2026年9月11日 星期五

沈伯洋(民進黨台北市長參選人)頌：美鳳有約攝影棚來了一位特別的來賓~沈伯洋！他一看到孩子，整個人立刻放慢步調，有耐心的跟小朋友講話，他望向孩子的眼神，充滿了溫柔與滿滿的關注，那份發自內心的耐心和真誠，讓鳳鳳看了內心有些感動！王偉忠(製作過〔連環泡〕)專訪成功表現 。沈伯洋今晚來到石牌，聽說支持者「夾道歡迎，人多到爆。」8日推出「市長，你給我聽好了」通訊軟體LINE市民意見蒐集平台，媒體報導，1天收到民怨破萬則。 。沈伯洋鏡文學專訪 。選民是從「鍵盤支持」變成「肉身實踐」。更可怕的是你瞧照片，排隊的老少都有。這是「變異型」追星族。追星的力量非常恐怖......(何穎怡的大耳朵)。*Yih-Ren Lin:社會連結本身就是一種療癒的力量。應該以「一位高齡者如何順利度過一天」作為評估城市好壞的標準。一向以首善之區自居的台北市，是否應該要有一系列關於「大台北的社會生態系統治理」的夠水準市政發展辯論。。許多朋友，謝志偉，伯洋夫妻名下財產：一張台積電 + 存款18萬元 + 特斯拉（以舊換新）。......競選歌曲之一，動人心弦，悅耳到暴！《伯洋開口，萬安演習》｜台北值得沈伯洋 第二波應援歌曲。


美鳳有約攝影棚來了一位特別的來賓~沈伯洋！平常在新聞螢幕上看到他，總是聊著嚴肅的公共議題，給人一種理性的印象。

剛好有工作人員帶小朋友來探班，現場人來人往、忙著對流程，他一看到孩子，整個人立刻放慢步調，有耐心的跟小朋友講話，他望向孩子的眼神，充滿了溫柔與滿滿的關注，那份發自內心的耐心和真誠，讓鳳鳳看了內心有些感動！

一個人最真實的樣子，往往不是看他在人前的鋒芒有多少，而是人的本質與善良，這些都是在不經意的小細節中流露出來的～謝謝沈伯洋夫妻！

祝大家今天也都能遇見身邊的小美好喔💕


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民進黨台北市長參選人沈伯洋8日推出「市長，你給我聽好了」通訊軟體LINE市民意見蒐集平台，媒體報導，1天收到民怨破萬則。

對此，台北市長蔣萬安表示，台北有1999市民熱線，市民可透過專線反映各議題、疑問，北市府會即刻處理並做數據分析。

新聞請看🔎https://reurl.cc/qaKXzy

沈伯洋今晚來到石牌，聽說支持者「夾道歡迎，人多到爆。」

台北人憋太久了。







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剛才得知沈伯洋要去石牌商城拜票的訊息，連忙跑過去想給沈加油，結果看到那裡人山人海，我人一開始根本擠不進去。你就看到好幾個士林北投區的民進黨議員助理在那裡指揮交通，要行人注意來車與交通安全，還特別留有人車通行的安全通道。為了避免沈伯洋走太久走不出來，助理還囑咐大家擊掌就好，不要握手聊天。
​
本來我以為是民進黨議員自己請人來Sakura充場面，結果議員主任跟旁邊的一些助選員說不是，他們的人沒有多到可以塞住馬路。現場有很多年輕的生面孔，其實是讓我蠻驚訝的，我還跟一些年輕人聊了一下天順便交換在地的資訊。畢竟我從小在這裡長大，知道這裡的生態，也知道榮總周邊社區到天母一帶是處在人口老化與外移的狀態，所以當我得知有許多附近的年輕人出來挺沈伯洋，我是蠻驚訝的。
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我還觀察到一件有趣的事情，沈伯洋跑去石牌在地一間好吃的炸雞店拜票許久（我也是那間的常客），就知道他的幕僚有做功課，有特別提醒他哪間是在地人愛吃的店。他也不像一些擺擺樣子就這樣飄過去假裝熱絡但是根本無心想快點走的流水政客，他真的很認真聽每一個人對他訴苦或是告狀，看得出來，沈真的很用心在很多的細節上面。
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我想說的是，我一開始心裡也不希望民進黨推沈伯洋出來給台北人糟蹋。但是即使每次民進黨在台北市都輸，連續輸了二十多年，民進黨卻總是想辦法派出最強也最有才幹與智慧的人出來競選台北市長，而不是像中國國民黨一樣在高雄一直輸就開始推韓國瑜、柯志恩這樣的貨色出來選高雄市長，一看就是放棄競選的擺爛死樣子。
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最後我想說的是，石牌商城夜市其實不大，如果只是議員助理跟工讀生出來撐場面遊街，那大概十五分鐘就拜票完了。沈伯洋剛才在商城走了一個小時還沒走出來，真的讓我感到很驚訝。

