【大戰荷馬 Homer300回】 (2026 ６月起.....8月8日起有日期標示，經常超前.....) 偏重《奧德賽》（The Odyssey）英中文本和 電影Christopher Nolan’s ‘THE ODYSSEY’ ˇ。 票房衝刺簡史 ，......。 拍片簡史。 劇本出版品The official physical screenplay for Christopher Nolan's The Odyssey was published by Faber & Faber and Rizzoli, released on July 30, 2026。3影片極深的討論影評 (劍橋大學古典學5位教授 ) ； 喬納森·比採訪了他以前的古希臘語老師、著名古典學者格雷戈里·納吉，就荷馬史詩進行了深入探討。他們探討了《伊利亞德》和《奧德賽》中關於悲傷、戰爭和英雄主義的主題。Johnathan Bi interviewed his former Ancient Greek teacher, renowned classical scholar Gregory Nagy, in a deep-dive discussion on Homer’s epics. They explored themes of grief, war, and heroism in the Iliad and the Odyssey. 【大戰狄更斯300回:】中譯文本的討論 (2013 鵬又圈simon university)......。

 深度訪談 讀者可暫時不管

1.主持人johnathan bio  系列影片談 Odysseus

(可以直接頌希臘原文)訪問其老師談 ‘THE ODYSSEY’ ，牽涉到整個希臘文哲史，從荷馬 Homer   到柏拉圖的理想國，蘇格拉底的申辯結尾死後不朽，英雄 伊利亞的 ACCHILE (兩史詩之大英雄)，ODYSSEY(只在《奧德賽》（The Odyssey）書中是大英雄；麻煩之一是與god 睡過覺.....)；還是詩人荷馬 Homer 是大英雄......

Johnathan Bi interviewed his former Ancient Greek teacher, renowned classical scholar Gregory Nagy, in a deep-dive discussion on Homer’s epics. They explored themes of grief, war, and heroism in the Iliad and the Odyssey. [1, 2, 3]

喬納森·比採訪了他以前的古希臘語老師、著名古典學者格雷戈里·納吉，就荷馬史詩進行了深入探討。他們探討了《伊利亞德》和《奧德賽》中關於悲傷、戰爭和英雄主義的主題。

Key Discussion Topics

Grief and Penthos: How Odysseus cries for the suffering of his victims rather than just reveling in heroic triumph.
Structural Twins: The metrical and thematic balance connecting the names and lengths of Achilles and Odysseus.
The Sirens' Promise: What the song of the Sirens truly offers Odysseus in terms of knowledge and fame (kleos). [1, 2, 3]

If you would like, I can share:

• A summary of Gregory Nagy's insights on the Trojan War
• Details on where to watch the full interview video

2. ROGER MAXSON 評論 NOLAN 在北京接受的訪談，認為是NOLAN 談影片之中最佳者

需全部訪談的翻譯

ROGER MAXSON 的評論家入太多自己的看法 尼采的悲劇論   卡萊爾比馬克思好......

3 CAMBRIDGE CLASSICS DISCUSS NOLAN'S

 CLASSICSATCAMBRIDGEDIS 

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Christopher Nolan’s ‘THE ODYSSEY’ 

The official physical screenplay for Christopher Nolan's The Odyssey was published by Faber & Faber and Rizzoli, released on July 30, 2026, for $17.95 USD. The 240-page book details Nolan's writing and adaptation process for bringing Homer’s ancient text to the screen as a sub-three-hour IMAX epic. [1, 2]

Screenplay & Adaptation Insights

Modern Tone: Nolan chose an earthy, accessible, and relatable modern English dialogue style rather than archaic phrasing.
Structure: The script employs a nonlinear structure to productively navigate the massive, complex narrative of the original poem.
Availability: You can purchase the printed text via major retailers like Barnes & Noble or Faber & Faber. [1, 2, 3, 4]

Christopher Nolan discusses his approach to translating the classical epic into a modern cinematic script:

4m

Christopher Nolan shares his process of adapting 'The ...

19K views · 20 days ago

YouTube · MS NOW

If you're looking for something specific, let me know:

• Are you searching for a specific scene breakdown or dialogue?
• Would you like info on the companion behind-the-scenes book (Filming The Odyssey)?

