轉身......各級神職人的一系列新潮，……Jean-Charles de Castelbajac, from Haute Couture to the Holy Halls of Notre Dame

Lalo Schifrin, right, with the saxophonist and flutist Leo Wright in about 1960, when they were both members of Dizzy Gillespie’s band. Mr. Schifrin worked as a pianist, composer and arranger with Mr. Gillespie before beginning his long career as a film composer.Credit...Bill Wagg/Redferns, via Getty Images

Lalo Schifrin, 93, Dies; Composer of ‘Mission: Impossible’ and Much More

He was best known for one enduring TV theme, but he had a startlingly diverse career as a composer, arranger and conductor in a wide range of genres.

Lalo Schifrin, right, with the saxophonist and flutist Leo Wright in about 1960, when they were both members of Dizzy Gillespie’s band. Mr. Schifrin worked as a pianist, composer and arranger with Mr. Gillespie before beginning his long career as a film composer.Credit...Bill Wagg/Redferns, via Getty Images

希弗林曾以六部電影的配樂獲得奧斯卡獎提名——《鐵窗喋血》（1967）、《狐狸》（1967）、《亡命駕駛》（1967）、《鬼哭神嚎》（1979）、《競爭》（1980）和《騙2》（1983）——但最終未能獲獎。不過，他確實在2018年獲得了奧斯卡榮譽獎。伊斯特伍德曾八次與他合作，他將小金人授予了他。

Mr. Schifrin was nominated for an Academy Award for his scores to six movies — “Cool Hand Luke” (1967), “The Fox” (1967), “Voyage of the Damned” (1967), “The Amityville Horror” (1979), “The Competition” (1980) and “The Sting II” (1983) — but never won. He did, however, receive an honorary Oscar in 2018. He was presented with the statuette by Mr. Eastwood, with whom he collaborated eight times.

When Mr. Schifrin won an honorary Academy Award in 2018, it was given to him by Clint Eastwood, a frequent collaborator.Credit...Kevin Winter/Getty Images











無影無蹤






（快訊） 阿根廷作曲家、指揮家拉羅．西夫林（Lalo Schifrin）辭世，享耆壽93歲。他為《虎膽妙算 Mission: Impossible》（1966-73）編寫的主題曲堪稱家喻戶曉，亦獲得電影改編版《不可能的任務》系列沿用，文化影響力持續至今。
．
西夫林的作品曾六度獲得奧斯卡音樂類獎項提名，包括《鐵窗喋血 Cool Hand Luke》（1967）、《狐惑 The Fox》（1967)、《海上驚魂三十天 Voyage of the Damned》（1976)、《鬼屋 The Amityville Horror》（1979）、《琴逢敵手 The Competition》（1980）、《刺激 The Sting II》（1983）。為彌補他從未登上頒獎台的遺憾，影藝學院在2019年授予之榮譽獎以表彰他在音樂領域上的成就。
．
除了上述作品，西夫林亦曾為克林．伊斯威特（Clint Eastwood）主演的「骯髒哈利」系列電影如《緊急追捕令 Dirty Harry》（1971）等五部電影配樂。後期代表作則是《尖峰時刻 Rush Hour》（1998）及其續集。
．
1976年至2004年的派拉蒙影業片頭音樂，也是由拉羅．西夫林作曲。
．
2025年6月26日，拉羅．西夫林因肺炎併發症病逝。
















GOOD NEWS: Netflix has announced it will premiere an exclusive documentary focusing on the life and legacy of rock star Mick Jagger…
Full story below









Hanching Chung










Retro Sound Music



BREAKING: Mick Jagger Stuns the World by Donating $30 Million in Prize Money and Sponsorship Earnings to Homeless Charities! “I’ve seen the effects of homelessness firsthand growing up, and I knew if I ever had the means, I’d give back in a meaningful way,” mcik Jagger said in a press conference. “No one deserves to sleep on a sidewalk.”..
Full story below




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Mick Jagger, the legendary frontman of the Rolling Stones, has decided to donate his share of the band’s catalog to charity rather than leave it to his children. Valued at an impressive US$500 million (around R$2.5 billion), the catalog represents a significant portion of his wealth. In an interview with *The Wall Street Journal*, Jagger explained that his children don’t need the money to live, expressing his desire to use his fortune for a greater good. He emphasized his intention to make a positive impact in the world.

At the time of this announcement, Jagger’s children range in age from his eldest, 52, to his youngest, who is just six years old. Despite his children’s varying ages, Mick is clear in his decision to forgo passing down this enormous wealth to them directly, choosing instead to contribute to charitable causes. His approach reflects a deeper personal philosophy about wealth and legacy, focused more on social good than on familial inheritance.
Among Jagger's heirs is his 25-year-old son, Lucas, who was born in 1999 from his relationship with Brazilian television personality Luciana Gimenez. While Mick’s decision has sparked discussions about inheritance and philanthropy, it is clear that he intends to leave a legacy that extends beyond his musical contributions, aiming to benefit the world in a more meaningful way.




