London Review of Books
2018年6月19日 ·
‘The library was an inspiration: the abstraction of a woodland clearing with something of the character of a Japanese temple. The exterior of the west wing was a masterpiece of ambiguities between figure and ground, space and mass. Charles Rennie Mackintosh’s magisterial work, completed in phases from 1897 to 1909, was in and of itself a teaching building: it taught students to see, to experience space and light, to feel textures, colours and materials. It touched the mind and the senses of all who passed through. It rested in memory. It was high architecture but it was also casual and convivial. It encouraged the mess of creation in its studios and promoted the mixing of people on its landings and stairs.’
William J.R. Curtis on the Glasgow School of Art, from the blog.
LRB.CO.UK
William J.R. Curtis: In Memoriam GSA
Whatever the verdict of any investigation or inquiry, this time I fear that M
2013年6月19日 ·
紀念漢寶德先生 2020：談他的歐美日遊記 (4)： 真善善；William J.R. Curtis on the Glasgow School of Art
London Review of Books
2018年6月19日 ·
‘The library was an inspiration: the abstraction of a woodland clearing with something of the character of a Japanese temple. The exterior of the west wing was a masterpiece of ambiguities between figure and ground, space and mass. Charles Rennie Mackintosh’s magisterial work, completed in phases from 1897 to 1909, was in and of itself a teaching building: it taught students to see, to experience space and light, to feel textures, colours and materials. It touched the mind and the senses of all who passed through. It rested in memory. It was high architecture but it was also casual and convivial. It encouraged the mess of creation in its studios and promoted the mixing of people on its landings and stairs.’
William J.R. Curtis on the Glasgow School of Art, from the blog.
LRB.CO.UKWilliam J.R. Curtis: In Memoriam GSA
Whatever the verdict of any investigation or inquiry, this time I fear that M
2013年6月19日 ·
紀念漢寶德先生 2020：談他的歐美日遊記 (4)： 真善善；William J.R. Curtis on the Glasgow School of Art
今年漢寶德先生80大壽。他的學生們慶祝的方式很多......。
我很幸運，在1972年春，有機會與建築系同學到漢先生的家，受師母款待。
另外印象深刻的是在2008年初夏，羅時瑋博士邀請我一起參觀漢寶德先生的『寫藝人間』展。之後我們還到漢先生的新辦公室去聊天。真是妙， 我還記得1971年9月初的新生入門會(orientation)時，漢先生聽到郭東耀主任用「真善美」來說明工學院三系(化工、工工、建築)的主導理念時，他的有點「害羞」的神情呢……
漢先生近十來年的美育和設計理念的普及，以及世界建築文化的教誨，嘉惠整個華文世界。
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