2013年12月29日 星期日

Mayor Bloomberg (2) Focuses on Rest (as in Rest of the World) 當世界都市改善顧問

 

Editorial

12 Years of Mayor Bloomberg


When he walked into the mayor’s office 12 years ago, businessman and billionaire Michael Bloomberg took charge of a damaged city. The World Trade Center was a windblown construction site, barely cleared after the attacks on Sept. 11. Tourists were afraid to come to the city; residents were afraid to stay. The budget was a disaster, $3 billion to $5 billion in the red. In a modest speech at an intentionally modest inauguration, Mr. Bloomberg nevertheless pledged to rebuild and renew New York and to keep it “the capital of the free world.”

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As he leaves office this week, Mr. Bloomberg has, in many ways, fulfilled that promise. New York is once again a thriving, appealing city where, Mr. Bloomberg boasts, more people are moving in than out. More than 54 million tourists, the most ever, crowded the streets in 2013. The crime rate is down, the transportation system is more efficient, the environment is cleaner. He leaves a $2.4 billion budget surplus, which could give the next mayor, Bill de Blasio, some flexibility in his negotiations with the unions.
Yet as Mr. de Blasio’s election showed, opportunity and prosperity have been unevenly distributed. The homeless population has grown, and for a great many others, the paychecks have been too small, the rents too high. And in perhaps his worst mistake — authorizing a police practice found unconstitutional by a federal court — Mr. Bloomberg and Police Commissioner Raymond Kelly humiliated and alienated black and Hispanic communities by having stop-and-frisk turn into a generalized method of harassing law-abiding citizens.
On the plus side, one of his underappreciated accomplishments was to make public service a valued vocation for a new group of urban experts. Despite the occasional mistake, he hired mostly top-notch professionals without political pedigrees, and challenged them to try new ideas.
With their help, he recaptured mayoral control of the schools, and with it full responsibility for their performance. He rezoned almost half the city, hoping to turn (and in some cases actually turning) industrial deserts into sites for skyscrapers or residential housing — among them Hunter’s Point South, with thousands of new affordable units, in Queens; the Hudson Yards on Manhattan’s West Side (plus a new subway extension to get people there); and the Greenpoint-Williamsburg complex in Brooklyn.
He created a healthier city, where smokers are now taboo in many public and private spaces, where calorie counts are publicized and where trans fats are forbidden. He opened 800 acres of outdoor space, much of it along the city’s shorelines, expanded bike lanes to cover more than 600 miles and added a fleet of Citi bikes for tourists and commuters. He fought to reduce greenhouse gases, approved a balanced plan to dispose of the city’s enormous waste stream, and, after initially rejecting recycling as too costly, became a strong advocate of it. Using private funds, including his own, he helped create new parks like the High Line and the new greenway on Governors Island. After Hurricane Sandy, he began updating building codes and created a long-range plan to help defend the city against future storms.
The mayor’s team helped him in less dramatic but still useful ways. There’s a new green apple taxi fleet for the outer boroughs and broad pedestrian-friendly plazas on Times Square. He made it possible for a splendid new high-tech university campus to be built on Roosevelt Island. He established the 311 telephone number to help people with routine problems like malfunctioning traffic lights, noise complaints and questions about trash pickup on snowy days.
A master of numbers, Mr. Bloomberg displayed few political skills. His unscripted comments, especially about the poor, can range from thoughtless to heartless.
Mr. Bloomberg insists that crime has declined in part because of stop-and-frisk, but crime has also declined in other cities that did not make it a practice to stop law-abiding people. Between 2004 and 2012, the police made an estimated 4.4 million stops seeking illegal weapons. Half of all people stopped were frisked, but only 1.5 percent of frisks found weapons, and only 12 percent of all stops resulted in any type of summons or arrest. In August, a federal district judge ruled that this indiscriminate use of stop-and-frisk was unconstitutional. Mr. de Blasio has said he will not go forward with an appeal of that ruling.
Mr. Bloomberg’s efforts to modernize the city payroll became a scandal. By the end of the investigation, eight people were convicted of cheating the city out of millions of dollars. And his donations to political parties to gain favor and ballot lines were an embarrassment, though not illegal.
The increase in the homeless population on his watch was not entirely his doing; both Albany and Washington pulled the plug on necessary programs. But Mr. Bloomberg aggravated matters by canceling a sound public housing strategy, thus sending more people to the streets and to homeless shelters. And while he can hardly be faulted for encouraging greater investment, many New Yorkers — not least Mr. de Blasio — felt that he unduly favored the banking and real estate interests and did not do nearly enough to help the working poor and those at the bottom.
Over all, however, New York is in better shape than when he became mayor. As Citizen Bloomberg moves on to private life, and takes on various causes like gun control, immigration reform, climate change and healthier cities, we can only wish him well.

