2016年的 一段討論，"湯達達爾式的戰爭"的可能"譯注"，及其是否該加註的討論 (2016 0107 鍾漢清，繆詠華，AI OVERVIEW，劉浩俍 )
繆詠華翻譯《天上再見》一段 "基本上阿爾伯特投入的戰爭湯達達爾式的，他發現自己深陷一場平淡無奇又野蠻無比的大屠殺中，大屠殺歷時四年又兩個月，每天造成千人送命。" 的可能"譯注"，及其是否該加註的討論 (2016 0107 鍾漢清，繆詠華，AI OVERVIEW，劉浩俍 )
讀錢鍾書《宋詩選註》范成大
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這幾天大讀缪詠華翻譯的長篇小說《天上再見》-- 敘述有點雨果風，故事、譯文兩美。
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AI OVERVIEWS
//與瑪麗-亨利·貝勒（更為人熟知的筆名是司湯達）相關的「戰鬥風格」並非指字面意義上的軍事策略，而是一種文學風格和人生哲學，深受他對拿破崙的崇拜的影響。
司湯達「戰鬥風格」的關鍵要素包括：
在愛情和生活中「進攻、進攻、再攻擊」：司湯達的個人哲學強調大膽追求幸福（「la chasse au bonheur」），並以一種近乎軍事般的、不懈的進攻姿態去追求。他堅信激情和堅持的價值，無論可能遭受怎樣的「羞辱或挫折」。
「士兵般的散文風格」：身為作家，司湯達有意識地發展出一種清晰、簡潔、直白的散文風格，與凱撒的著作頗為相似，以此摒棄華麗或冗長的文風。這種簡潔體現了他對現實主義和心理洞察力的追求。
心理深度與社會批判：他的小說，如《紅與黑》和《帕爾馬修道院》，不僅是軍隊的戰場，更是個人野心與僵化的社會結構和政治陰謀碰撞的戰場。司湯達透過寫作揭露了他所處時代的虛偽，將充滿缺陷與渴望的人類靈魂描繪成最終的戰場。
寫實主義勝於浪漫主義：儘管生活在浪漫主義時代，他的風格卻被認為是文學寫實主義的早期典範。他力求真實地描繪人物和社會，不美化他們的行為或世界，並經常運用反諷來凸顯時代的弊端。
「司湯達症候群」的關聯：以作者名字命名的「司湯達症候群」是一種心身疾病，患者在接觸到極致的藝術美感後會出現頭暈、心悸等生理症狀。在創作脈絡中（例如電子遊戲《遠徵33》，其中一項攻擊以他的名字命名），這可以被解讀為將極致的美麗或脆弱作為一種「毀滅性的破壞」或通往「真正力量」的途徑。
本質上，司湯達的「戰鬥風格」融合了士兵的直接和清晰，以及他對真實情感和真理的熱情而執著的追求，這體現在他的個人生活和開創性的文學作品中。//
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//與瑪麗-亨利·貝勒（更為人熟知的筆名是司湯達）相關的「戰鬥風格」並非指字面意義上的軍事策略，而是一種文學風格和人生哲學，深受他對拿破崙的崇拜的影響。
司湯達「戰鬥風格」的關鍵要素包括：
在愛情和生活中「進攻、進攻、再攻擊」：司湯達的個人哲學強調大膽追求幸福（「la chasse au bonheur」），並以一種近乎軍事般的、不懈的進攻姿態去追求。他堅信激情和堅持的價值，無論可能遭受怎樣的「羞辱或挫折」。
「士兵般的散文風格」：身為作家，司湯達有意識地發展出一種清晰、簡潔、直白的散文風格，與凱撒的著作頗為相似，以此摒棄華麗或冗長的文風。這種簡潔體現了他對現實主義和心理洞察力的追求。
心理深度與社會批判：他的小說，如《紅與黑》和《帕爾馬修道院》，不僅是軍隊的戰場，更是個人野心與僵化的社會結構和政治陰謀碰撞的戰場。司湯達透過寫作揭露了他所處時代的虛偽，將充滿缺陷與渴望的人類靈魂描繪成最終的戰場。
寫實主義勝於浪漫主義：儘管生活在浪漫主義時代，他的風格卻被認為是文學寫實主義的早期典範。他力求真實地描繪人物和社會，不美化他們的行為或世界，並經常運用反諷來凸顯時代的弊端。
「司湯達症候群」的關聯：以作者名字命名的「司湯達症候群」是一種心身疾病，患者在接觸到極致的藝術美感後會出現頭暈、心悸等生理症狀。在創作脈絡中（例如電子遊戲《遠徵33》，其中一項攻擊以他的名字命名），這可以被解讀為將極致的美麗或脆弱作為一種「毀滅性的破壞」或通往「真正力量」的途徑。
本質上，司湯達的「戰鬥風格」融合了士兵的直接和清晰，以及他對真實情感和真理的熱情而執著的追求，這體現在他的個人生活和開創性的文學作品中。//
- "Attack, attack, attack" in love and life: Stendhal's personal philosophy emphasized boldness and pursuing happiness ("la chasse au bonheur") with a relentless, almost military, offensive. He believed in the value of passion and persistence, regardless of potential "humiliations or rebuffs".
- "Soldier's prose style": As a writer, Stendhal consciously developed a prose style that was clear, simple, and direct, much like the writings of Caesar, as a rejection of more flowery or verbose styles. This simplicity was part of his commitment to realism and psychological insight.
- Psychological depth and social critique: His novels, like The Red and the Black and The Charterhouse of Parma, are battlegrounds not just of armies, but of individual ambition colliding with rigid social structures and political intrigue. Stendhal used his writing to expose the hypocrisy of his age, presenting the human soul, with its flaws and yearnings, as the ultimate battleground.
- Realism over Romanticism: While living during the Romantic era, his style is considered an early example of literary realism. He sought to portray characters and society as they truly were, without romanticizing their actions or their world, often using irony to highlight the era's shortcomings.
- The "Stendhal Syndrome" connection: The author's name is also the source of the term "Stendhal Syndrome," a psychosomatic condition where exposure to immense artistic beauty causes physical symptoms like dizziness and palpitations. In a creative context (such as the video game Expedition 33 where an attack is named after him), this can be interpreted as using extreme beauty or vulnerability as a form of "devastating damage" or a path to "true power".
- Beylism (or Beylisme): This term refers to the life philosophy derived from Stendhal's life and works. It is a "philosophy of revolt" that emphasizes individualism, the pursuit of happiness and passion, energy, and an inner war against societal hypocrisy and conventions. Stendhal encouraged living life to its fullest and being true to oneself, a worldview sometimes compared to an early form of Nietzsche's "Superman" concept.
- Literary "War" (Realism vs. Romanticism): Stendhal was an early and foremost practitioner of realism, a style that sought to depict life truthfully and with psychological accuracy. This approach was a stark contrast to the dominant Romantic style popular during his time, creating a sort of literary conflict between different artistic approaches.
- Thematically, "War" in Novels: Stendhal served as a soldier in Napoleon's army and participated in the invasion of Italy and the retreat from Moscow. His novel The Charterhouse of Parma features the Battle of Waterloo, and The Red and the Black uses the contrasting uniforms of the army (red) and the church (black) as a metaphor for social advancement paths in post-Napoleonic France.
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