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唉我覺得一直罵的人真的去看一下影片，那個笑容和肢體動作，和訪問蔣萬安時完全不一樣耶！

他用拳頭輕捶沈伯洋兩三次，這絕對是藍營長輩喜歡你的指標！

你當然可以不喜歡王偉忠，但只要王偉忠或聽節目的人因此開始想要認識沈伯洋，這就是成功的訪談。

因為影片不能剪輯我把原本片段刪掉了，請大家自己看影片：

https://youtu.be/ULWIruQR-Lc?si

王偉忠的專訪，會讓許多藍營的朋友，從之前認為〔沈伯洋是民進黨的〕，改變成為〔可惜他不是國民黨的〕。這就是破圈！

因為現在許多知識藍和經濟藍，對國民黨被鄭麗文、傅崐萁、翁曉玲帶領的路線不滿失望，這就是突破口。

建議下次如果王偉忠要再專訪，沈伯洋可以多和他聊聊台北〔脫口秀文化〕和〔眷村文化〕！

畢竟我們很多人都是看王偉忠製作的〔連環泡〕長大的孩子！在台北這個城市，政治立場雖然不同，但卻有許多共同的生命經驗！


何穎怡的大耳朵


嚇死人。沈伯洋掃夜市還有選戰人員舉牌告訴你「這是排隊合照隊伍的尾巴」，意思是「要排隊來這裡」。
怎麼？沈伯洋變成木村拓哉啦～～～
這招真的很厲害。你來，我和你合照，幫你簽名，這個動作一完成，你就是「洋流」一份子，代表你是知識型、行動型選民。
這樣的選民是從「鍵盤支持」變成「肉身實踐」。更可怕的是你瞧照片，排隊的老少都有。這是「變異型」追星族。追星的力量非常恐怖。
相對的，沈伯洋也是在做「肉身實踐」，他花時間一一拍照簽名，這個時間與體力的付出，是一種「締約」。我還沒看過這一招。
沈伯洋的爆發力真的厲害。（我認為這和他曾是補習班名師絕對有關，當然，長得很可愛也是。）



















