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Angelina Jolie stars as famed diva Maria Callas in Pablo Larraín's Maria (2024 Film), which will premiere at the 81st Venice International Film Festival on August 29, 2024, where it will compete for the Golden Lion.
Based on true accounts, the film will tell the tumultuous, beautiful and tragic story of the life of the world’s greatest opera singers, relived and re-imagined during her final days in 1970s Paris. With the independent production having signed to a SAG-AFTRA interim agreement, the shoot is now set to start, and will take place over eight weeks in Paris, Greece, Budapest and Milan.
Alongside Jolie, the cast also includes Pierfrancesco Favino (Adagio, The Hummingbird), Alba Rohrwacher (La Chimera, Hungry Hearts), Haluk Bilginer (Winter Sleep), Kodi Smit-McPhee (The Power of the Dog, Elvis) and Valeria Golino (Portrait of a Lady on Fire, Caos Calmo).
The script, which was completed prior to the WGA strike, is written by Steven Knight (Spencer, Peaky Blinders, Eastern Promises). Producers include Juan de Dios Larraín for Fabula, Jonas Dornbach for Komplizen Film and Lorenzo Mieli for The Apartment, a Fremantle Company. Worldwide sales for Maria will be handled by FilmNation Entertainment.
“I am incredibly excited to start production on Maria, which I hope will bring Maria Callas’s remarkable life and work to audiences all around the world, thanks to the magnificent script by Steven Knight, the work of the entire cast and crew, and especially, Angelina’s brilliant work and extraordinary preparation,” said Larrain, who recently premiered his dark comedy-horror El Conde in Venice.
According to the producers, Jolie’s costumes in the film are based on original garments worn by Callas. The production has consulted with animal rights groups including PETA regarding the use of vintage fur items worn in the film from costume designer Massimo Cantini Parrini’s archive collection. A conscious decision was made not to use or source any new fur.
Greek Fire by Nicholas Gage（2000）
《一點點希臘式瘋狂》 胡湧等譯，北京：作家出版社，2003
Wikipedia article "Greek fire". 武器
船王歐那西斯和女高音卡拉斯愛情奇遇的故事。書中人物多我們熟知的古希臘人名。希臘人的宗教和價值觀、婚姻法-遺產法，家族的內與外。
柏拉圖《會飲篇》：「因為人性同一，我們本為一體，而結合的願望和追求就叫做愛情。」 那些「痛苦的夏天」、愛情-交易-生意-權利交織的「蜜月」（與賈姬）。
希臘人性格的兩關鍵字眼：philoxenia （對陌生人的喜愛，好客）；philotimo（自豪、榮譽、自尊）。兩者密不可分。
| p.220: |
| "Two cornerstones of the Greek character are expressed by the words philoxenia and philotimo. Philoxenia means "hospitality," but the literal translation is "love of strangers." A Greek, whether rich or poor" |
從最後一章看起吧，從死亡出發，才了解到「火和化」的意義。
Amazon.com
Nicholas Gage's meticulously documented and consistently absorbing account chronicles the stormy love affair between Maria Callas (1923-77) and Aristotle Onassis (1906-75). Gage sees the soprano who reinvented the art of opera and the tycoon who transformed the shipping industry as kindred spirits, drawn into romance by a deep connection to their Greek origins and a shared sense that, despite all they had achieved, something was missing. They found that absent element in a once-in-a-lifetime passion, which Onassis betrayed by marrying Jacqueline Kennedy in 1968. Gage appears to share the view of the tycoon's Greek coterie, who viewed this marriage as an act of hubris that inevitably led to financial and personal reversals which embittered Onassis in his final years. But he doesn't blame the tycoon for Callas's decline, pointing out that by the time they met, she was already experiencing severe vocal problems and was eager for respite from her taxing performance commitments. In any case, her career and his business dealings take a back seat here to Gage's evocative portrait of his subjects' outsized personalities and the jet-set society in the gaudy postwar years. Some of the new information is revelatory, particularly Gage's persuasive contention that Callas bore Onassis a son who died hours after his birth in 1960. At other times his investigative-journalist approach seems too weighty for this highly personal story of love, rage, and big, big egos. Fortunately, these lapses don't seriously mar a text distinguished by smooth prose, the seamless interweaving of several narrative strands, and a warm sympathy for its genuinely tragic protagonists. --Wendy Smith
--このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
From Publishers Weekly
Arguing that previous books about Maria Callas (1923-1977) and Aristotle Onassis (1904-1975) are full of errors, investigative reporter Gage (Eleni) attempts to set the record straight on the couple's birth dates, where they first met, when they first slept together and many other details of their ill-starred love affair. His most interesting revelation, based on Callas's private papers and statements by her maid and butler, is that instead of the abortion Callas said Onassis forced her to have in 1966, she actually had a "secret son," a baby, conceived at the beginning of their affair in 1959, who died the day he was born. Gage gives an exhaustive account of the infamous three-week cruise on which the much-publicized liaison began, accounting for each meeting between the opera diva and the shipping tycoon, what they said, what they ate and wore, and how the other passengers, including Callas's husband and Onassis's wife, reacted to the developing scandal as they sailed along the Greek and Turkish coasts on Onassis's opulent yacht. The author asserts that the lovers were drawn together in large part by their shared Greek heritage, and he equates their mutual passion with "Greek Fire," the all-consuming incendiary substance used in battle by the warships of the Byzantine empire. Unfortunately, the book, laden with excess detail, fails to emanate the same heat. So much has already been written about the affair that, even though the particulars may change and new facts are found, the story is all too familiar, especially the depressing endingAthe aging tycoon marrying Jackie Kennedy instead of Callas and immediately regretting it, and the prescription-drug-dependent diva living as a recluse in Paris, still in love with Onassis but refusing to accept him again as a lover. Photos not seen by PW. (Oct.)