滾石傳奇主唱米克·賈格爾決定將他所持有的樂團唱片份額捐獻給慈善機構，而不是留給他的孩子。該目錄價值高達 5 億美元（約 25 億巴西雷亞爾），佔了他財富的很大一部分。在接受《華爾街日報》採訪時，賈格爾解釋說，他的孩子不需要錢來生活，並表達了他希望將自己的財富用於更大利益的願望。他強調自己想要對世界產生正面影響的意圖。 截至目前，賈格爾的孩子們年齡跨度從最大的 52 歲到最小的僅 6 歲不等。儘管孩子們的年齡各不相同，但米克明確表示不直接將這筆巨額財富傳給他們，而是選擇捐給慈善事業。他的方法反映了他對財富和遺產更深層的個人哲學，更注重社會利益而不是家族繼承。 賈格爾的繼承人包括他 25 歲的兒子盧卡斯 (Lucas)。雖然米克的決定引發了關於繼承和慈善事業的討論，但很明顯，他打算留下超越音樂貢獻的遺產，旨在以更有意義的方式造福世界。




Mick Jagger Appears as a Shocking Surprise at the 2025 Oscars
Oscars 2025 is not only celebrated by cinema lovers. A number of musicians also took part in enlivening this event. One of them is Mick Jagger .
The veteran rocker known for his iconic dance moves on stage made a surprise appearance. He was chosen to present the award in the Best Original Song category.
The presence of The Rolling Stones vocalist was very unexpected. No wonder his appearance invited its own euphoria.
Accompanied by Sympathy for the Devil, his band's 1968 song, Mick strutted across the stage in his signature style. The audience including actors, musicians and public figures were stunned to see the legend.
The reception was so enthusiastic, it was unexpected by Mick Jagger himself. "You guys are so kind, thank you all so much," he said on stage at the Oscars at the Dolby Theatre in Los Angeles on March 2.
On stage he admitted he was just a 'reserve' figure. He revealed that Bob Dylan was actually the one who should have presented the award.
"I'm very honored to be invited to present the Best Original Song award tonight. Although I'm delighted, I wasn't the first choice to present it. The producers really wanted Bob Dylan to do it," joked Mick Jagger, to much laughter from the audience.
Mick gave the Oscar to Emilia Perez for the song El Mal . This song managed to beat a series of other cool songs such as Like a Bird (Sing Sing) to Never Too Late (Elton John: Never Too Late).
© 2025 VOI - Time to Revolutionize News
#photography #mickjagger #therollingstones










米克賈格爾驚艷亮相 2025 年奧斯卡頒獎典禮 2025 年的奧斯卡頒獎典禮不僅僅是電影愛好者的節日。許多音樂家也參與其中，為活動增添活力。其中一位就是米克·賈格。 這位以舞台上標誌性舞步而聞名的資深搖滾歌手驚喜現身。他被選中頒發最佳原創歌曲獎。 滾石樂團主唱的出現令人十分意外。難怪他的出現會引發人們的歡欣鼓舞。 伴隨著樂團 1968 年的歌曲《同情魔鬼》，米克以他標誌性的風格昂首闊步走過舞台。包括演員、音樂家和公眾人物在內的觀眾都為這個傳奇故事感到震驚。 觀眾的反應非常熱烈，甚至連米克賈格爾本人都沒想到。 3 月 2 日，他在洛杉磯杜比劇院舉行的奧斯卡頒獎典禮上登台說道：“你們太好了，非常感謝你們。” 在台上，他承認自己只是一個“替補”人物。他透露，實際上應該由鮑勃迪倫來頒發該獎項。 「我很榮幸今晚受邀頒發最佳原創歌曲獎。雖然我很高興，但我並不是第一個頒發該獎項的人選。製片人真的希望鮑勃迪倫來頒發這個獎項，」米克賈格爾開玩笑說，引得觀眾大笑。 米克將奧斯卡獎頒發給歌曲《El Mal》的艾米莉亞·佩雷斯 (Emilia Perez)。這首歌擊敗了其他一系列很酷的歌曲，例如《Like a Bird》（Sing Sing）和《Never Too Late》（Elton John：Never Too Late）。 © 2025 VOI - 是時候革新新聞了 #photography #mickjagger #therollingstones Mǐ kè jiǎ gé ěr jīngyàn liàngxiàng 2025 nián àosīkǎ bānjiǎng diǎnlǐ 2025