 

紐約市長退休後,夢想仍不止步

10月,邁克爾·R·布隆伯格在市政廳的一次新聞發佈會上講話。布隆伯格的諮詢團隊將包括許多他最熟悉的助手。
Michael Appleton for The New York Times
10月,邁克爾·R·布隆伯格在市政廳的一次新聞發佈會上講話。布隆伯格的諮詢團隊將包括許多他最熟悉的助手。
紐約——決心將他的政府工作經驗和巨額財富轉化成一個全球市長的職位,邁克爾·R·布隆伯格(Michael R. Bloomberg)正在打造一個實力強大的諮詢團隊,來幫助他在卸任很長時間之後也能在世界各地改造城市。
布隆伯格將自掏腰包組建這個新機構,為此這位億萬富翁市長將帶走他市政廳團隊中的許多人:他已經雇了許多他最熟悉、合作時間最長的助手,承諾給他們一個機會,將他們在紐約發展成型的政策推廣到遙遠的肯塔基州路易斯維爾和墨西哥城等地。
  • 檢視大圖 喬治·A·費爾蒂塔(左)將管理邁克爾·R·布隆伯格新的諮詢團隊。
    Justin Sullivan/Getty Images
    喬治·A·費爾蒂塔(左)將管理邁克爾·R·布隆伯格新的諮詢團隊。
對布隆伯格來說,這個項目將是他卸任市長職位後的第一階段的具體工作。助手們說,他在離職後仍將密切關注城市議題。長久以來,布隆伯格一直將城市看作是在公共衛生、經濟發展和環境可持續領域進行大規模探索的實驗室。
最重要的,這種新的嘗試也反映了一種極度的自信——這是該位市長從不曾缺少的東西——幾十個城市理所當然地應該複製他執政期間推出的標誌性政策:將繁忙的馬路改造成步行廣場、在連鎖快餐店張貼食物熱量表、為市民設立消費者服務熱線。
「我們了解到,其他城市有這種向紐約市學習的強烈需求,」布隆伯格執政團隊中負責城市規劃的阿曼達·M·伯登(Amanda M. Burden)表示,她已計劃加入布隆伯格的諮詢團隊。
「他擔任市長期間,」她補充道,「在如何辦事方面,紐約是眾多城市效仿的典範。」
這一機構將被命名為彭博合伙人公司(Bloomberg Associates),將作為一支城市化特攻隊,在受到地方政府邀請後,前去解決棘手的長期挑戰,譬如將一個不景氣的濱水區改造成閃閃發亮的公共空間,或是建設便於地鐵出行的居住社區。
但是和諮詢業的傳統經營模式不同,彭博合伙人公司將不會向客戶收費。
這一新團隊的許多情況都尚不明了。但是和布隆伯格在過去十年投身的多數事業一樣,它涉及的投資將會大得驚人,也不指望賺取任何利益。(年度預算將以千萬美元計。)
這一團隊就好像一個流亡政府。布隆伯格已經從他的政府至少 僱傭了六七個高級助手,包括交通局局長珍妮特·薩迪克-汗(Janette Sadik-Khan)、媒體和娛樂局局長凱瑟琳·奧利弗(Katherine Oliver),以及文化事務局局長凱特·D·萊文(Kate D. Levin)。
彭博合伙人公司將由紐約市旅遊局局長喬治·A·費爾蒂塔 (George A. Fertitta)負責運營,在他任內,紐約今年創下了年度遊客增長的記錄,達到了5400萬人。費爾蒂塔在採訪中表示,這個團隊最終將擴充到20到25 名僱員的規模,其中多數將來自市長辦公室,他們將與布隆伯格龐大的慈善基金布隆伯格慈善基金會(Bloomberg Philanthropies)緊密合作。(和慈善基金會一樣,這家諮詢機構也將在上東區一棟巨大的聯排別墅內辦公,那裡距布隆伯格家很近。)
布隆伯格從政壇新手到廣受敬仰的市長導師經歷了漫長的道路,而這個諮詢團隊則是其中最新的一章。許多市長紛紛前往紐約市政廳學習布隆伯格開放的牛欄式辦公布局,參加他關於城市創新的會議,並去申請他的基金會的資金(幾位曾去過那裡的市長將其稱為「市長學校」)。
布隆伯格的影響力已經無所不在,不論是從邁阿密到洛杉磯,還是從芝加哥到紐瓦克。
新奧爾良市市長米切爾·J·蘭德里歐(Mitchell J. Landrieu)回憶起去年從布隆伯格手上接過一筆400萬美元(約合2428萬元人民幣)的資金,用來從外部僱傭八位專家指導新奧爾良如何降低它的謀 殺率。自那時起,新奧爾良就創建了一支由多個部門人員構成的小組來打擊犯罪團伙活動,成立了一支午夜籃球聯盟讓青年男子遠離街頭,還採取措施讓那些被控槍 械犯罪的人更難走出監獄。
新奧爾良的謀殺率今年降低了17%。
「這多虧了他,」蘭德里歐這樣說起布隆伯格,「這個人把自己的錢用來投資,讓市政府能運轉得更好。」
布隆伯格行事謹慎,喜歡拿數字說話,他認為,投資城市從數 學角度具有合理性:世界上一半以上的人口居住在城市區域,在未來40年,這一數字預計將增加到70%左右。 城市越大,一個宏大的想法就更可能會引起人們的興趣,並被其他地方所採納,就像布隆伯格在餐館實施禁煙令和推出反式脂肪禁令後的情況一樣。
「偉大的城市會互相偷師,」布隆伯格市政府的前副市長愛德華·斯凱勒(Edward Skyler)說,他如今是花旗集團(Citigroup)的一位高管。
交通局局長薩迪克-汗說,當市長們得知打造單車道、步行廣場和慢速區域的花費和人員投入有多麼少時,他們常常都大吃一驚,而正是這些項目讓布隆伯格治下的紐約市街道煥然一新。
「你可以很快地以低廉代價來做出這些改變,」她補充道,「我們在這裡的成功可以經過調整在其他地方進行複製。」
彭博合伙人公司預計,自己會受到偏遠都市官員們的一定質疑,他們可能會對這種以紐約為中心的做法十分反感。「處理時需謹慎,」薩迪克-汗說,她的議程就曾不時在社區層面遭到強烈反對。
費爾蒂塔表示,這一團隊的業務將逐步拓展到安全、執法等新的領域。接近布隆伯格的一些人表示,他會很希望即將卸任的警察局長雷蒙德·W·凱利(Raymond W. Kelly)加入彭博合伙人公司,費爾蒂塔並沒有排除這種可能。
他說,這一機構將每年與四到六個城市合作。鑒於布隆伯格的名聲和慷慨大方,費爾蒂塔不認為找客戶會成為一個問題。
他預言道,「會有人在門口排起長隊。」
翻譯:曹莉