Yih-Ren Lin社會生態系治理的城市想像：對沈伯洋選戰言論的一些觀察
作為長期關注台灣生態人文議題的學者，我對沈伯洋具有「社會生態學」的背景產生特別的興趣與期待。
從最近的媒體報導，我注意到他那些看似不同面向的主張—— 從「黑熊學院」到對社子島的關懷—背後其實串連著一套完整的社會生態學思維。這不禁讓我遐想，一向以首善之區自居的台北市，是否應該要有一系列關於「大台北的社會生態系統治理」的夠水準市政發展辯論。究竟，我們需要一個怎樣的台北未來？想想看，台北有山有水，離海洋也不遠，更將吸引到像是NVIDIA這樣的世界級公司進駐，台北作為一個社會生態系統的發展絕對不是一個黨派之爭的問題，而是所有台北市民值得認真思考的題目。
尋回「里山」精神：從故事出發的城市敘事
沈伯洋曾提到，應該以「一位高齡者如何順利度過一天」作為評估城市好壞的標準。這個觀點讓我想起批判地理學者David Harvey的做法——他總是從每天的早餐開始談起宏大的理論。這種方式有一種特殊的力量，它讓我們看到，城市治理不是抽象的政策文件，而是與每個人的日常生活息息相關。我想，如果我們能將這個洞察進一步延伸，或許可以想像一種不同的城市敘事方式。不是用冷冰冰的數據與KPI來描述台北，而是透過市民的故事、社區的記憶、甚至是與其他物種的互動，來說明政策的必要性。這其實就是一種都市裡的「里山」精神——尋求人與自然、人與人之間的和諧共生。比如，在談論鼠患防治時，我們可以問：為什麼老鼠在這座城市裡越來越多？這背後是否反映了我們的廚餘管理方式、都市更新的節奏，甚至是氣候變化的影響？當市民理解到鼠患是整個城市生態系統失衡的信號時，他們或許就更願意在日常行為上相互配合。
社會處方簽與韌性社會生態系統
沈伯洋或許對「社會處方簽」的概念並不熟悉，但他一定同意，健康是一個社會生態系統的首要治理目標。一起看待社會與生態的議題，就是承認社會連結本身就是一種療癒的力量。一個社區如果鄰里之間互相陌生，即使有再多的公園與設施，也很難說是真正「健康」的。反過來說，一個充滿互助精神、人們彼此認識與關懷的社區，即使物質條件相對簡陋，也能展現出強大的韌性。這讓我想到，也許我們應該更認真地思考，如何在城市規劃中真正培養這種社會連結，進而建構出「韌性社會生態系」。不是透過大型的公共活動，而是透過一些更細緻的方式，讓鄰里有機會在日常中相遇、讓社區長輩能夠分享知識與經驗。流浪動物的照顧、社區花園的維護、在地文化的保存，這些看似不同的工作，其實都可以成為連結人心的媒介。
跨越多物種的包容想像
社會生態學強調的「社會」，往往容易被理解為人類社會。但台北市的生態系統，其實是由人類、 流浪動物、都市野生動物、植被，以及許多我們未必注意到的微生物共同組成的。我想，如果我們能改變對這些非人類物種的態度，城市可能會變得更有生命力。以流浪貓狗與都市菜園為例，如果我們願意換個角度，將他們視為社區生態系的一部分，透過社區的友善照顧與管理，反而可能帶來意想不到的效果。有研究顯示，與動物與植物的互動能夠改善人的心理健康，增進社區凝聚力。同樣地，公園與綠地的規劃，如果能多考慮野生動物的需求——比如保留一些看似「不整潔」的自然元素，如落葉堆、死木——就能為昆蟲、鳥類提供棲息地，進而增強整個城市的生態韌性。
對於社會正義與在地脈絡的尊重
在建構韌性生態系的同時，我們也必須關照社會正義的課題。沈伯洋在面對社子島開發案時所展現的態度，讓我感受到他對在地脈絡的真誠尊重。這讓我思考，如果我們能將這種精神推廣到所有的社區發展工作中，會是什麼樣子？一個在社子島住了五十年的居民，對這片土地的理解可能比任何外來的規劃師都更深刻。如果我 們能真正聆聽這些聲音，而不只是形式上的「社區說明會」，規劃出來的方案可能會更符合社區的真實需求。對於像社子島這樣具有歷史與文化價值的聚落，也許我們應該考慮一種更溫和的改善方式，而非全面徵收與重建。在保留社區肌理的基礎上進行改善，讓社區的老房子、狹窄的巷弄得以保存，這些看似「落後」的特徵，其實是社區韌性與認同感的源泉，更是落實空間轉型正義的重要實踐。
系統性思維的跨部門協調
最後，社會生態學強調政策的連動性。我想，這種思維如果能夠在實際的治理中展現出來，可能會帶來很大的改變。比如，環保部門的廚餘管理、衛生部門的鼠患防治、都市發展部門的更新計畫，這些看似各自獨立的工作，其實是相互關聯的。這種跨部門的協調，不是簡單的溝通，而是在思維層面上的深度整合。它需要各部門都能看到彼此工作的相互影響，進而在規劃階段就開始協調。我對沈伯洋的社會生態學治理願景抱持期待，不是因為它承諾了什麼宏大的改變，而是因為它提出了一種不同的看待城市的方式。它提醒我們，城市不只是建築與基礎設施的集合，而是由人、社區、自然、與歷史共同編織而成的有機體。如果我們能以這種視角來思考台北的未來，或許就能找到一條既尊重過去、又開放未來的發展道路。這條路可能不會立竿見影，但它承諾的是一個更有生命力、更具韌性、更富人文溫度的城市。
我寫了這些想法，其實關心的不只是選戰輸贏，而是終於在選戰中出現一些深刻且嚴肅關於地方發展的討論。或許，多數人認為沈伯洋對於市政的願景再怎麼宏偉，也贏不了強大的蔣萬安背後藍大於綠的選票格局。也或許因此，蔣萬安陣營一直用政治性的處理迴避討論嚴肅的市政規劃議題。這是我感到悲哀的地方，台灣政治無法進步，就是把輸贏看得比什麼都重要，甚至理念，價值與論述都可以拋諸腦後。但相反的，我從沈伯洋身上看到一股韌性，看到一種學術說理，不虛偽造假的堅持，還有一種處於劣勢但仍正面積極的處事態度，這是相當值得佩服的，更不要講他的市政論述中所隱含對於台北未來發展與福祉的重要方向，相當值得我們重視與期待。但，我更期待蔣萬安陣營應該正面迎戰，提出足以說服人的未來市政擘劃，來一場精彩的台北未來發展大辯論。





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沈伯洋後援會｜民主守護聯盟

Wei Wen Chen 1小時 
沈伯洋夫妻名下財產：一張台積電 + 存款18萬元 + 特斯拉（以舊換新）。
被媒體人黃揚明講得好像多有錢一樣。
沈伯洋夫妻（兩張律師執照），沈伯洋還是補習班名師，出了一堆書，兩個律師40幾歲才這點身家，實在應該打屁股！太不認真賺錢了！
萬安市長才當幾年律師，存款就有3300多萬元，也沒看到黃揚明有什麼特別意見。
沈伯洋 博士 puma 台北市長網站增加了經歷跟闢謠區
經歷
闢謠