Copyright 2000 Reed Business Information, Inc. --このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
商品の説明をすべて表示する
Nicholas Gage's meticulously documented and consistently absorbing account chronicles the stormy love affair between Maria Callas (1923-77) and Aristotle Onassis (1906-75). Gage sees the soprano who reinvented the art of opera and the tycoon who transformed the shipping industry as kindred spirits, drawn into romance by a deep connection to their Greek origins and a shared sense that, despite all they had achieved, something was missing. They found that absent element in a once-in-a-lifetime passion, which Onassis betrayed by marrying Jacqueline Kennedy in 1968. Gage appears to share the view of the tycoon's Greek coterie, who viewed this marriage as an act of hubris that inevitably led to financial and personal reversals which embittered Onassis in his final years. But he doesn't blame the tycoon for Callas's decline, pointing out that by the time they met, she was already experiencing severe vocal problems and was eager for respite from her taxing performance commitments. In any case, her career and his business dealings take a back seat here to Gage's evocative portrait of his subjects' outsized personalities and the jet-set society in the gaudy postwar years. Some of the new information is revelatory, particularly Gage's persuasive contention that Callas bore Onassis a son who died hours after his birth in 1960. At other times his investigative-journalist approach seems too weighty for this highly personal story of love, rage, and big, big egos. Fortunately, these lapses don't seriously mar a text distinguished by smooth prose, the seamless interweaving of several narrative strands, and a warm sympathy for its genuinely tragic protagonists. --Wendy Smith
--このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
From Publishers Weekly
Arguing that previous books about Maria Callas (1923-1977) and Aristotle Onassis (1904-1975) are full of errors, investigative reporter Gage (Eleni) attempts to set the record straight on the couple's birth dates, where they first met, when they first slept together and many other details of their ill-starred love affair. His most interesting revelation, based on Callas's private papers and statements by her maid and butler, is that instead of the abortion Callas said Onassis forced her to have in 1966, she actually had a "secret son," a baby, conceived at the beginning of their affair in 1959, who died the day he was born. Gage gives an exhaustive account of the infamous three-week cruise on which the much-publicized liaison began, accounting for each meeting between the opera diva and the shipping tycoon, what they said, what they ate and wore, and how the other passengers, including Callas's husband and Onassis's wife, reacted to the developing scandal as they sailed along the Greek and Turkish coasts on Onassis's opulent yacht. The author asserts that the lovers were drawn together in large part by their shared Greek heritage, and he equates their mutual passion with "Greek Fire," the all-consuming incendiary substance used in battle by the warships of the Byzantine empire. Unfortunately, the book, laden with excess detail, fails to emanate the same heat. So much has already been written about the affair that, even though the particulars may change and new facts are found, the story is all too familiar, especially the depressing endingAthe aging tycoon marrying Jackie Kennedy instead of Callas and immediately regretting it, and the prescription-drug-dependent diva living as a recluse in Paris, still in love with Onassis but refusing to accept him again as a lover. Photos not seen by PW. (Oct.)
