法國編劇讓-克洛德·卡里埃 ( Jean-Claude Carriare ~202189歲 ,多產作家…1979年將德國著名作家君特·格拉斯的小說《鐵皮鼓》改編成電影,並憑藉此片榮獲奧斯卡金像獎和坎城影展金棕櫚獎 ):This Is Not the End of the Book作者 Jean-Claude Carriare (Author), Umberto Eco (Author), Jean-Philippe de Tonnac
Oscar-winning French screenwriter Jean-Claude Carrière, whose 1979 adaptation of renowned German writer Günter Grass's novel "The Tin Drum" won an Academy Award and a Palme d'Or, has died aged 89. 2021
Feb 11, 2021 — Jean-Claude Carrière, an author, playwright and screenwriter who collaborated with the director Luis Buñuel on a string of important films and went on to work ...Read more
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Jean-Claude Carrière, the prolific French screenwriter renowned for collaborations with Luis Buñuel and works like The Unbearable Lightness of Being, died on February 8, 2021, at age 89 in Paris. The New York Times reported his death, noting his immense contribution to 20th-century cinema as a writer, actor, and Oscar-winning screenwriter.
Key Details of Career and Legacy
Key Collaborations: Carrière is most famous for his long partnership with director Luis Buñuel, writing scripts for Belle de Jour (1967) and The Discreet Charm of the Bourgeoisie (1972).
Renowned Works: He co-wrote The Unbearable Lightness of Being (1988), Cyrano de Bergerac (1990), and The Tin Drum (1979).
Awards: He won an Academy Award for best short subject in 1963 (Heureux anniversaire) and received an Honorary Oscar in 2014 for his body of work.
Style: Known for adapting complex literary works and bringing a surrealist, sharp wit to film, he was also a novelist and playwright.
Carrière died of natural causes at his home in Paris.
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A book lover today might sometimes feel like the fictional medieval friar William of Baskerville in Eco’s The Name of the Rose, watching the written word become lost to time. In This Is Not the End of the Book, that book’s author, Umberto Eco, and his fellow raconteur Jean-Claude Carriere sit down for a dazzling dialogue about memory and the pitfalls, blanks, omissions, and irredeemable losses of which it is made. Both men collect rare and precious books, and they joyously hold up books as hardy survivors, engaging in a critical, impassioned, and rollicking journey through book history, from papyrus scrolls to the e-book. Along the way, they touch upon science and subjectivity, dialectics and anecdotes, and they wear their immense learning lightly. A smiling tribute to what Marshall McLuhan called the Gutenberg Galaxy, this dialogue will be a delight for all readers and book lovers.
Uncle Tungsten: Memories of a Chemical Boyhood is a memoir by Oliver Sacks about his childhood published in 2001. The book is named after Sacks's Uncle Dave, secretary of a business named Tungstalite[1], which made incandescent lightbulbs with a tungstenfilament, whom Oliver nicknamed Uncle Tungsten. According to family members, Oliver used the single nickname, Uncle Tungsten, to refer to a combination of Dave with several other individuals in the same family. Uncle Tungsten was fascinated with tungsten and believed it was the metal of the future.
The book combines autobiographical elements with a primer in the history and science of chemistry. However, it is not all about his youthful passion for chemistry, but also is eclectic, relating his memories of the catastrophic fire at the Crystal Palace, his terrible experiences of sadism at school, his interest in amateur chemistry, and a passing obsession with coloring his own black-and-white photographs in his home laboratory.