謝志偉

沈伯洋的「仇恨值」怎麼來的？
有一年，沈伯洋還在大學教書時，曾以專家學者的身分來德國與官員、國會議員、智庫學者分享他對「資訊戰/認知戰」等議題的看法。
當時我們對他以流𣈱的英語侃侃而談如此專業的議題感到欽佩不已，也慶幸，還好是和我們同一國的。
同樣讓大家印象深刻的是他不論說英文或中文時口條清晰的說理能力及誠摯近人的態度。不須接觸太久，即可知，這是個腳踏實地不務虛的人才。
當然，最重要的是，他處處透露著對自由民主的堅持及捍衛台灣的意志。
這樣的人才如果會與「仇恨值」有連結，一定是有人「仇」視他的台灣心和說服力一樣堅不可摧，同時又怨「恨」他的學識和頭髮一樣飽滿吧。
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競選歌曲之一，動人心弦，悅耳到暴！
（凌晨寫歌的人 - @Midnight_songwriter
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《伯洋開口，萬安演習》｜台北值得沈伯洋 第二波應援歌曲
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《伯洋開口，萬安演習》｜台北值得沈伯洋 第二波應援歌曲

《鏡文學》的這篇沈伯洋專訪非常好看，作者的文筆好，透過沈伯洋的閱讀寫出的人物也很深刻，非常推薦閱讀。


不管沈伯洋有沒有選上這次台北市長，他注定會是在台灣的政治領域裡持續發光的人。只要你關心政治，不管你喜不喜歡沈伯洋，都應該透過這篇專訪瞭解他。


還有，《鏡文學》也對蔣萬安提出專訪邀約，希望與蔣萬安聊一聊「閱讀」，很希望蔣市長也能接受專訪。


《鏡文學》的連結以及《鏡報》整理的分段新聞如下：


走出暗黝森林──沈伯洋談閱讀、陪伴與文化

https://www.mirrorfiction.com/news/1433?fbclid=IwY2xjawULKCRwZG9mBWV4dG4DYWVtAjEwAGJyaWQRMU5ZRlBJN0tMcjE5Y3Yyb1RzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEetCo4MWomok0EVFn1D8nLwoSIIR6qcd9e1t322sKkweJlcH3gJZ64jyoi2z4_aem_Kx2MgqAWUpIWdvcj31YQLw


沈伯洋鏡文學專訪1／學霸沈伯洋曾想「把老師教的全學會」　李茂生一句話點醒他

https://www.mirrordaily.news/story/84204


沈伯洋鏡文學專訪2／只叫AI「幫我摘要」就完蛋！　沈伯洋：閱讀不足恐讓知識階級差距更大

https://www.mirrordaily.news/story/84210


沈伯洋鏡文學專訪3／沈伯洋最愛《新世紀福音戰士》碇真嗣　「不能逃避」其實不是勇敢

https://www.mirrordaily.news/story/84209


沈伯洋鏡文學專訪4／沈伯洋陪女兒打RPG　電動其實是一本很大的故事書

https://www.mirrordaily.news/story/84214


沈伯洋鏡文學專訪5／沈伯洋母親臨終前最後一份「禮物」　冷氣裝好卻等不到兒子回家

https://www.mirrordaily.news/story/84218

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Milos Forman's Goya's Ghosts《哥雅畫作下的女孩》電影座談會 「國際哥雅獎」（International Goya Award）時坦言，2023 年那場集會帶來的後續衝擊至今未曾停歇。 「我被經紀公司開除，原因就是我走上街頭、為加薩發聲，並呼籲停火。」她說。《哥雅──既華美浪漫又殘酷寫實 》Jeannine Baticle (1920 – 2014) 法國作者也有特色 譯者：廖慧貞 由時報文化於 2006 年出版的「發現之旅」叢書第 80 冊。

 Milos Forman's  Goya's Ghosts《哥雅畫作下的女孩》電影座談會 「國際哥雅獎」（International Goya Award）時坦言，2023 年那場集會帶來的後續衝擊至今未曾停歇。  「我被經紀公司開除，原因就是我走上街頭、為加薩發聲，並呼籲停火。」她說。《哥雅──既華美浪漫又殘酷寫實 》Jeannine Baticle (1920 –  2014)      法國作者也有特色    譯者：廖慧貞 由時報文化於 2006 年出版的「發現之旅」叢書第 80 冊。Goya : Painter of Terror and Splendour (NEW HORIZONS).Jeannine Baticle (1920 – 2014)     Goya: A Portrait of the Artist《戈雅：藝術家肖像》西班牙文化人物畫像  









臺大歷史系學會主辦史週影展
  • Goya’s Ghosts 《哥雅畫作下的女孩》電影座談會 --- 東歐導演鏡頭下的十八世紀西班牙
    • 時　間：2012年5月16日（三）18：00
    • 地　點：文學院演講廳
    • 與談人：臺大歷史系花亦芬教授、臺大外文系張淑英教授 Goya's Ghosts 《哥雅畫作下的女孩》電影座談會---東歐導演鏡頭下的十八世紀西班牙. 時間：2012年5月16日（週三），18:00; 地點：文學院演講廳; 與談 ..
  • 文藝復興時期的佛羅倫斯 --- Leon Battista Alberti與他的城市
    • 時　間：2012年5月18日（五）18：30
    • 地　點：活大202
    •  
    • Goya's Ghosts Poster

      Goya's Ghosts (2006)

       

      Painter Francisco Goya faces a scandal involving his muse, who is labeled a heretic by a monk.