Epic misunderstanding 

There has been a lot of hoo-ha about Homer these past few weeks, prompted by Christopher Nolan’s adaptation of the Odyssey, the Iliad that precedes it and the time in which the Homeric epics are set. Read the full story: https://bit.ly/4g3El65

AI Overview

Christopher Nolan’s The Odyssey was filmed over 91 days in 2025 across six countries with a $250 million budget, making history as the first feature film shot entirely on 70mm IMAX cameras. 

Production and Technical Breakthroughs

All-IMAX Capture: Nolan fulfilled a decades-long goal to shoot an entire dramatic feature in true IMAX, bypassing digital workflows for analog 65mm/70mm film stock. 
The IMAX Blimp System: Because standard IMAX cameras are notoriously loud, technicians engineered a heavy, high-tech soundproof casing ("blimping system") so the crew could record clean, intimate dialogue live on set. 
Practical Effects & Scale: Eschewing green screens, the crew utilized full-scale Bronze Age ship replicas on open water, a physical 35-foot Trojan horse on Moroccan shores, and real cave systems in Greece for sequences like the Cyclops. 

Location Shooting

Global Backdrops: Filming ran from February to August 2025 across Morocco, Greece, Italy, Scotland, Iceland, and Malta, alongside stage work in Los Angeles. 
Extreme Elements: Maritime sequences faced punishing conditions, including high-force winds and rough open ocean waters, to ground the mythological journey in tangible physical reality. 

Watch this short featurette detailing how the crew handled the heavy IMAX equipment and practical locations:

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8月10日

《奧德賽》全球票房目標14億美金，有望成爲影史最賣座的R級電影🎬

Christopher Nolan’s ‘THE ODYSSEY’ is now eyeing a $1.4B+ finish at the worldwide box office.

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It is on track to become the highest-grossing R-rated film of all time.

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《奧德賽》（The Odyssey）全球票房正式突破11億美元，超越2012年的《黑暗騎士：黎明昇起》，登頂諾蘭導演生涯最賣座電影；同時亦以2.89億美元，躍居IMAX影史全球票房冠軍。

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《奧德賽》目前暫居今年全球票房亞軍，僅次於《蜘蛛人：重生日》（Spider-Man: Brand New Day，16.7億美元）。此外，該片也超越多部商業大作，成為 ＃影史票房第二高的限制級（R-Rated）電影，僅次於2024年上映的《＃死侍與金鋼狼》（Deadpool & Wolverine，13億美元）。

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截至目前，該片在北美市場累計吸金4.61億美元，海外市場進帳6.43億美元，全球票房合計達11億美元。在剛結束的上映第4個週末，該片仍豪取1.1億美元全球票房（含海外7900萬美元與北美3150萬美元），展現強勁後勁。值得注意的是，《奧德賽》預計8月14日才要在全球第二大電影市場中國正式上映。

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諾蘭執導的作品全球累計票房已突破70億美元，其中《奧德賽》、2008年《黑暗騎士》與《黑暗騎士：黎明昇起》等3部作品更跨越象徵頂級大片的「10億美元大關」。而他於2023年抱回奧斯卡最佳影片殊榮的《奧本海默》，全球票房亦高達9.75億美元。

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環球影業（Universal Pictures）國際發行總裁范登堡（Veronika Kwan Vandenberg）透過聲明表示：「像克里斯多福·諾蘭這樣擁有國際號召力的獨特電影人，完美契合改編荷馬古史詩的大任。《奧德賽》是一部全球性的史詩作品，其宏大的格局與毫不妥協的視覺願景，深刻引發了世界各地觀眾的共鳴。」

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IMAX資料顯示，《奧德賽》在北美IMAX影廳已累積1.473億美元票房，創下該公司在北美本土歷史最高紀錄；國際市場則貢獻1.418億美元——這還不包含擁有多達800塊IMAX螢幕的中國市場。目前該片在中國的預售票票房已達630萬美元。

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此外，諾蘭最推崇的「IMAX 70毫米膠卷」特殊格式，僅在全球41家特定影院上映，就貢獻了3750萬美元，占該片IMAX總票房的14%。由於70毫米膠卷影廳數量稀少，許多影院的預售票已一併售罄至9月份。

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IMAX首席執行官傑爾芳德（Richard Gelfond）對此盛讚：「我們從一開始就對《奧德賽》寄予厚望，但它的表現依然不斷超越預期。這項歷史性的票房成績，正帶領我們迎來全球票房表現最好的一年。」