Bloomberg Focuses on Rest (as in Rest of the World)


NEW YORK — Michael R. Bloomberg, determined to parlay his government experience and vast fortune into a kind of global mayoralty, is creating a high-powered consulting group to help him reshape cities around the world long after he leaves office.
To build the new organization, paid for out of his own pocket, the billionaire mayor is taking much of his City Hall team with him: He has already hired many of his best-known and longest-serving deputies, promising them a chance to export the policies they developed in New York to far-flung places like Louisville, Ky., and Mexico City.

For Mr. Bloomberg, the project is the first concrete phase of a post-mayoral life that aides said would remain intensely focused on cities, long viewed by him as laboratories for large-scale experiments in public health, economic development and environmental sustainability.
Above all, the new endeavor reflects a profound confidence — never in short supply with this mayor — that it would behoove dozens of municipalities to replicate the ideas that defined his tenure: turning busy roads into pedestrian plazas, posting calorie counts in fast-food chains, creating a customer-service hotline for citizens.
“We have heard this huge demand and need from other cities to learn from New York City,” said Amanda M. Burden, the director of city planning in the Bloomberg administration, who plans to join the consulting group.
“Under this mayor,” she added, “New York is the epitome that cities look to of how to get things done.”
The organization, to be called Bloomberg Associates, will act as an urban SWAT team, deployed at the invitation of local governments to solve knotty, long-term challenges, like turning a blighted waterfront into a gleaming public space, or building subway-friendly residential neighborhoods.
In a twist on the traditional business model of consulting, clients will not be charged.
Much about the new group is still unknown. But as with most of Mr. Bloomberg’s undertakings over the past decade, it will involve spending eye-popping sums of money with no expectation of earning a profit. (The annual budget will run in the tens of millions.)
The group resembles a government in exile. Mr. Bloomberg has recruited at least half a dozen top aides from his administration, including Janette Sadik-Khan, the transportation commissioner; Katherine Oliver, the commissioner of media and entertainment; and Kate D. Levin, the cultural affairs commissioner.
Bloomberg Associates will be run by George A. Fertitta, who as chief executive of the city’s tourism agency oversaw a record increase in annual visitors to New York, to 54 million this year. Mr. Fertitta said in an interview that the group would eventually expand to about 20 to 25 employees, most of them drawn from the mayor’s office, who will work closely with Mr. Bloomberg’s sprawling charitable foundation, Bloomberg Philanthropies. (Like the foundation, the consultancy will be housed inside a giant townhouse on the Upper East Side, around the corner from the mayor’s home.)
The consulting group is the latest chapter in Mr. Bloomberg’s long journey from political neophyte to much-admired mentor to fellow mayors, dozens of whom have flocked to City Hall to study his open-seat bullpen layout, attended his conferences about urban innovation and applied for grants from his foundation (called “mayors’ school” by several city leaders who have spent time there).
Mr. Bloomberg’s influence has already reached from Miami to Los Angeles, Chicago to Newark.
Mayor Mitchell J. Landrieu of New Orleans recalled receiving a $4 million grant from Mr. Bloomberg last year to hire a team of eight outside experts that advised the city on how to lower its murder rate. Since then, the city has created a multiagency team to combat gang activity, set up a midnight basketball league to keep young men off the streets and pushed to make it harder for those charged with gun crimes to get out of jail.
The murder rate in New Orleans has fallen by 17 percent this year.
“To his credit,” Mr. Landrieu said of Mr. Bloomberg, “this guy is putting his personal money into making city government work better.”
Mr. Bloomberg, a careful student of numbers, argues that investments in cities make mathematical sense: More than half the world’s population lives in urban areas, a figure expected to surge to about 70 percent over the next 40 years. The larger the city, the likelier that a big idea will catch fire and be adopted elsewhere, as the mayor showed with his ban on smoking in restaurants and trans-fats in foods.
“Great cities steal ideas from each other,” said Edward Skyler, a former deputy mayor in Mr. Bloomberg’s City Hall and now a top executive at Citigroup.
Ms. Sadik-Khan, the transportation commissioner, said that mayors are routinely startled to learn how little money and staffing are required to create the bike lanes, pedestrian plazas and slower-speed zones that have remade New York City’s streets under Mr. Bloomberg.
“You can make these changes quickly and inexpensively,” she said, adding that “the success we’ve had here can be tailored and replicated in other places.”
Bloomberg Associates expects a measure of skepticism from officials in faraway metropolises who may chafe at a New York-centric approach. “It requires sensitivity,” said Ms. Sadik-Khan, whose agenda has stirred sometimes intense neighborhood backlash.
Mr. Fertitta said the group’s work could extend into new areas over time, like security and law enforcement. Those people close to Mr. Bloomberg said he would be eager to bring his departing police commissioner, Raymond W. Kelly, to Bloomberg Associates, a prospect Mr. Fertitta did not rule out.
He said the organization would try to work with four to six cities a year. Given the mayor’s reputation and largess, Mr. Fertitta expects no problem finding clients.
“There will be people,” he predicted, “who will be lined up at the door.”