      Director:

      Milos Forman

      Writers:

      Milos Forman, Jean-Claude Carrière

      Stars:

      Javier Bardem, Natalie Portman and Stellan

       

      Biography forMilos Forman 

      Date of Birth
      18 February 1932, Cáslav, Czechoslovakia [now Czech Republic]

      Birth Name
      Jan Tomas Forman

      Mini Biography
      Because his parents died in the Nazi concentration camp of Auschwitz, Jan Tomás became an orphan very early on. Later, he studied direction at the Prague Film Academy (FAMU). In his Czechoslovakian films, Cerný Petr (1964), Lásky jedné plavovlásky (1965), and Horí, má panenko (1967), he created his own style of comedy. During the invasion of his country by the troops of the Warsaw pact in the summer of 1968 to stop the Prague spring, he left Europe for the United States. In spite of difficulties, he filmed Taking Off (1971) there and achieved his fame later with One Flew Over the Cuckoo's Nest (1975) adapted from the novel of Ken Kesey, which won five Oscars including one for direction. Other important films of Milos Forman were the musical Hair (1979) and, certainly, his biography of Wolfgang Amadeus Mozart, Amadeus (1984), which won eight Oscars.




      Personal life

      Forman was born in Čáslav, Czechoslovakia (present-day Czech Republic), the son of Anna (née Švábová), who ran a summer hotel, and Rudolf Forman, a professor.[2] His parents were Protestants. During the Nazi occupation a member of the anti-Nazi Underground named Forman's father as a member of the Underground while being interrogated by the Gestapo.[3] His father was arrested for distributing banned books and died in Buchenwald in 1944. His mother died in Auschwitz in 1943.[4] Forman has stated that he did not fully understand what had happened to his parents until he saw footage of the concentration camps when he was 16.[3]
      Forman lived with relatives during World War II[4] and later discovered that his biological father was a Jewish architect, Otto Kohn.[5] He has a brother, Pavel Forman, 12 years older, a Czech painter who also emigrated after the 1968 invasion, to Australia. In his youth he wanted to become a theatrical producer, bypassing theater.[citation needed]
      After the war, Forman attended the elite King George boarding school in the spa town Poděbrady, where his fellow students included Václav Havel, the Mašín brothers and future film-makers Ivan Passer and Jerzy Skolimowski.[6] He later studied screenwriting at the Academy of Performing Arts in Prague. During the Warsaw Pact invasion of Czechoslovakia in summer 1968, he left Europe for the United States.[citation needed]
      Forman's first wife was Czech movie star Jana Brejchová. They met during the making of the movie Štěňata (1957). They divorced in 1962. Forman has twin sons with his second wife, Czech actress Věra Křesadlová-Formanová. Both sons, Petr Forman and Matěj Forman, born 1964, live for the theatre. That marriage lasted for thirty-five years, spanning 1964 to 1999. Then Forman married Martina Zbořilová on November 28, 1999. They also have twin sons, Jim and Andy (born 1999, named for comics Jim Carrey and Andy Kaufman), and reside in Connecticut.[citation needed]
      In 2006, he received the Hanno R. Ellenbogen Citizenship Award presented by the Prague Society for International Cooperation.[citation needed]
      He is a professor emeritus at Columbia University.[7]
      The asteroid 11333 Forman was named after Forman.[citation needed]
      In 2009 a documentary film about Forman directed by Miloš Šmídmajer emerged – Milos Forman: Co te nezabije....
      He has written poems and published an autobiography called My Two Worlds.[citation needed]

