70 年代初，Herbert Read (1893-1968.當時我們可能都不知道著者過世了)
著書多被翻譯了，繪畫史，雕塑史，藝術的意義等都已上市 (台北大陸書店，李長俊翻譯依序：《超現實主義的藝術》《現代繪畫史》 《現代雕塑史》1971/1982 三版 ) ，連漢寶德先生都是譯手 (《彫刻的藝術》 台北 : 大中國 ，民51[1962])。
(本篇附圖是英文版《藝術的意義》 1956 ，190頁附60張圖，可能雄獅美術社等翻譯，待查)
隔天我查的AI簡說，應該屬"胡說八道"：
赫伯特·里德 (Herbert Read) 的《現代雕塑簡史》很可能收錄了亞歷山大·考爾德的作品，因為他在現代雕塑中扮演著舉足輕重的角色，他開創性地運用金屬和動態元素，創作了融入風和氣流的“動態雕塑”，並改變了雕塑、空間和觀眾之間的關係。雖然書中提供的片段並未直接提及考爾德，但考慮到該書關注的是從傳統靜態雕塑向更具動態形式的轉變，這與他在動態藝術領域的創新相一致，考爾德的作品被收錄在書中也是意料之中。
大陸版的《現代雕塑史》的實際 （339張圖，缺索引，似乎只一張圖CALDER 似乎出現3處：文字最多的在162頁：大意：一般歸之為超現實主義，其實 卡德爾的作品屬於遊戲之類的，屬遊戲之本能，席勒將它與藝術作品之自由精神與）人性本質視為同一...... Herbert Read接下來說諸如畢加索和亨利摩爾(案：Herbert Read 以Henry Moore 為書名的至少3本，見本譯著書目提要之末頁)，也無法完全歸為超現實主義，他們的才氣乃是普遍性的，表現也是多彩多姿的......必須以另一新標題： 生機論 VITALISM 來加以討論，此所以接下的第5章標題為：《生命的意象》 )：
AI OverView Herbert Read's A Concise History of Modern Sculpture likely includes Alexander Calder, given Calder's pivotal role in modern sculpture by revolutionizing it with his pioneering use of metal and movement, creating the "mobiles" that incorporated wind and air currents, and transforming the relationship between sculpture, space, and the viewer. While the provided snippets don't directly cite a specific mention, Calder's inclusion is expected given the book's focus on the transition from traditional, static sculpture to more dynamic forms, aligning with his innovations in kinetic art.
Calder's Significance
- Kinetic Sculpture:
Calder is famous for inventing mobiles, a type of abstract sculpture with moving parts. - Pioneering Movement:
He was a pioneer in using metal and incorporating movement into his sculptures, a revolutionary departure from the static forms of traditional sculpture, according to Tate. - Space and Perception:
His works were designed to move and interact with space, redefining the environment around them through their continuous motion, notes the Tate. 赫伯特·里德 (Herbert Read) 的《現代雕塑簡史》很可能收錄了亞歷山大·考爾德的作品，因為他在現代雕塑中扮演著舉足輕重的角色，他開創性地運用金屬和動態元素，創作了融入風和氣流的“動態雕塑”，並改變了雕塑、空間和觀眾之間的關係。雖然書中提供的片段並未直接提及考爾德，但考慮到該書關注的是從傳統靜態雕塑向更具動態形式的轉變，這與他在動態藝術領域的創新相一致，考爾德的作品被收錄在書中也是意料之中。 - 考爾德的意義
- 動態雕塑：
- 考爾德以發明動態雕塑而聞名，這是一種帶有活動部件的抽象雕塑。
- 先鋒運動：
- 泰特美術館認為，他是運用金屬並將動態元素融入雕塑的先驅，這與傳統雕塑的靜態形式形成了革命性的突破。
- 空間與感知：
- 泰特美術館指出，他的作品旨在移動並與空間互動，透過持續的運動重新定義周圍的環境。
- 藝術遺產：
- 考爾德的創新雕塑方法在該領域開創了先河，影響了未來幾十年抽象和動態藝術的發展方向。
- 赫伯特·里德與現代雕塑
- 關注現代性：
- 里德的著作旨在記錄雕塑從傳統的靜態形式轉變為現代的動態形式的轉變。
- Artistic Legacy:
Calder's innovative approach to sculpture established a new precedent in the field, influencing the direction of abstract and kinetic art for decades to come.
Herbert Read and Modern Sculpture
- Focus on Modernity:
Read's book aims to document the shift in sculpture from historical, static forms to modern, dynamic approaches.
漢先生和建築系的王錦堂先生在建築方面的雜誌和叢書，貢獻很大。
我印象很深的是王老師將一本MIT出版的論文集拆成好幾部分分工翻譯。我第一次認識紐約的構成和都市計畫學。二十年之後才初履斯土。康定怡同學是這大都會的小建築師，我們是整個藝術社群的過客。
補： 要查王錦堂分給大家翻譯的書之書名
AI Overview
The MIT Press does not publicly provide an easily accessible list of all titles published between 1968 and 1970. However, information about their publishing activities during that period can be found through searches of their official website, which highlights significant achievements in the 1970s, such as the launch of their journal program and major books in fields like architecture and linguistics. You can search for specific topics or authors on their website or use academic databases like JSTOR to find publications from that era.
April 28, 2022
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