2013年12月26日 星期四

人事地 往事片斷: 劉森堯,陳珍吾,Thomas Schumocher



 2013.12.26
這雨,如死亡之握,空氣為之固態,望不見光啊~~
 想起劉森堯兄1978年給我兩封信中的台灣寒流:


1978112

漢清兄:

.......在英國唸書愉快吧?很累,但也一定很 exciting,是不?現在應該是應國最冷的時節吧?前一陣子寒流來襲,台灣地區非長寒冷……這個冷的局面較之英國應該是小巫見大巫的,但我的確比較喜歡冷天氣,只要不冷到令人忍不住就行了,冷天氣總是帶來一種非常詩意的氣氛,尤其在濕濕的台北街(此字寫得有味道))  踽踽而行,那可真是非常的 poetic.......



37

漢清兄:
.......過完年之後的台北,一陣接近O.C 的寒流之後,天氣已經漸漸爽朗了起來,眼看暮春天的腳步已經近了.......



2011/8/12

事地 往事片斷

我在英國讀書時,建築系的陳珍吾先生曾興奮地說,要到倫敦與我會面 (1978年)。可惜,他還是去了美國。他回國後80年代初,透露研究所唸的是一些諸如《朦朧的七種類型》的詩學名著。現在,我相當感謝當年他給我兩封長信,讓我知道他的情與才。主要的原因是我們有位共同的朋友,換句話說,他當年的女友,是我早數月認識的,而且畢業後數年,還有聯絡。可惜,現在他倆可能都在咫尺天涯的台北市

這篇倒是要介紹劉森堯,他是外文系畢業。我相信,現在到博客來網路書店去,一定會發現他譯作等身。我忘記怎麼認識他的。他當時可能在新潮文庫出版過2本電影譯/著作……戴金邊眼鏡,神情有點靦腆

19781-7森堯給我寫過四封信*。他讓我知道當年台北的天氣,從過年起連數月都很不理想。當年他對電影的熱情有點影響我。我們研究所的師生,知道我去30公里外的城市看一場電影 (忘記片名了),莫不稱奇不已

我最近看到英國某校有2人合住的宿舍,也覺得相當有意思。這肯定不是好主意。當年森堯兄將我宿舍當他的度假地,我心裡曾不痛快 (第3次起) 。…… (隔10年多?)他還去過法國和愛爾蘭的一些名校讀書………) 90年代末,我打電話到中部省政府宿舍去和他聊聊天2-3年前永安跟我說他大病一場。然後脫離險境……。我默禱祝福他…..

*信中片段和時空挪移大聯想:
……寄書的問題…..原則上還是先寄去你那裡。
我的學校沒有宿舍,但他們寄給我一個在 London 的暫住地址,是 International Student House…….過一陣子再在學校附近物色一住宿之處,意以為如何
敝校不屬於大學,乃一獨立技術 Graduate School,所以沒有校園可言,但偌大的London,以及座落其間的電影院和藝術館就是我的校園….. 

(當年我非常欣賞他這句話。他的倫敦學校真讓我開眼界。英國很懂得專業教育市場。而倫敦的確是世界文藝中心之一。90年代初,我曾與一位瑞士籍的同事Thomas Schumocher/Schumacher 先生重訪倫敦 (他懂得向英航BA致敬,我們從東京去的,省幾小時……),我很驚訝地發現,他對市中心的Hotels 的價碼,有點怕怕,我們竟然在郊區的一家Holiday Inn 落腳……. 我還請他在市中心的一家廣東飯館大吃一陣…….)