      Career

      Along with future favorite cinematographer Miroslav Ondříček and many years friend with school – Ivan Passer Forman has wound mute document Semafor about Semafor theater. Forman's first important achievement is the documentary Audition whose subject was competing singers. He directed several Czech comedies in Czechoslovakia. However, during the Prague Spring and the ensuing 1968 invasion, he was in Paris negotiating the production of his first American film. His employer, a Czech studio, fired him, claiming that he had been out of the country illegally. He moved to New York, where he later became a professor of film at Columbia University and co-chair (with his former teacher František Daniel) of Columbia's film department. One of his protégés was future director James Mangold, whom Forman had advised about scriptwriting.[citation needed]
      In 1977, he became a naturalized citizen of the United States.
      In 1985 he headed the Cannes film festival and in 2000 did the same for the Venice festival. He presided over a ceremony of Caesar in 1988.[citation needed]
      In 1997, he received the Crystal Globe award for outstanding artistic contribution to world cinema at the Karlovy Vary International Film Festival. Forman co-starred alongside actor Edward Norton in the actor's directorial debut, Keeping the Faith (2000), as the wise friend to Norton's conflicted priest.[citation needed]
      In April 2007 the jazz opera Dobře placená procházka premiered at the National Theatre, directed by Forman's son, Petr Forman.[citation needed]
      Forman received an honorary degree in 2009 from Emerson College in Boston.[8]
      He regularly collaborates with cinematographer Miroslav Ondříček.[citation needed]

