問 NATIONAL GALLERY SHORTS WHAT BEHIND THIS PAINT 《曠野中的聖傑羅姆Saint Jerome in the Wilderness,》僅得如下說明：
The "National Gallery Shorts" you're asking about likely refers to the
National Gallery's (London) official YouTube shorts channel, which explains secrets, techniques, and stories behind famous paintings, like Hans Holbein's The Ambassadors with its hidden skull (anamorphosis), Seurat's Bathers with its strange figures, or Rubens' The Straw Hat with its peculiar nickname, revealing hidden details, symbolism, and artistic methods. Here are some examples from their "What's Behind This Painting" series:
- Hans Holbein the Younger's The Ambassadors: A skull (anamorphosis) is hidden in the painting, only visible from a specific angle, symbolizing death despite worldly power and knowledge.
- Georges Seurat's Bathers at Asnières: Explores the unsettling stillness of figures and industrial background, contrasting with Monet's lively scenes.
- Susanna and the Elders (The Straw Hat) by Rubens: Discusses the nickname "The Straw Hat" (Chapeau de Poil) and the painting's blend of elegance and approachability.
- Katarina van Hemessen's Self-Portrait: Reveals hidden techniques, like wet-on-wet paint for lifelike fur, visible through microscopy.
These shorts use close-ups, photomicrographs, and expert insights to reveal details you might miss, making art history accessible and fascinating.
僅搜尋：國家美術館藏《曠野中的聖傑羅姆》（杜勒作品，背面）
AI 概述
在倫敦國家美術館（NG6563）展出的阿爾布雷希特·杜勒雙面畫作《曠野中的聖傑羅姆》的背面，描繪了一幅引人注目的天象圖，可能是一顆彗星或隕石。畫面以熾熱的紅色和橙色在深邃的夜空下熠熠生輝，與正面沉思的圣杰羅姆形成鮮明對比，或許暗指聖經中關於末日的預言。倫敦國家美術館和維基百科都有相關論述。
背面關鍵訊息：
主題：一片漆黑的夜空，一顆燃燒的天體（可能是彗星或隕石）在夜空中閃耀，據倫敦國家美術館所述，這與《啟示錄》中聖約翰福音的末日景象相呼應。
靈感來源：根據維基百科所述，丟勒的畫作可能受到了《紐倫堡編年史》中的描繪或實際天文觀測的啟發，例如他版畫《憂鬱症 I》中所描繪的景象。
用途：作為一件便攜式宗教物品，這幅畫板可以翻轉觀看，正面用於靜心冥想，背面則用於觀賞宇宙景象。
技法：與正面不同，背部顏料直接塗抹在木板上，並留有原始畫框的粉紅色底漆和紅色痕跡，倫敦國家美術館指出。
正面（作為背景介紹）：
描繪了聖傑羅姆在曠野中，象徵著懺悔和學識，他手中緊握著自己翻譯的《聖經》（武加大譯本），身邊是他的獅子夥伴。
Search only for NATIONAL GALLERY ST JEROME BY DURER AN THE BACK OF PANEL
On the back of
Albrecht Dürer's double-sided panel, Saint Jerome in the Wilderness, displayed at The National Gallery, London (NG6563), is a striking image of a celestial event, likely a comet or meteorite, depicted with fiery reds and oranges against a dark sky, offering a stark contrast to the contemplative saint on the front and possibly alluding to biblical prophecies of the apocalypse, notes The National Gallery, London and Wikipedia. Key Details about the Reverse Side:
- Subject: A dark sky with a blazing celestial body, potentially a comet or meteorite, referencing apocalyptic visions in St. John the Evangelist\'s Book of Revelation, according to The National Gallery, London.
- Inspiration: Dürer's imagery may have been inspired by depictions in the Nuremberg Chronicle or actual celestial observations, like those seen in his engraving Melencolia I, says Wikipedia.
- Purpose: As a portable devotional object, the panel could be turned to view either side, offering meditation on quiet devotion (front) or cosmic events (back).
- Technique: The paint is applied directly onto the wood, unlike the front, and shows traces of pink primer and red from the original frame, notes The National Gallery, London.
The Front Side (for context):
- Shows St. Jerome in the wilderness, a symbol of penance and scholarship, clutching the Bible he translated (the Vulgate) and with his lion companion.
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