…….你這學期上完課之後有何打算?可不可以到歐洲大陸打工?聽說可以,而且待遇也不錯。最近正忙拍照半拍實驗電影,生活秩序有些混亂,希望到英國開始上課之後能夠夠恢復正常

…….我的學期將在周五(721)結束,我計畫先到你那兒玩幾天,一面等Home Office 寄回我的 Passport和 Visa。我在奧國已弄到一份工作……如果去不成,這個暑假只好留在倫敦遊蕩了…… (這Home Office負責各國留學生的業務的辦公室,位於倫敦和名勝Brighton的中間,我為了辦加簽,去過一次,相當擁擠兼官僚,辦完後的心情,讓我在2011年可以了解英國各地的暴動之一遠因……。)

Hutchins' University: A Memoir of the University of Chicago, 1929-1950 by William H. McNeill/ 《哈欽斯的大學》

  1. Robert Maynard Hutchins | Office of the President | The University of ...

    president.uchicago.edu/directory/robert-maynard-hutchins
    But it is the legacy of Robert Maynard Hutchins which is still avidly discussed and debated. ... I do not need to tell you what the public thinks about universities.

  2. Robert Maynard Hutchins - Wikipedia, the free encyclopedia

    en.wikipedia.org/wiki/Robert_Maynard_Hutchins
    Hutchins studied at Oberlin Academy and subsequently Oberlin College from ... Returning from the war in 1919, Hutchins went to Yale University (B.A. 1921). ... Yale Law School was dominated by the Legal Realists and Hutchins sought to ...

  3. Hutchins' University: A Memoir of the University of Chicago, 1929 ...

    www.amazon.com › ... › Education & ReferenceCollege & University
    Rating: 5 - ‎1 review
    Hutchins' University: A Memoir of the University of Chicago, 1929-1950 (Centennial Publications of The University of Chicago Press) [William H. McNeill] on ...


    Front Matter …Hutchins himself remained stubbornly sophomoric,…

    Hutchins' University: A Memoir of the University of Chicago, 1929-1950 (Centennial Publications of The University of Chicago Press) [Paperback] William H. McNeill (Author)
    • Paperback: 204 pages
    • Publisher: University Of Chicago Press (October 30, 2007) 漢譯本
    • 《哈欽斯的大學》蕭明波等譯,杭州:浙江大學出版社,2013 (雖有索引 不過原書的注解稍改  不知是否損失不少*  另外翻譯本身也可能有些問題    譬如說 第三章: Chiaroscuro of the Depression Years, 1931-36  其中的chiaroscuro不是黑白照而是西洋繪畫中的"淡彩明暗画法" ......)
      的版權頁是1991 (精裝)  所以會不會稍有修正?

     *由於我用Herbert A.Simon的老師全文搜索:
    Page 190 …the University," 127 Mentschikoff, Soia, 162 Merriam, …
    Simon的回憶《我的生活模式》內有專門章節談芝加哥大學的生活和其系主任 Charles Merriam的故事  很值得參考

    Book Description

    October 30, 2007 0226561712 978-0226561714
    The inauguration of Robert Maynard Hutchins as the fifth President of the University of Chicago in 1929 coincided with a drastically changed social and economic climate throughout the world. And Hutchins himself opened an era of tumultuous reform and debate within the University. In the midst of the changes Hutchins started and the intense feelings they stirred, William H. McNeill arrived at the University to pursue his education. In Hutchins' University he tells what it was like to come of age as a undergraduate in those heady times.

    Hutchins' scathing opposition to the departmentalization of learning and his resounding call for reforms in general education sparked controversy and fueled debate on campus and off. It became a struggle for the heart and soul of higher education—and McNeill, as a student and then as an instructor, was a participant. His account of the university's history is laced with personal reminiscences, encounters with influential fellow scholars such as Richard McKeon, R. S. Crane, and David Daiches, and details drawn from Hutchins' papers and other archives.

    McNeill sketches the interplay of personalities with changing circumstances of the Depression, war, and postwar eras. But his central concern is with the institutional life of the University, showing how student behavior, staff and faculty activity and even the Hyde Park neighborhood all revolved around the charismatic figure of Robert Maynard Hutchins—shaped by him and in reaction against him.

    Successive transformations of the College, and the tribulations of the ideal of general or liberal education are central to much of the story; but the memoir also explores how the University was affected by such events as Red scares, the remarkably successful Round Table radio broadcasts, the
    abolition of big time football, and the inauguration of the nuclear age under the west stands of Stagg Field in 1942.

    In short, Hutchins' University sketches an extraordinarily vibrant period for the University of Chicago
    and for American higher education. It will revive old controversies among veterans from those times, and may provoke others to reflect anew about the proper role of higher education in American society.

    From Publishers Weekly

    This slim volume explains better than any other recent study the myths and realities behind the renowned educator Robert Maynard Hutchins (1899-1977) and the university he ran for more than 20 years. A student at the University of Chicago during Hutchins's glory days and until recently a professor of history there, McNeill offers an insider's account of Hutchins's efforts to transform an institution devoted primarily to research--"a completely new phenomenon in the 1890s," when the University of Chicago opened its doors--into a teacher-driven hotbed of discussion, centered on an undergraduate college "so wonderful and vibrant" that it "always hovered on the edge of the absurd." The wonder becomes clear in the author's detailed descriptions of Hutchins's fierce battles with faculty to improve the state of liberal education and establish an atmosphere of "intellectual stimulation." The absurdity is evident in his portrait of Hutchins as a "quixotic character" whose early success (he became president of the university at age 30) was overshadowed by a failure to specify "what the metaphysical and moral principles or the detailed content of what such an education would be." Photos not seen by PW.
    Copyright 1991 Reed Business Information, Inc. --This text refers to the Hardcover edition.

