威尼斯雙年展" "In Minor Keys" (Biennale Arte 2026),。弗洛倫蒂娜·霍爾辛格的9小時奇觀挑戰了人體藝術的極限.. in Vienna. “Violence is something we’re used to,” she said...《五旬節劇》（Pentecost Play）是弗洛倫蒂娜·霍爾辛格（Florentina Holzinger）創作的一部長達9小時的全新作品，作為她在威尼斯雙年展奧地利館展覽的配套作品。..。藝術家 MAY 2026 142~172 威尼斯雙年展 快報。威尼斯音樂雙年展" Venice Music Biennale。35歲的卡特琳娜·巴比耶里（Caterina Barbieri）擅長使用合成器進行演出。這使得她成為威尼斯音樂雙年展的領導人物，實在令人驚訝。
Bláthin Eckhardt, clad in nothing but a harness, slowly walking down the side of the InterContinental hotel.Credit...Nicole Marianna Wytyczak
Florentina Holzinger’s 9-Hour Spectacle Pushes the Limits of Body Art
The choreographer-provocateur followed a hit show at the Venice Biennale with one in Vienna. “Violence is something we’re used to,” she said.
弗洛倫蒂娜·霍爾辛格的9小時奇觀挑戰了人體藝術的極限
“Pentecost Play,” a new, 9-hour long show created by Florentina Holzinger as a companion piece to her exhibition at the Austrian pavilion of the Venice Biennale.Credit...Nicole Marianna Wytyczak
The 61st International Art Exhibition, titled "In Minor Keys" (Biennale Arte 2026), will run from May 9 to November 22, 2026, in Venice, curated by the late Coyoku to focus on intimate, emotional, and sensory artistic experiences. The exhibition emphasizes "minor keys" as a metaphor for quiet tones, intimacy, and joy.
Key Details for Biennale Arte 2026
Dates: May 9 – November 22, 2026.
Theme: "In Minor Keys," aiming for a reconnection with art's sensory, visual, and emotional role.
Curatorial Vision: Conceived by Coyoku, the exhibition prioritizes intimate and convivial spaces over grandiosity, exploring how art can provide solace, hope, and connection in chaotic times.
Location: The main exhibition takes place across the Giardini and Arsenale venues.
Notable Participants/Exhibitions:
France: Artist Yto Barrada represents France at the French Pavilion.
External Projects: Andreas Angelidakis at the Greek Pavilion and Hernan Bas at Ca' Pesaro.
Logistics: Large bags/suitcases are not allowed in, and electric cars are available for visitors with reduced mobility. Transport options include Actv routes 1, 4.1, and 5.1 from Piazzale Roma/Ferrovia.
The exhibition aims for a sensory experience rather than an exhaustive one, inviting visitors to experience realms where time is not dictated by relentless productivity.
“We’re pretty aligned from a perspective of tonality and the emotive aspects of our music,” Giske said. “We meet in the middle — in the question of where the human begins and the machine ends.”
A curiosity about the limits of consciousness goes all the way back to Barbieri’s studies. Though she trained in classical guitar and electroacoustic composition at the Bologna Conservatory, she also wrote an ethnomusicology thesis on the relationship between American minimalist and Hindustani classical music. Much of her work is concerned with entering a trance-like state when listening or performing.
“For me, music is a gash leading to the divine; it’s something that connects you to the magic dimension of existence,” Barbieri said. Credit...Matteo de Mayda for The New York Times
《藝術家》612期已於本週四出刊，選V購連結請見留言處
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