【愛，源源不絕】賴甘霖神父記錄片；《我的可愛——天賜甘霖》

 

Dear HC

收信平安，

賴神父於2022.06.15 安逝於頤福圓，07.02在聖家堂舉行殯葬彌撒，依其遺願將大體捐贈給輔大醫學系擔任大體老師，“給，都給，全部都給！”詮釋了甘霖神父的一生，見到他如見親人隨時帶來喜悅，

有一天主日彌撒結束，我看見賴神父站在門口，趕緊趨前跟他問安，他隨即在我額頭敷油並降福我，這是做後一次互動，後來偶而看見他離開教堂往羅斯福路走的背影, 大部分是到醫院探望病人, 位病人敷油.

附上照片，生平事略，輔大醫學院對賴甘霖神父大體承領後之時程。

【愛，源源不絕】賴甘霖神父記錄片(中文版)

https://youtu.be/wRJB91xS0Vk

敬祝

主恩滿溢

維強 Peter

***

Dear Peter, 

上周在楊索處讀到甘神父。是近日才過世的嗎？

如果這樣，一百多歲了呢！

我在《我的可愛——天賜甘霖》，讀到你寫的，所以問問

有更多資訊嗎

順祝

全家平安

Anne Brigman (née Nott;1869 – 1950)

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Anne Brigman
Self-portrait of Anne Brigman (1919)
Born	Anne Wardrope Nott December 3, 1869 Nu‘uanu Pali, Hawaii, U.S.
Died	February 8, 1950 (aged 80) El Monte, California, U.S.
Spouse(s)	Martin Brigman   ​ (m. 1894⁠–⁠1910)​

Anne Wardrope Brigman (née Nott; December 3, 1869 – February 8, 1950) was an American photographer and one of the original members of the Photo-Secession movement in America.

Her most famous images were taken between 1900 and 1920, and depict nude women in primordial, naturalistic contexts.

Photography[edit]

Soul of the Blasted Pine, a self-portrait of Anne Brigman taken in 1908

Brigman's photographs frequently focused on the female nude, dramatically situated in natural landscapes or trees. Many of her photos were taken in the Sierra Nevada in carefully selected locations and featuring elaborately staged poses.^[29] Brigman often featured herself as the subject of her images, such as Soul of the Blasted Pine, for which she received the Birmingham Photographic Society's first silver medal.^[30] Many of her other photos used her sister as the nude model.^[28] After shooting the photographs, she would extensively touch up the negatives with paints, pencil, or superimposition.

Gallery[edit]

• 

  The Dying Cedar, 1906

 
• 

  The Lone Pine, 1908

 
• 

  The Bubble, 1909

 
• 

  The Breeze, 1910

 
• 

  The Heart of the Storm, 1914

The New Yorker

Anne Brigman was an artist who helped shape American modernist, feminist, and landscape photographic traditions—and she was one of the first women to photograph herself in the nude. She would load her heavy camera equipment into stagecoaches to sojourn 8,000 feet up in the Sierra Nevada, creating the images that made her a groundbreaking early-20th-century photographer. See more of Brigman’s spectacular, little-known work: http://nyer.cm/P5emv3H