Copyright 2000 Reed Business Information, Inc. --このテキストは、絶版本またはこのタイトルには設定されていない版型に関連付けられています。
商品の説明をすべて表示する商品の詳細
- ペーパーバック: 384ページ
- 出版社: Pan Books; New Ed版 (2001/7/6)
- 言語 英語, 英語, 英語
- ISBN-10: 0330484443
- ISBN-13: 978-0330484442
- 発売日： 2001/7/6
In December 1953, Leonard Bernstein conducted at Teatro alla Scalafor the first time in a production of Cherubini’s “Medea.” Maria Callas(1923-1977), who would have celebrated her 92nd birthday last Wednesday, sang the title role. Bernstein was the first American to conduct at La Scala.
Two years later in March 1955, Bernstein returned to La Scala with Callas for a new production of Bellini’s “La Sonnambula.” In a letter to his wife Felicia soon after his arrival in Milan, Bernstein wrote, “We had our first reading of ‘Sonnambula’ today, and she made me cry.”
On this day in 1941, Greek-American soprano Maria Callas made her professional opera debut as Beatrice, in Franz von Suppé's "Boccaccio" at the Olympia Theatre in Athens, Greece. "La Divina" is considered one of greatest opera singers of all time.
In 1965, the iconic collaboration between opera legend Maria Callas and renowned director Franco Zeffirelli marked one of the most memorable moments in the history of opera. This partnership took place during the production of Tosca at the Paris Opera, where Callas delivered a performance that would solidify her reputation as one of the greatest sopranos of the 20th century. Zeffirelli, known for his lavish stage productions and attention to detail, brought a cinematic grandeur to the opera, creating a visually stunning and emotionally charged performance that matched Callas's powerful vocal prowess.
The opera Tosca, composed by Giacomo Puccini, tells the story of a passionate love triangle set against the backdrop of political intrigue and betrayal. Maria Callas, playing the titular role of Tosca, brought her unparalleled vocal skill and dramatic intensity to the character, capturing the essence of the opera’s emotional depth. Her portrayal was deeply moving, filled with passion, desperation, and heartbreak. Zeffirelli's direction complemented Callas's performance, creating a rich and immersive experience for the audience, with breathtaking sets and costumes that matched the opera's intense emotional and political landscape.
This 1965 production of Tosca in Paris was not just a milestone for Callas’s career but also for the world of opera as a whole. It reaffirmed her status as La Divina, a title that reflected her unmatched contribution to the art form. Although Callas faced challenges in her personal life and vocal struggles during this period, her performance in Tosca remains a testament to her artistry and ability to captivate audiences. The 1965 Tosca with Zeffirelli’s direction is still celebrated as one of the greatest operatic productions ever staged.
Maria Callas, one of the most renowned sopranos of the 20th century, captivated audiences worldwide with her powerful voice and intense performances. Her career, which spanned from the 1940s to the 1960s, is often associated with the golden era of opera, where she brought to life some of the most challenging and iconic roles in the operatic repertoire. One of her most notable performances took place in Paris in 1965, a pivotal moment in her career.
During the 1965 Paris performances, Callas was at the height of her vocal powers, embodying the dramatic intensity and emotional depth that made her a legend. Her rendition of Tosca in the French capital, conducted by the legendary Franco Zeffirelli, is widely regarded as one of her finest moments. Callas’s portrayal of the doomed diva, filled with passion and vulnerability, was a testament to her extraordinary ability to merge vocal mastery with the deep emotional resonance of her characters.
Beyond her vocal skill, Callas's personal life was just as dramatic as her performances. Her tumultuous relationships, particularly with shipping magnate Aristotle Onassis, often overshadowed her public persona, but it was this complexity that made her an even more compelling figure. Her career was marked by both triumphs and setbacks, but her resilience and commitment to her art never wavered. By the time she performed in Paris in 1965, Callas had already cemented her place as an iconic figure in the world of opera.
Callas's legacy endures to this day. Her recordings remain an essential part of the classical music world, and her influence on both singers and composers continues to be felt. Her 1965 Paris performance is just one example of how she transcended the opera stage to become a cultural icon, admired for her artistry and celebrated for her unwavering dedication to her craft.
Maria Callas, one of the most iconic and influential opera singers of the 20th century, captivated the world with her extraordinary voice and dramatic performances. Born on December 2, 1923, in New York City to Greek parents, Callas began her musical education at an early age, eventually studying at the Athens Conservatoire. Her prodigious talent was evident from the start, and she quickly ascended through the ranks of the opera world. By the time she was in her 20s, she had already made her debut at some of the most prestigious opera houses around the world, including La Scala in Milan, which would become her artistic home. Throughout the 1940s and 1950s, Callas’s name became synonymous with the highest level of operatic performance, revered not only for the technical mastery of her voice but also for the depth of her interpretations and emotional intensity. Her vocal range, versatility, and ability to portray complex characters made her an unrivaled presence on the stage. Yet, her career was not without personal struggles and controversy. Her larger-than-life persona, combined with her tumultuous private life, including her marriage to Italian industrialist Giovanni Battista Meneghini and her famously tragic love affair with Greek shipping magnate Aristotle Onassis, often overshadowed her musical accomplishments.