      Films


    •   During the Last Bastion of the Spanish Inquisition, 1790-1810, An Inquistador named Lorenzo (Javir Baldem) is being painted on various visits by artist Fransisco Goya when his fellows say Goya is painting whores as angels. Lorenzo tries to defend his work, saying it is those people--the whores and maimed --who the church needed to reach, to keep them from committing acts against God, not the artist just painting what he saw; then tells younger church leaders to pick up the Inquisition, search for those secretly practicing other religions. Into this hyped -up search for heathens, a rich merchant's young daughter out one evening (Natalie Portman as Inez) is said to have refused to have eaten pork , making her practicing Jewish rituals secretly...Incidently she is a model Goya used who was an angel on a church ceiling; Lorenzo displayed an interest in her by asking if long hours with such models made Goya think of other things, and what was her name. Goya ignores the last but says "You have too acute an eye, Brother Lorenzo." When the girl's father comes to him and says Inez is a Church prisioner, Goya is angry but refuses to ask Lorenzo about her freedom. The father donates all his gold to the church for his daughter. Goya allows him to leave the gold , pay for the painting of the Brother, and tells Brother Lorenzo the deal. She is kept by the Catholic Church for trial, and "put to the question" ,which brother Lorenzo has learned for her family but believes in the sanctity of--if you were innocent, God gave you the fortitude to withstand torture and you didn't sign guilt to a lie. Lying to escape torture went against God. If you lied you were just as much a heretic as if you'd done the act. The girl has admitted she did it after extreme torture and Brother Lorenzo tries to take leave of her family when her father has his sons and servants hold him. Goya, also present, is telling the father," you don't treat Brother Lorenzo like that !" when they grab him and bar the doors. They will let Goya free alone. After torture, Brother Lorenzo signs a rediculous paper that he had to be tortured pretty bad to sign. The father says he will produce it if Lorenzo does not get his daughter out. Lorenzo is next seen walking slowly down the Church's prison hall, looking into cells. He finally finds the girl, younger and dressed in rags that show her more sexual than even the artist had made her in sheer angel gowns. He tries to look away and put his overcoat on her but as she leans to him to pray with him and he watches the sharp little mind love his Lord so much and speak so fast and earnestly, he suddenly pulls her to him and says "I do care about you, I do" and "that's alright" as she struggles. His new discovery is a selfish one (it doesn't mattter if she cares about him, he hasn't asked if he can hold her tight, he is only learning that the real girl in the painting, so infatuating, was someone he also actually cared for.) He may also have meant that in matters of the flesh he had not expected to care about his target. So he'd go to her , say do you want to pray with me, at which she'd fall into his love, say "Love me".Obviously he did--years later he learns they had a child. Meantime the rich merchant has brought the Catholic Tribunal or whatever the signed statement and they are searching for Lorenzo, who has fled. Goya is visited by the church who takes his painting of Lorenzo away as part of a heresy trial they're working up on him. Lorenzo's signature showed the merchant and townspeople that torture did not work and was unfair; it showed church heads that people were in danger of not trusting "The Question" and that God gave His people fortitude to withstand torture--only bad people signed, making Lorenzo a false man of God. Although Lorenzo was alone in Inez's room with her at least several times, he never tried to help her escape, even when he ran, himself--he left her there. He ran to France where the French Revolutionaries got him into a Spanish Revolution. He comes back as a leader of the Spanish uprising., and has fun sentencing to death the old Church leader who wanted him killed. He has a nice office into which Goya comes, now fully deaf. He tells Lorenzo that Inez was finally released, after Lorenzo says he could never forget the family--they were what changed him. Lorenzo has him bring her in. She's a mess. She's just found no one waiting for her on release, walked home, and her family was dead around the stripped house. She has not combed her hair or looked in a mirror, has a "mad" twist to her mouth, but lights up at sight of Lorenzo and runs to him and begins to kiss his hand all over. Lorenzo kind of sits where she can't keep it up and asks gently what he can do for her. She says they took her baby. She says "our baby." He tries, looking at the deaf artist, to correct her. She says he's the only man she's been with. He asks if she knows how long she was locked up. She has no idea. (The baby would be 20). She's still looking for a baby she can raise. Lorenzo has a wife he loves, he's told Goya, and children, and can make 10 paintings, his family is so big now.He tells Inez two men will take her to her baby and she leaves happily. Goya demands to know where he really sent her. "She is out of her mind, she'll always be safe," Lorenzo says." Part of her insanity is to think he could have fathered a baby with her; Sorry she's changed to this.... Goya doesn't buy it and tracks down the baby and finds it is a hooker in a hooker park. On his own Lorenzo has already tracked babies who were born in the Catholic dungeons and found she had run from an Catholic orphanage at age 7 and has cautiously also asked if the parents' names were written anywhere and told no. He has a soft, smiling manner of asking and it doesn't seem he is collecting very important information . He fondled a young girl's head in the orphanage, whom he seemed to hope was his, asking which one in the room was her, looking at all these girls under 18. But that's when they said none; she ran off at age 7. Her given name was Alicia. Now Goya comes to see him again. He has found the daughter. Where? Lorenzo demands. Goya bitterly tells.Lorenzo says in his calm way, " How do you know this is Inez's child?" "Because she looks exactly like the face I saw whenever I shut my eyes, the face that's haunted me all my life,..." As Goya goes on Lorenzo says "You are obsessed with Inez!" and Goya defends himself. He's looking out for her, which Lorenzo knows in his heart he is not. Goya has seen Alicia get in a rich man's carraige and go off for the night; the old lady peddling her say Goya can have her next. What he doesn't know is that Lorenzo is on that carraige, one time we are unexpectedly happy to see actor Javier Baldem, and when Alicia (Natalie Portman, also) tries to move on him, slaps her away angrily. This is his daughter. He offers to send her to America, he wants her to leave Spain (so Goya can't force a meeting). The girl gets sassy and attacks and is out of there like a bobcat while the big heavy Lorenzo is left asking her to please come back. Later Goya tries to arrange for the two to meet, after Lorenzo warns him with deep anger that there is no way he is going to help a mother learn that her daughter is a harlot and asks why he won't leave it alone. Goya has Inez, who he bailed out of a home for the insane, in his carraige and is in the bar trying to get Alicia to come out and meet her. Alicia says"Why would I care?" but then a counter-revolutionary attack with the Bitish involved enters the bar and arrests the harlots, dragging Alicia away so that she looses her baby she was holding. Another girl has handed it to her while going off on a date, but we never know if it is really Alicia's or not. It is left crying under a table. Inez has gotten out of the carraige and walks upon the carnage, used to it, and picks up the baby. She later talks to the shocked Goya like it's hers. He has seen Alicia carted off. Alicia's group are freed by some handsome British , one who Alicia catches the eye of with a winking smile. Goya is in Lorenzo's office . They are accusing each other of whoring to be there. Lorenzo went from church to revolution-- -well, Goya paints for the king, paints for the new leadership when the King is deposed, paints for anyone, paints for money, Lorenzo spits. At least, maybe he didn't see the light at first, but Lorenzo has morals. Just then there is news that the British are advancing , no one is stopping them, and Lorenzo runs out and gets his wife and kids hurriedly in a coach and is following them on horse when the Brits reach him. He turns off to let the coach get away, and mobs reach him and drag him into town, where the Catholics are reinstated in power and try him instantly, find him guilty, and sentence him to death. If he repents he will be spared. He looks at them, throws their pen down. He did not pass this test last time. This time he is not going to be tortured, just have his neck cleanly broke. As he looks at a world where the man who sentenced him to death called him "my son", and few know him by name--Lorenzo--he can only look at a mob of strangers and see the new leadership walk out --his granddaughter now part of the inner royal circle as she stands thereon the courtly balcony with what appear to be the new King , Queen, and prince, Alicia at his side like royalty, never noticing Lorenzo as she smiled at the crowd and danced as his neck broke. But Lorenzo saw that she was doing all right for herself--that she knew how to "whore" through life. And that her days of abuse by men were over. Then he hears his name out of the crowd and, sweat filling his eyes with salt, just makes out the young face he'd "cared for", twisted and stark-raving mad, smiling broadly as she holds up a baby. He manages to give her a smile. I felt something was left out here as the baby should have confused him, made him think, oh, oh. And I felt a scene where he had to acknowledge he'd known her was in order , and should have been between all his dismissals of her as nuts while not really meeting her eyes, and this smile as if the sight of her (as she then was, out of her mind) pleased him . Only two times did it seem he cared about her--when he said "I do care about you" and when he said tersely that he'd never tell a mother that her daughter was a harlot. Nothing explained the kind of smile she evoked from him except if he had once loved that face while it smiled and to see it again was a present, a gift. It beat seeing her fighting for him, yelling no, getting pushed down,as he died--but her simpleton-manner, "everything's great now, I have a baby", would not have been enough to make me smile--I'd rather have seen her in her real mind, knowing what was going on , that I was about to die . But that out-of-it smile got him to smile as he watched the world be wrong about its need to murder him for being a heretic. In the end, children dance and sing around his body being dragged, head down , on a cart; the crazy girl joins them, picking up his hand and kissing it as Goya brings up the rear yelling "Inez!" You don't want to talk about anything else after it's over, and it keeps popping up as you go about the next 6 or 8 hours, heavier fare than the things you are usually involved with. You keep thinking. Was he good to her? That smile, that was the one time, that she knew of, as she had no idea he'd talked to her baby , that it had grown up.But she thought he was her love. She'd kept a candle lit for him. The smile was a gift to her. He was ultimately, finally, good to her. But never enough--for his part in creating her crazed mind, a baby raised in an orphanage, etc.He never took on that guilt, unless in trying to make the harlot daughter go away.

