菲茨傑拉德、納博科夫和沃頓等作家都曾完美地捕捉到法國裡維埃拉的美麗與墮落。
法國裡維埃拉 BBC文化頻道 在陽光燦爛的海灘時光過後，便是永不停歇的派對、雞尾酒和賭博的喧囂。 法國裡維埃拉：“陽光下藏污納垢之地” 檔案回顧：菲茨傑拉德、納博科夫和沃頓等作家都曾完美地捕捉到法國裡維埃拉的美麗與墮落。簡·恰巴塔里將帶您探索它的魅力所在。
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藝術與情感—與 Ecar Ruiz 。
2月23日下午2:42 ·
巴勃羅·畢卡索和他的妻子傑奎琳跳舞！ （1956）
大衛道格拉斯攝
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傑奎琳‧畢卡索
出生於傑奎琳洛克
1927 年 2 月 24 日
法國巴黎
1986年10月15日去世（59歲）
配偶巴勃羅·畢卡索 (1961-1973)
傑奎琳·畢卡索（Jacqueline Picasso）或傑奎琳·羅克（Jacqueline Roque，1927年2月24日至1986年10月15日）最為人所知的是巴勃羅·畢卡索的繆斯和第二任妻子。他們的婚姻持續了11年，直到畢卡索去世。在此期間，他為她創作了400多幅肖像，比畢卡索為其他任何愛人創作的肖像都多。 [1]
目錄
1 早年生活
2 畢卡索
3 晚年生活
4 註釋
5 參考資料
早年生活[編輯]
本部分需要更多引用以供驗證。請添加可靠來源的引用，以幫助改進本文。未提供來源的內容可能會被質疑和移除。
尋找來源：「傑奎琳·羅克」 – 新聞 · 報紙 · 書籍 · 學術 · JSTOR（2017年2月）（了解如何以及何時移除此範本訊息）
傑奎琳·羅克於1927年出生於巴黎，兩歲時，她的父親拋棄了她的母親和四歲的弟弟。杰奎琳從未原諒他。 [據誰所說？ ] 她的母親在香榭麗舍大道附近一間狹小的門房小屋裡撫養她長大，自己則長時間做裁縫。傑奎琳18歲時，母親因中風過世。 1946年，她與工程師安德烈·胡坦結婚，育有一女凱瑟琳·胡坦-布萊。婚後，一家人搬到非洲，胡坦在那裡工作。四年後，傑奎琳返回法國，與胡坦離婚。 [需要引用] 她在法國裡維埃拉定居，並在表妹位於瓦洛里斯的馬杜拉陶器店找到了一份工作。
畢卡索[編輯]
1953年，畢卡索在馬杜拉陶器店遇到了26歲的傑奎琳，當時他72歲。他用粉筆在她家房子上畫了一隻鴿子，每天送她一朵玫瑰，以此來追求她。六個月後，她終於答應與他約會。他們於1961年3月2日在瓦洛里斯結婚。
羅克的形象從1954年5月開始出現在畢卡索的畫作中。這些肖像畫的特徵是誇張的頸部和貓科動物般的臉龐，是對羅克五官的扭曲。最終，她深邃的眼睛和眉毛、高聳的顴骨以及古典的側臉輪廓成為了他晚期畫作中常見的標誌性元素。 [2] 畢卡索以歐仁·德拉克羅瓦的《阿爾及爾的女人》為靈感創作的一系列畫作很可能受到了羅克美貌的啟發；這位藝術家曾評論說：「德拉克羅瓦已經見過杰奎琳了。」[2] 1955年，他將傑拉奈奎琳的畫作《瓦朗斯的筆下》，這是對西班牙舞者的筆下致敬。 [3] 1963年，他為她創作了160幅肖像，並持續創作，直至1972年，其作品形式也日趨抽象。 [3]
晚年生活[編輯]
1973年畢卡索去世後，他的伴侶弗朗索瓦絲·吉洛（Françoise Gilot，1943年至1953年間的伴侶）[4]，也是他兩個孩子克勞德和帕洛瑪的母親[5]，與杰奎琳就畢加索遺產的分配問題發生爭執。吉洛和她的孩子們先前曾以畢卡索患有精神疾病為由對遺囑提出異議，但最終敗訴。傑奎琳阻止克勞德和帕洛瑪參加畢卡索的葬禮。 [6] 最終，雙方同意在巴黎建立畢卡索博物館。 [3]
1986年，傑奎琳·畢卡索開槍自殺，享年59歲。 [7] 就在她過世前不久，她確認將出席在西班牙舉辦的畢卡索私人收藏作品展。 [7]
Arts&Emotions──和 Ecar Ruiz 。
Pablo Picasso and his wife Jacqueline dancing!(1956)
Photo by David Douglas
Photo by David Douglas
Jacqueline Picasso
| |
|---|---|
| Born |
Jacqueline Roque
24 February 1927 |
| Died | 15 October 1986 (aged 59) |
| Spouse(s) | Pablo Picasso (1961-1973) |
Jacqueline Picasso or Jacqueline Roque (24 February 1927 – 15 October 1986) was best known as the muse and second wife of Pablo Picasso. Their marriage lasted 11 years until his death, during which time he created over 400 portraits of her, more than any of Picasso's other loves.[1]
Contents
Early life[edit]
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Born in 1927 in Paris, she was only two when her father abandoned her mother and her four-year-old brother. Jacqueline never forgave him.[according to whom?] Her mother raised her in a cramped concierge's lodge near the Champs Elysées, working long hours as a seamstress. Jacqueline was 18 when her mother died of a stroke. She married André Hutin, an engineer, in 1946 with whom she had a daughter, Catherine Hutin-Blay. The young family moved to Africa, where Hutin worked, but four years later Jacqueline returned to France and divorced Hutin.[citation needed] She settled down on the French Riviera and took a job at her cousin's shop, the Madoura Pottery in Vallauris.
Picasso[edit]
Pablo Picasso met Jacqueline in 1953 at the Madoura Pottery when she was 26 years old and he was 72. He romanced her by drawing a dove on her house in chalk and bringing her one rose a day until she agreed to date him six months later. They married in Vallauris on 2 March 1961.
Roque's image began to appear in Picasso's paintings in May 1954. These portraits are characterized by an exaggerated neck and feline face, distortions of Roque's features. Eventually her dark eyes and eyebrows, high cheekbones, and classical profile would become familiar symbols in his late paintings.[2] It is likely that Picasso's series of paintings derived from Eugène Delacroix's The Women of Algiers was inspired by Roque's beauty; the artist commented that "Delacroix had already met Jacqueline."[2] In 1955 he drew Jacqueline as "Lola de Valence", a reference to Édouard Manet's painting of the Spanish dancer.[3] In 1963 he painted her portrait 160 times, and continued to paint her, in increasingly abstracted forms, until 1972.[3]
Later life[edit]
After Pablo's death in 1973, Françoise Gilot, Picasso's companion between 1943 and 1953,[4] and mother of two of his children, Claudeand Paloma,[5] fought with Jacqueline over the distribution of the artist's estate. Gilot and her children had previously unsuccessfully contested the will on the grounds that Picasso was mentally ill. Jacqueline prevented Claude and Paloma from attending Picasso's funeral.[6] Eventually the parties agreed to establish the Musée Picasso in Paris.[3]