    Review

    "A stirring picture of a remarkable time at the University of Chicago and of a remarkable man." - Chicago Sun-Times "[McNeill] provides a view of the Hutchins years which is respectful and sober. The academic environment was divisive, the educational milieu was hot-house." - London Review of Books"

2013年12月22日 星期日

蔣渭水:臨床講義--台灣診斷書/胡晴舫:假面台灣/范可欽讓全世界看見台灣成為崛起的山寨大國


蘋論:這次 全世界看見台灣

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黃色小鴨的創作人、荷蘭藝術家霍夫曼,已經被台灣一票土包子氣炸了。簡單來說,幾件離譜的事情讓霍夫曼大感驚訝,以為到了某個崛起的山寨大國,或是非洲什麼鳥地方。

轉圈圈如掛爐烤鴨

台 灣有關人士自作主張要讓黃色小鴨轉圈圈。聯想到掛爐烤鴨了嗎?果然是還沒脫離口腔快感期,啥都想到吃。華人吃鴨子的手段很多,除了掛爐,還有北京烤鴨、南 京烤鴨、樟茶鴨、薑母鴨、醬鴨、滷鴨、叉燒鴨……族繁不及備載。這是想讓小鴨轉圈的食欲潛意識嗎?霍夫曼大怒,憤而拒絕參加開幕式。
開幕式及以後的展覽活動,商機很大,立刻擠滿了小販,吵吵鬧鬧。台灣智慧卡公司沒獲授權,公然逕行生產周邊商品,嚴重侵犯到霍夫曼的智慧財產權;加上小鴨轉盤、主題公園、小鴨觀光巴士以及贊助廠商上台露面等安排,「沒有一樣預先和我們討論,也沒有一樣獲得我們同意」。
霍夫曼發函媒體,用「極端」兩個字形容小鴨到基隆所面臨的狀況。霍夫曼曾明白表示不希望周邊商品項目太多,後來看到那些商品宣稱是有授權的正版品 時,氣到爆炸。霍夫曼譴責:「他們做那些商品是為了賺錢,而非為了對這件藝術品的愛,也不是為了讓民眾參觀藝術品後,有一個紀念品與之連結。」

違背霍夫曼的單純

那 他的理想狀態是什麼?霍夫曼指出,現場應該純淨而簡單,感受到小鴨帶來的單純、真誠,並興起對簡單生活的渴望。可是事實上現場已變成商業馬戲團,讓他非常 沮喪。他喜歡民眾停車或下接駁巴士後優雅地步行到展場,這樣才凸顯藝術如何改變我們的觀點,經民眾結合、聚在一起,共享徒步參觀的樂趣。

糗成時尚的土包子

遭到霍夫曼暗指的策展人范可欽反擊說,黃小鴨屬於全世界的人類,不是霍一個人的。有網友立刻吐槽:「土地屬於全地球,為什麼要花錢買?」
范可欽是極聰明的人,怎會不懂智財權的常識、不懂尊重藝術作品屬於創作者的最基本規範?他自己的作品別人可以不尊重嗎?
基隆本來就沒藝術氣氛,這次更是花間喝道、焚琴煮鶴,大大丟臉,讓全世界透過小鴨「看見台灣」,原來台灣人民還是穿著時尚的土包子啊!

胡晴舫:假面台灣


年終,民間活動票選台灣年度代表字,結果選出來一個「假」字。

今年台灣深陷一樁又一樁食安風暴,《看見台灣》紀錄片照出破碎山河,半導體高科技公司日月光長期暗管排放重金屬廢水,污染後勁溪,一條條新聞之所以令人震驚,因為這些重大事件與這幾年來台灣的自我認知以及對外宣傳的國際形象一點也不相符。

這些年來台灣人的自我感覺有如一齣雲門舞集新作《稻禾》,對土地有良心,生活追求有機,日常講究禮儀,注重精神文明,然而,真正生活在台灣,卻像一瓶混裝了次級油的高級橄欖油。

面對中國自灌迷湯

我 們以為自己守法,其實也只不過是小市民上捷運會排隊,活生生的現實裡,官商勾結,民代耍特權,地方黑金,使台灣貪腐指數在東亞地區僅次於柬埔寨;誇口台灣 富裕,生活舒服,但只要放眼周遭基礎設施就知道,已開始落後於其他鄰近社會,國民生產毛額不高,薪資成長停滯;說自己不在乎經濟成長,因為我們追求人權文 明,但不讓同性戀結婚,不討論廢核以及其他替代能源方案,新聞熱烈討論八卦風水,地方邪教團體活活餓死年輕孩子,種種愚智迷信充斥著自以為很開明先進的台 灣。

