【 眾生報：每日人事物 2025 1104 週二】Novelist as a Vocation 『職業としての小説家 : 村上 春樹』 末篇：河合先生 (有中文本) 知交物理的接觸； 鄭宗龍(雲門舞集的藝術總監，傾聽種種聲音，讀 《杜子春》（芥川龍之介)，見本期《今周刊》)；許美華1103： 今天我只想寫棒球！........去吧，由伸。 飛向我們無法觸及的地方 去證明，日本最強、就是世界最強！ 」； 「去吧，台積電 飛向我們無法觸及的地方 去證明，台灣最強、就是世界最強」。胡 適《水滸傳與紅樓夢 》等；《中国古典小說名著資料叢刊》； Andrew Plaks《浦安迪自選集》、《明代小說四大奇書》《中國敘事學》《紅樓夢的原型與寓意》《紅樓夢批語偏全》 】世界大戰死去的十位藝術家 Top 10 artistic talents lost in the first world war (Jonathan Jones). Egon Schiele’s Hidden Obsessions Laid Bare
Novelist as a Vocation (職業としての小説家)
【 眾生報：每日人事物 2025 1104 週二】『職業としての小説家 : 村上 春樹』 末篇：河合先生 (有中文本) ； 鄭宗龍(雲門舞集的藝術總監，傾聽種種聲音，讀 《杜子春》（芥川龍之介)，見本期《今周刊》)；許美華1103： 今天我只想寫棒球！........去吧，由伸。 飛向我們無法觸及的地方 去證明，日本最強、就是世界最強！ 」； 「去吧，台積電 飛向我們無法觸及的地方 去證明，台灣最強、就是世界最強」。胡 適《水滸傳與紅樓夢 》等；《中国古典小說名著資料叢刊》； Andrew Plaks《浦安迪自選集》、《明代小說四大奇書》《中國敘事學》《紅樓夢的原型與寓意》《紅樓夢批語偏全》 】世界大戰死去的十位藝術家 Top 10 artistic talents lost in the first world war (Jonathan Jones). Egon Schiele’s Hidden Obsessions Laid Bare
Cao Xueqin’s monumental 18th-century novel Honglou Meng—Dream of the Red Chamber—is an undisputed masterwork of world literature. Andrew Plaks on the resonant imagery and dense interweaving of literary and philosophical motifs in a paradoxical Bildungsroman of decline.
ANDREW PLAKS
LEAVING THE GARDEN
Reflections on China's Literary Masterwork
Ask any member of the community of Chinese readers to name the premier literary monument of their tradition, and the most likely answer will be the eighteenth-century fictional masterpiece Honglou meng, best known in Western-language translation by variants of its two different Chinese titles: Dream of the Red Chamber and Story of the Stone. [1] To be sure, there is no lack of alternative choices for this honour; one can easily find partisans of the beloved heroic narratives Sanguozhi yanyi (A Popular Elaboration of the History of theThree Kingdoms, or simply Three Kingdoms) and Shuihuzhuan (Tales of the Marshland, or Water Margin), or those who would cite the exquisite lyric verse of the great Tang poets Li Bo and Du Fu, or the virtuoso dramatic works Xixiangji (Romance of the Western Wing) and Mudanting (The Peony Pavilion) as the crowning achievement of Chinese literary art. But this is the single text that is almost universally held to embody the deepest spirit of the grand civilization of old China—in the way that Dante’s Commedia, Goethe’s Faust, The Tale of Genji, Don Quixote and the works of Shakespeare are often felt to incarnate the cultural genius of Italy, Germany, Japan and the rest.
浦安迪 Andrew Plaks著《浦安迪自選集》 ISBN 978-7-108-03580-6 2011.02出版 定價43.00 作者是美國普林斯頓大學東亞系和比較文學系榮休教授、以色列希伯萊大學東亞系教授。本書收錄其有關中國早期思想與經典、明清小說、中國古典文學與文 化等的研究文章24篇，展現了其一以貫之的中西比較的理論維度，和闊達的視野，比較全面地反映他多面的研究領域和對中國傳統思想文化通全的理解。
Andrew H. Plaks (浦安迪) 文學術語 "figural recurrence" 二種譯法 紀念： “The Plum in the Golden Vase,” Translated by David Tod Roy (1933-2016).
HC： "figural recurrence" 的直譯是"修辭格--或比喻的--重提/重述"。 漢學家Andrew H. Plaks *的文學術語 "figural recurrence" 《劍橋中國文學史‧《金瓶梅》一節》；....乃已精心設計的重複模式結撰而成。 "figural recurrence"譯成："形象迭見" ，未附原文， p.131The Cambridge History of Chinese Literature: From 1375https://books.google.com.tw/books?isbn=0521855594Kang-i Sun Chang, Stephen Owen - 2010 - Chinese literature ... critics alike have noticed that the novel is constructed out of carefully constructed patterns of repetition or, to borrow a term used by Plaks, "figural recurrence.--- 《浦安迪自選集‧《金瓶梅》非集體創作》：前後呼應法 ..... "figural recurrence" 譯成："形象再現法"， 附原文 ， p.139 *****
In applying the principle of figural recurrence, Mao Tsung-kang adds a number of further refinements. One of these, which I touched upon earlier, is the ...