The year 1957 marked a significant chapter in Callas’s life and career, as she found herself in Venice, Italy, alongside her husband Meneghini and the celebrated socialite Elsa Maxwell. This year was pivotal for both Callas’s personal and professional trajectory. While her professional life was flourishing with performances across Europe and the United States, her personal life was beginning to unravel. Her relationship with Meneghini, whom she had married in 1949, was starting to deteriorate, and her highly publicized affair with Onassis was beginning to take center stage in the press. Despite these personal challenges, Callas’s performances continued to garner acclaim, and her reputation as the "diva" of the opera world remained untouchable. Her portrayal of the tragic heroine in roles such as Tosca, Norma, and Medea captivated audiences, cementing her as the undisputed queen of the operatic stage. However, her fame came at a price. The relentless pressure of maintaining her image, along with the personal and emotional toll of her relationships, began to take a significant toll on her health and well-being. Still, Callas's resilience in the face of adversity is one of the many reasons her legacy endures to this day.
As the 1960s progressed, Callas’s career began to face challenges that she could not overcome. The constant scrutiny of her personal life and her increasingly erratic performances began to affect her reputation. Her appearance in Venice in 1957, where she was captured in photographs with Meneghini and Elsa Maxwell, represents a time of both external success and internal struggle. Despite these difficulties, Callas remained dedicated to her art, continuing to perform at the highest level. Yet, her personal life was in turmoil. The press was relentless in their coverage of her failed marriage and love affair with Onassis, which ultimately culminated in his marriage to Jacqueline Kennedy in 1968. This heartbreak, combined with the pressures of performing, led Callas into a period of retreat from the public eye. In 1965, she made her last public performance in opera, at the age of 42. Despite her relatively early retirement from the stage, Maria Callas’s legacy as one of the greatest operatic voices of all time continued to grow. Her recordings, especially those of her performances in the 1950s, remain the gold standard of operatic achievement.
Maria Callas passed away on September 16, 1977, at the age of 53, in Paris, leaving behind a legacy that has only grown with time. Despite the personal hardships she faced, including the end of her marriage and the public nature of her romantic entanglements, Callas's place in history as one of the most important figures in classical music was secured long before her death. Her artistry, passion, and commitment to her craft continue to inspire opera singers and classical musicians around the world. The legacy of her 1957 Venice photograph, taken with Meneghini and Maxwell, serves as a reminder of a complex and multi-faceted woman who, despite the challenges she faced in her personal life, remains an icon of opera and a symbol of artistic brilliance. In her own words, "I lived my life as a little girl, dreaming of being an artist. My voice is my love, my passion, and my suffering." These words encapsulate the life of Maria Callas, a woman who gave everything to her art, leaving behind an enduring legacy that will never be forgotten.
Maria Callas, one of the most iconic and influential opera singers of the 20th century, married Giovanni Battista Meneghini, an Italian industrialist, in 1949. Their union marked a significant chapter in Callas's personal life, though it was often overshadowed by her extraordinary career. Meneghini was a supportive figure in the early years of her rise to fame, helping manage her finances and career. Their relationship, however, was complicated by Callas’s increasing commitment to her art and the strain it placed on her personal life. Despite the eventual dissolution of their marriage in 1959, Meneghini remained a part of her life, and she later described their years together as formative in her development both as an artist and a person.
Maria Callas’s voice, described as a true dramatic soprano, became legendary for its wide range, intense emotion, and technical precision. She became known for her transformative performances in the operas of composers such as Verdi, Puccini, and Bellini, with her portrayal of roles like Tosca, Norma, and Violetta becoming benchmarks in the operatic world.
Callas's ability to convey deep emotion through her voice, coupled with her compelling stage presence, set her apart from her contemporaries. She captivated audiences with her interpretations, often leaving an indelible mark on those who witnessed her performances.
Her legacy extends far beyond her vocal talent, influencing generations of opera singers and captivating the hearts of music lovers around the world. Callas’s dedication to her craft, despite the personal sacrifices she made, has immortalized her as "La Divina," a title she richly deserved for her unparalleled contributions to the world of classical
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