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STCO 在台積電（TSMC）的脈絡下，中文意思是 「系統技術協同最佳化」（System-Technology Co-Optimization）。 曾繁城先生轉TSMC 股票1100張 (台幣百多億) 給太太 202607。漢清講堂 127 紀念唐津一先生--向 致敬 2016-11-23 HC Chung 為什麼日本工廠在美國比中國工廠更受歡迎？ 曾繁城先生 ；Mitsuru Kawai, Hands-on Toyota exec passes

 STCO 在台積電（TSMC）的脈絡下，中文意思是 「系統技術協同最佳化」（System-Technology Co-Optimization）。 [1]

這是一項台積電在面對先進封裝與AI晶片高速發展時，所提出的全新半導體分工與研發戰略。 [1, 2]
核心含意與目的
  • 打破各自為政：過去晶片設計、先進封裝與機櫃系統架構是各自獨立進行的線性流程。STCO 要求把設備商、材料商及系統整合端在開發 前期 就拉進來共同合作，像「20人21腳」一樣同步解題。
  • 加速驗證與量產：台積電計劃在高雄等據點打造研發驗證基地，讓供應商能更早掌握實際需求與關鍵數據，大幅縮短新材料和設備的驗證週期。 [1, 2, 3]
如果你想了解更多，可以告訴我：
  • 你想知道 DTCO（設計技術協同優化） 與 STCO 的差別嗎？
  • 還是想了解 STCO 對 台灣半導體供應鏈 的具體影響？
TSMC's STCO (System-Technology Co-Optimization or 系統技術協同最佳化) is a strategic industry framework that shifts the semiconductor supply chain away from isolated development ("各自為政") to collaborative, system-level innovation for advanced packaging and AI chips, as outlined by 科技新報. [1, 2]
Core Goals of STCO
  • Early Supplier Involvement: Pulls equipment and material suppliers into the advanced packaging development phase early instead of waiting for them to finish products in their own labs. [1]
  • Moving Beyond DTCO: Expands past traditional Design-Technology Co-Optimization (DTCO)—which focused strictly on single-chip design and manufacturing—to include system architecture, memory integration, and high-speed interconnections. [1]
  • Tackling AI Bottlenecks: Addresses severe AI and HPC challenges like power, thermal dissipation, and complex 3DIC/CoWoS packaging integration. [1, 2]
Why TSMC is Changing the Model
  • Component-Level Limits: Standard component-level verification is no longer enough as AI hardware evolves rapidly.
  • Ecosystem Synergy: Requires the entire supply chain (design, packaging, materials, and equipment) to build standardized, modular platforms together. [1, 2]
Would you like to explore how STCO relates to specific technologies like CoWoS or Silicon Photonics (CPO)?





中國應該效法日本在美國製造業推行的品質管理模式。


豐田和福耀都曾接管通用汽車關閉的工廠，但結果卻截然不同。中國必須明白，如果其工廠依賴低工資和掠奪性定價，就永遠無法贏得公眾支持。


為什麼日本工廠在美國比中國工廠更受歡迎？

Hanching Chung

2020年2月24日 
分享對象：所有人
China should emulate the quality management Japan has brought to manufacturing industries in the United States.
Both Toyota and Fuyao took over closed-down GM plants – with very different results. China must learn that it will never earn public support if its factories rely on low wages and predatory pricing.
Why Japan’s factories in the US find a warmer welcome than China’s
127 紀念唐津一先生--向曾繁城先生 致敬 2016-11-23 HC Chung
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127 紀念唐津一先生--向曾繁城先生 致敬 2016-11-23 HC Chung
monozukuri ；唐津一先生、曾繁城先生 ；Mitsuru Kawai, Hands-on Toyota exec passes down monozukuri spirit
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monozukuri ；唐津一先生、曾繁城先生 ；Mitsuru Kawai, Hands-on Toyota exec passes
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