這麼些年來,台灣一直都活在假面神話裡。我們最好,我們最棒,我們最善良,我們不斷餵灌自己的迷湯從何而來,恐怕跟中國有關。面對 中國的崛起,台灣欲迎還拒,一直捉摸不定自己的心。台灣這些年來的自我放棄或自我誇耀,就是因為兩隻眼睛只盯著中國,要嘛羨慕並諂媚新中國的強,要嘛嫉妒 及鄙夷對方的富。

台灣只顧著看中國,忘了看世界其他地方,更忘了看自己。產業不必痛苦轉型了,技術不必升級了,企業直接跳到對岸繼續夕 陽工業;制度法規不必調整了,社會不必成長了,因為比起幅員廣大、各地素質不齊的對岸,台灣很容易看見自己現在仍有些值得驕傲的社會細節;碰上爭議,社會 懶求共識,互貼標籤,推諉中國干涉就算了。

唯有誠懇才能進步

問題是每個社會發展階段不同,歷史背景差異,台灣果真如自己所想望的那般文明進步,我們應該觀照的鏡子應該是丹麥、荷蘭、日本、南韓等,再往上一點,再跳高一些,而不是天天對照中國,然後抱著一點其實很容易跨越的社會差異而敝帚自珍,沾沾自喜。

台灣的假面,若當初為了中國而戴起來的,戴久了,卻逐漸忘了假面下的自己其實並不完美,仍有許多需要改進的地方。當夜深人靜,除掉假面,卸下厚粉,裸露出素顏的台灣是否依然很美?親愛的讀者,請不要讓我說出言不由衷的話,只為了取悅你。

唯有誠懇面對,才可能進步。台灣人需要尋回當「台灣人」的榮譽感,細索當一個「台灣人」的意義。當我閱讀蔣渭水先輩的文字,我所學到的珍貴啓示是人生活在世,不僅是為了生存,而是追求生命的尊嚴。而尊嚴這件事為認真二字而已。
新的一年裡,祝福台灣。

蔣渭水_臨床講義--台灣診斷書


患者: 台灣
姓名: 台灣島
年齡: 移籍至現住址已二十七歲
原籍: 中國福建省台灣道
現住所: 日本帝國台灣總督府
職業: 世界和平第一關守衛
遺傳: 明顯地具有黃帝、周公、孔子、孟子等血統
素質: 為上述聖賢後裔,素質強健,天資聰穎

既有症:
幼年時,身體頗為強壯,頭腦明晰,意志堅強,品行高尚,身手矯健。自入清朝,因受政策毒害,身體逐漸衰弱,意志薄弱,品行低劣,節操低下。轉日本帝國後,接受不完整的治療,稍見恢復,惟因慢性中毒長達兩百餘年,不易霍然而癒。

現症:
道德頹廢,人心澆漓,物慾旺盛,精神生活貧瘠,風俗醜陋,迷信深固,頑迷不悟,罔顧衛生,智慮淺薄,不知永久大計,只圖眼前小利,墮落怠惰,腐敗、怠慢、虛榮、寡廉鮮恥、四肢倦怠、惰氣滿滿、意氣蕭沉,了無生氣。

主訴:
頭痛、眩暈、腹內飢餓感。最初檢查患者時,以其頭較身大,理應富於思考力,但以二、三常識問題加以詢問,其回答不得要領,可想像患者是個低能兒,頭股雖大,內容空虛,腦髓不充實﹔聞及稍微深入的哲學、數學、科學及世界大勢,便始目暈頭痛。

預斷:
因素質純良,若能施以適當療法,尚可迅速治癒。反之,若療法錯誤,延宕時日有病入膏肓之虞。

療法:
原因療法,即根本治療

處方:
正規學校教育 最大量
補習教育   最大量
幼稚園    最大量
讀報社    最大量

若能調和上述各劑,迅速服用,可於二十年根治,尚有其他特效藥品,此處從略

大正十年(1921)十一月一三日

主治醫師 蔣渭水

Jose Mujica (President of Uruguay) / German ex-president Christian Wulff 司馬觀點:德國前總統在審判中(江春男)

José Mujica - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/José_Mujica
José Alberto "Pepe" Mujica Cordano is an Uruguayan politician, and President of Uruguay since 2010. A former guerrilla fighter and a member of the Broad ...



The Saturday Profile
After Years in Solitary, an Austere Life as Uruguay's President
By SIMON ROMERO
José Mujica, a former guerrilla who took office in 2010, shuns opulence, donates most of his salary and lives modestly, as he says a leader of a proper democracy should.