浦安迪（Andrew H.Plaks），著名漢學家，現任普林斯頓大學東亞系和比較文學系教授，兼任以色列希伯來大學東亞系教授。主要研究領域為中西文化比較，中國古典小說、敘事學，中國傳統思想文化。代表作品有：《〈紅樓夢〉中原型和寓意》（Archetype and Allegory in the Dream of the Red Chamber）、《中國敘事文：批評與理論文匯》（Chinese Narrative： Critical and Theoretical Essays）、《明代小說四大奇書》（The Four Master works of the Ming Novel）等。
Top 10 artistic talents lost in the first world war
The first world war coincided with one of the most creative periods in the history of art, and among the other tragic losses, we should count the future masterpieces we never got to see
This brilliant expressionist painter captured the excitement of the young 20th century in shards and streaks of fiery colour as he reimagined nature through visionary eyes. But he was killed on the western front aged 36, and modern art lost a giant in the making. German, died 1916
The most gifted artist in the futurist movement, Umberto Boccioni created intensely dynamic images – such as his striding figure Unique Continuities in Space – that are powerful similes for the technological breakthroughs of the new century. Futurism celebrated war as a cleansing, energising force. When war came, Boccioni joined up, was wounded in 1915, and died in a riding accident while convalescing. Italian, died 1916
This gifted French artist lived and worked in Britain, where he shared the radical modernism of his friends Ezra Pound and Jacob Epstein. He took the surname of his Polish girlfriend, the writer Sophie Brzeska. When war was declared he joined the French army and was killed in battle at the age of 23, leaving a small but formidable body of work. French, died 1915
Self Portrait with Raised Bared Shoulder (1912) by Egon Schiele. Photograph: Schiele/Leopold Museum Private Foundation, Vienna
The horrific mortality rate of the first world war was worsened by the flu pandemic that struck a weakened European population as the war ended. The 28-year-old genius Egon Schiele was one of its victims, along with his wife Edith. It was the end of one of the most provocative and passionate lives in modern art. Schiele's desperate self-portraits and erotic drawings pursue a profound subjective openness to life's joy and pain. What more might he have done? Austrian, died 1918
Self-portrait by Isaac Rosenberg, 1915. Photograph: National Portrait Gallery London
The painter and poet Isaac Rosenberg was the son of Jewish immigrants from eastern Europe and grew up on Cable Street in London's East End. He struggled with poverty throughout his short life. He was opposed to the war and wrote against it, and joined up in 1915 not out of patriotism but because he needed the money. He was killed in the last few months of the war, aged 27. He is remembered for his war poetry more than his art, but his sensitive self-portrait in the National Portrait Gallery is a moving relic of doomed youth. British, died 1918
Visions of the future … The New City (La Citta Nuova) (1914) drawing by Antonio Sant'Elia. Photograph: Dea Picture Library/De Agostini/Getty Images
The architecture of the 21st century is full of echoes of the fantastic drawings of Antonio Sant'Elia, the favourite architect of the futurist movement. In an Italy still dominated by Roman ruins and Renaissance palaces, Sant'Elia imagined science-fiction cities of immense skyscrapers, glass and concrete fortresses, raked futurist ziggurats. His visions were to remain mere beautiful speculative designs after he was killed in the Battle of Monfalcone at the age of 28. Italian, died 1916
German expressionism is sometimes accused (for instance by the music critic Alex Ross in his book The Rest is Noise) of sharing some supposed German spirit of over-intense belligerence. But in painting, the German expressionists before the first world war shared the same interests as the French fauves – sex, travel and vibrant colour. Macke's art is sensual and hedonist and not a bit brooding. But his artistic joy in life did not save him from being killed in the early weeks of the war. He was 27. German, died 1914
Trench warfare was lethal not just because of shells and machine gun fire but because of deeply unhealthy living conditions. The cubist sculptor Raymond Duchamp-Villon was the brother of Marcel Duchamp, but while his mischievous genius of a sibling escaped the war by moving to America, Raymond volunteered. Before becoming an artist he'd trained as a doctor, so he served as a medical officer on the western front. This exposed him to typhoid and he died aged 41. French, died 1918
Uncountable talents … the first world war memorial to fallen students of the Royal Academy
In the portico of the Royal Academy in London there is a memorial for the students who died in the first world war. The first name on it is that of a woman, Nina Baird, who died from typhoid as a result of her war work in north Africa. The list represents the uncountable talents lost to this war before they had a chance to develop. The first world war occured at one of the most creative moments in the history of art. There must undoubtedly be unknown geniuses among its dead. British, died 1919
The most iconic and most mourned war death among the modern art community in Paris was not an artist as such but an eloquent art critic, dazzling poet, magnificent personality and beloved friend of Pablo Picasso, whose promotion of modern art was an irresistible part of the art scene before 1914. The dream artist Giorgio de Chirico recorded a "premonition" of Apollinaire's death in a 1914 painting. Apollinaire was wounded in the head in 1916, dying of his injury two years later, aged 38, as the war ended. His death symbolised the end of the most ecstatic years of modern art. French, died 1918
【作者簡介】
Self Portrait with Raised Bared Shoulder (1912) by Egon Schiele. Photograph: Schiele/Leopold Museum Private Foundation, Vienna
Self-portrait by Isaac Rosenberg, 1915. Photograph: National Portrait Gallery London
Visions of the future … The New City (La Citta Nuova) (1914) drawing by Antonio Sant'Elia. Photograph: Dea Picture Library/De Agostini/Getty Images
Uncountable talents … the first world war memorial to fallen students of the Royal Academy
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