H. W. Janson
H. W. Janson | |
|---|---|
 | |
| Born | October 4, 1913 |
| Died | September 30, 1982 (aged 68) |
| Alma mater | |
| Spouse | Dora Jane Heineberg |
| Scientific career | |
| Institutions | |
| Academic advisors | Erwin Panofsky |
| Doctoral students | Ruth Butler |
Horst Woldemar Janson (October 4, 1913 – September 30, 1982), was a Russian-born German-American professor of art history best known for his History of Art, which was first published in 1962 and has since sold more than four million copies in fifteen languages. His academic specialism was the sculpture of Donatello.
Early life and education
Janson was born in St. Petersburg in 1913 to Friedrich Janson (1875–1927) and Helene Porsch (Janson) (1879–1974), a Lutheran family of Baltic German stock.[1][2] After the October Revolution, the family moved to Finland and then Hamburg, where Janson attended the Wilhelms Gymnasium (graduated 1932).
After his German Abitur, Janson studied at the University of Munich and then at the art history program at the University of Hamburg, where he was a student of Erwin Panofsky. In 1935, at the suggestion of Panofsky, who had emigrated to the United States, Alfred Barr sponsored Janson as an immigrant, and he completed a PhD at Harvard University in 1942 (his dissertation was on Michelozzo). He taught at the Worcester Art Museum (1936–38) and the University of Iowa School of Art and Art History (1938–41) while pursuing his degree. In 1941 he married Dora Jane Heineberg (1916–2002), an art history student at Radcliffe College who later collaborated with him as co-author, and he became a citizen in 1943.
包括曾堉 (Tseng Yu) 致 David Hawkes, 駱慧明和王鈴的信函。依日期排列
－曾堉致 David Hawkes 信函。 十月二十四日。 手稿 1 葉。 談吳世昌《中國文化與現代化問題》、馬彬和的文章、美瑟小姐及文雅的信等 (Note 2)
－曾堉致駱慧明、王鈴便條。 手稿 1 葉。 來訪未晤留言及離開巴黎前望有機會一聚 (Note 1) (Note 2)
- 翻譯與主編： 由曾堉教授與王寶連翻譯，幼獅文化編譯部主編，是台灣藝術史教育界的重要譯本。
- 教材基礎： 通常對應 H.W. Janson 的《History of Art》，該書系統性介紹從古代、中古、文藝復興至現代的藝術發展。
- 文藝復興內容：
- 核心焦點： 重點介紹義大利文藝復興（佛羅倫斯、羅馬）及北歐文藝復興的藝術風格。
- 三傑特色： 對達文西的透視與暈塗法、米開朗基羅的雕塑力量感、拉斐爾的古典和諧有深入分析。
- 背景探討： 探討人文主義思想、政治宗教背景對藝術家作品樣貌的影響。
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