第 一 章 啄木，現代詩人第 二 章 在東京第 三 章 身為教師第 四 章 放逐北海道第 五 章 函館與札幌第 六 章 在小樽第 七 章 釧路的冬天第 八 章 詩歌還是小說？第 九 章 加入《朝日新聞》第 十 章 《羅馬字日記》第十一章 啄木與節子的悲哀第十二章 失敗與成功第十三章 啄木論詩第十四章 大逆審判第十五章 最後的日子第十六章 啄木死後譯後記注釋參考文獻索引
Pub Date: September 2016
ISBN: 9780231542234
288 Pages
Format: E-book
List Price: $36.99£30.00
Get the E-BookThe First Modern Japanese
The Life of Ishikawa Takuboku
Donald Keene
Columbia University Press
Main Reviews Contents Excerpt Links AwardsMany books in Japanese have been devoted to the poet and critic Ishikawa Takuboku (1886–1912). Although he died at the age of twenty-six and wrote many of his best-known poems in the space of a few years, his name is familiar to every literate Japanese. Takuboku's early death added to the sad romance of the unhappy poet, but there has been no satisfactory biography of his life or career, even in Japanese, and only a small part of his writings have been translated. His mature poetry was based on the work of no predecessor, and he left no disciples. Takuboku stands unique.
Takuboku's most popular poems, especially those with a humorous overlay, are often read and memorized, but his diaries and letters, though less familiar, contain rich and vivid glimpses of the poet's thoughts and experiences. They reflect the outlook of an unconstrained man who at times behaved in a startling or even shocking manner. Despite his misdemeanors, Takuboku is regarded as a national poet, all but a saint to his admirers, especially in the regions of Japan where he lived. His refusal to conform to the Japan of the time drove him in striking directions and ranked him as the first poet of the new Japan.
About the AuthorDonald Keene is Shincho Professor of Japanese Literature and University Professor Emeritus at Columbia University. He is the author and translator of more than thirty books on Japanese literature and culture. His Columbia University Press books include The Winter Sun Shines In: A Life of Masaoka Shiki (2013), So Lovely a Country Will Never Perish: Wartime Diaries of Japanese Writers (2010), Chronicles of My Life: An American in the Heart of Japan (2009), Frog in the Well: Portraits of Japan by Watanabe Kazan, 1793–1841 (2006), and Emperor of Japan: Meiji and His World, 1852–1912 (2002), as well as a definitive multivolume history of Japanese literature.
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石川啄木被譽為「日本的第一個現代人」，主要是因為他的生活方式、思想和創作都深刻地反映了現代社會的特徵與矛盾。他過著「月光族」的生活，花光薪水去喝酒買書，同時又在詩中表達對工作的不滿，並感嘆自己對社會無用。他的作品描寫了現代化社會中個人情感的掙扎與苦悶，以及對現代性的批判，這些都使他成為一位承載著複雜人性與現代性特徵的詩人。 生活方式現代化： 他過著典型的現代都市知識分子生活，時而放蕩不羈（如「月光族」），時而又在庸碌的工作中感到空虛。
思想與情感現代化： 他的詩作表達了對現代社會的疏離感、對個人價值的懷疑，以及在貧困與社會壓力下的焦慮與矛盾。
批判性現代觀： 他的作品不僅描寫了個人在快速現代化社會中的苦悶，也從現代性的角度對社會進行了批判。
歸化日本國籍以後分別於2012和2016年出版了近代日本短詩型文學的兩名改革者《正岡子規》《石川啄木》評傳，每次都引發了言論。
與作家三島由紀夫在一起。1964年6月18日攝於東京虎門「福田家」餐館（提供：中央公論新社）
Japanese literature expert Keene plans move to Tokyo
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