德意志人：一部詩人、作家、哲學家和思想家的自傳
作者: [德]約翰內斯·弗裡德（Johannes Fried）
出版社: 社會科學文獻出版社
出品方: 甲骨文
原作名: Die Deutschen:Eine Autobiographie Aufgezeichnet von Dichtern und Denkern
譯者: 劉曉
出版年: 2024-10
頁數: 580
定價: CNY118.0
裝幀: 平裝
叢書: 甲骨文叢書
ISBN: 9787522831091
內容簡介 · · · · · ·
在重要時代見證者的文字中，感受德意志民族群星閃耀的精神與文化。
德意志人--驕傲的詩人、作家、哲學家和思想家的民族?如果你讓這些人自己進行評價，就會發現所謂的民族自豪感不甚准確。從瓦爾特·馮·德·沃格爾韋德到路德、康德、席勒，再到海德格爾、布萊希特和《德意志人》集結了德國文化名人和著名知識當代作家馬丁·瓦爾澤，分子的各種觀點。令人震驚的是，他們的共同點是對「德意志」民族身份的批判態度。
約翰內斯·弗裡德旁征博引，呈現了中世紀以來，德意志詩人和思想家如何看待自己的民族，如何認知自己民族的品質與價值，又對外來者持怎樣的態度，以及他們的觀點帶來了哪些影響。《德意志人》從歷史文學的角度，闡釋了眾多文學巨匠對「詩人與思想家的國度」這一說法提出質疑的原因，並生動地展現了德意志民族精神文化的演變過程
目錄 · · · · · ·
1「德意志即大眾』德意志作為一個族名的若干含義/028
2「所有種族都混合攪拌。把整個歐洲扔進榨汁機!」塔西佗的《日耳曼尼亞志》/066
3「喪鐘為慘遭蹂躪的德國而鳴」:三十年戰爭/091
4「何為德意志人的祖國?」拿破侖及其後果/ 130
5「眼下的德國橫屍遍野」:政治復辟/ 176
6「……留給我們的還有神聖的德意志藝術」:革命失敗之後/225
7「世界將借由德意志的本質而復原」: 1870 ~1871 年帝國建立/ 246
8「我們必須越來越有德意志的樣子」:第一次世界大戰/276
9「他是猶太人，不是德意志人」:缺席的民主/320
10「真理的腐壞」:納粹時期的退化/360
11「托尼，你是足球之神!」戰後時代/ 392
12「我們曾深愛過那個國家」:「轉折」之後/ 413
13「為了德國，我無所畏懼」:現在與今天/427
14'不朽之物亦無國籍」:結語/458
注釋/506
致謝/571
人名索引/572


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聚會與會後報告：
周四1205 下午二點半，漢清講堂：王晃三，徐歷昌和我，起碼。
王晃徐歷昌昌來訪
12 月5日中午，周四約十一點，王晃三老師將來聊天。我順便請參加者便餐（晃三兄另有餐會）。
感謝：接到晃三兄寄來的《中原大學工業與系統工程學系 60周年(簡介)》，該書「感恩致謝」末頁：
「捐助系所發展基金—DHC 發展基金」中介紹：
「……一對隱名基督徒夫妻的捐助，，承諾分十年捐出美金200萬元，指定用於壯大本系。…… 」
另寄來 《小齒輪之歌：青松歲月的證言：中原工工 (1964～2024) 》。正是這本書的初版寫創系初期的艱辛，奮鬥，創新，感動美國一對隱名基督徒夫妻......
在三呆追蹤俱樂部留言：

多年前，我跟晃三兄說，教宗喪禮，有直播（陳總統参加），晃三兄說他有興趣……
此片最後巴黎聖母院主教的華麗轉身，穿新“時尚”服裝，是天主教請藝術家設計各級神職人的一系列新潮，……每一福音有其顏色代表，有法文書，France24國際台有專訪（英文）。也有邀馬友友獨奏。有全程錄影 約六小時多。





"三一功小冊子小冊"我沒讀過 (漢清講堂有概論影片)，這是晃三兄為中原大學作的系列教學影片（教育部剛頒發過獎）摘要，最近TED EDU有不少類似短片。
徐歷昌兄，晃三兄周前聚會後的報告：

前兩天看完王老師的三一功小冊子，並跟我老婆寶珠分享了書末的傳說(後記),她好感動，看來我該用三一功好好學習王老師的深情款款！

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Jean-Charles de Castelbajac, from Haute Couture to the Holy Halls of Notre Dame French fashion designer @jcdecastelbajac has a big mission: to dress the 700 ...



Fashion designer says it's his 'calling' to ...


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Nov 21, 2024 — Designer Jean-Charles de Castelbajac displays a liturgical vestment for bishops to be worn at the reopening of Paris' Notre-Dame Cathedral in December.
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Jean-Charles de Castelbajac

An Interview with the Paris-based Artist and Designer





Jean-Charles de Castelbajac sits in his apartment with a wool blanket draped over his lap, thinking about a memory from the past. The aristocratic French designer’s storied career has spanned half a century, including creative collaborations with icons and artists like Mick Jagger, Madonna, Jean-Michel Basquiat and even the Pope. Castelbajac is behind some of the most talked-about clothing items in recent history: Lady Gaga’s Kermit the Frog coat, Katy Perry’s President Obama dress and Farrah Fawcett’s costumes in Charlie’s Angels, to name a few. Even Andy Warhol acquired Castelbajac’s “poncho for two” back in the 1970s, which JC/DC (as he’s often affectionately referred to) delivered by hand to the artist’s Factory. But long before his tongue-in-cheek designs made pop culture waves, he was the boy with the blanket.

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The Moroccan-born, Paris-based designer has always been attracted to unconventional materials, including blankets. His deep fascination was sparked while visiting family in Canada in the winter. His uncle in Ottawa sent him into the woods for one month “to become a man,” but Castelbajac came out an artist.