經濟學人選出2013年度代表國:烏拉圭


【於 慶中/綜合外電報導】重量級國際刊物《經濟學人》(The Economist)雜誌,別開生面的選出「2013年度代表國」(Country of the year 2013),不看GDP(國民生產毛額)、不管國內政經局勢,在全球一百多個國家中,當選的是:烏拉圭。

當然,《經濟學人》有著詳細的說明,烏拉圭獲選的原因有三:

1. 同性戀婚姻合法化。今年4月10日,烏拉圭眾議院92名議員中,有71人對這個議題投下了同意票,自此烏拉圭的同性戀婚姻合法,《經濟學人》認為,這是不花一毛錢,卻帶給無數人類幸福的一個重要決定。

2. 大麻合法化。上周二(12日),烏拉圭參議院經過超過12小時的辯論,通過政府提議,成為全球第一個可以合法種植、持有並吸食大麻的國家。《經濟學人》認為,這是一個如此合理的決策,能夠讓當局更加專注處理更深層的犯罪,而沒有其他任何一個國家敢做到的。

3. 有個低調而謙虛的領導人。烏拉圭總統穆西卡(Jose Mujica)以平民作風享譽世界,他不住豪宅,每天自己開著金龜車(Volkswagen Beetle)去上班,搭飛機堅持只坐經濟艙,《經濟學人》稱他「謙虛而率直、熱愛自由又有趣」,是當代領導人典範。

烏拉圭總統穆西卡。翻攝自《每日電訊報》
右前方第一輛就是穆西卡開著他的老金龜車。翻攝自《BBC》

****

  1. Deutsche Welle ‎- 3 days ago
    A Hannover court hearing corruption claims against German ex-president Christian Wulff has warned that the case is "so far unproven.

司馬觀點:德國前總統在審判中(江春男)

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德國前總統沃爾夫目前官司纏身。
德國實行內閣制,實權在總理,總統屬榮譽職,通常由具有政治清望,但沒政治野心,且滿頭白髮的人擔任。一旦清望受損,那怕是雞毛蒜皮的小事,也要下台。前總統沃爾夫去年丟掉寶座,過去18個月來,都在法庭上爭取清白。

只因區區數百歐元

遠在5年前,他擔任下薩克森省長時,參加慕尼黑碑酒節,他的旅行費用由製片商埋單,金額只有750歐元(約3萬元台幣)。去年2月中,檢察官認為他有利用職務牟取私利的嫌疑,提出取消他作為國家元首的刑事豁免權的申請,他在輿論壓力下宣布辭職。
今年4月,檢方以受賄罪嫌起訴他,前天法庭將罪名從收賄改為收受好處,罪名大為減輕,可說是他第一回合的勝利,但他的名譽和人格備受污損,已無恢復機會。
為了區區數百歐元,檢方提出數千頁的檔案資料,充分發揮徹底精確的德國精神,但連新聞界也看不下去,覺得完全是小題大作。輿論認為他貪小便宜,公私不分,他的問題不是貪污,而是愚蠢。
在這中間,媒體還爆料他從商界友人獲得50萬歐元(約2005萬元台幣)的優惠貸款買房,多次在友人別墅度假,又打電話關說媒體壓新聞等,他辯解這是平常人很常犯的錯誤,強調從沒做過違法的事。
可惜,他不是平常人,他代表國家形象,必須接受最高道德標準的檢驗,如果他的作為危及總統職位的聲望,只有下台一途。

人民不原諒他愚蠢

總統下台後,他依法每年有20萬歐元(約802萬元台幣)退休金,外加專車、司機、祕書和辦公室,但多數民眾主張取消,對他的愚蠢不肯原諒,他的官司還要打下去,依德國人做事的嚴謹,至少還要打半年。
有趣的是,總理莫克在他辭職時,只發表簡短聲明,對他把個人利益放在總統職位之後,放在為德國人民服務之後,「表示由衷的尊敬」。

2013年12月20日 星期五

Hugh Hefner v Al Goldstein / Playboy magazine v Screw magazine

美國兩本鹹濕雜誌的格調大不同:Hugh Hefner的 Playboy 有水準而剛過世的Al Goldstein 旗下的Screw magazine則沒格調.......



QUOTATION OF THE DAY

"Hefner did it with taste. Goldstein's contribution is to be utterly tasteless."
ALAN M. DERSHOWITZ, the civil liberties advocate, on the career of the pornographer Al Goldstein and that of Hugh Hefner, the publisher of Playboy magazine.




Obituaries
Al Goldstein in 1981. He started Screw magazine in 1968.
Al Goldstein, a Publisher Who Took the Romance Out of Sex, Dies at 77

By ANDY NEWMAN

Mr. Goldstein, the publisher of Screw magazine, was first to present sex to his audience without the slightest attempt at classiness or subtlety.
. City Room: A Pornographer's Farewell

2013年12月17日 星期二

Peter O'Toole




Remembrances

Actor Peter O'Toole Dies at 81

Actor Achieved Stardom in 'Lawrence of Arabia'


Updated Dec. 15, 2013 6:54 p.m. ET



An actor of indelible presence on stage and screen, Peter O'Toole was almost equally known for his drinking and hard living.
Actor Peter O'Toole achieved instant stardom as Lawrence of Arabia and was nominated eight times for an Academy Award. Associated Press
 
Mr. O'Toole, who died Saturday at age 81, starred in dozens of Hollywood films and had a parallel career on the British stage. He was nominated for eight Academy Awards, the first in 1963 for the film that made him a star, "Lawrence of Arabia."
In David Lean's genre-defining epic, Mr. O'Toole established the image that would thrill generations of moviegoers: tall, blond and dashing, with something haunted behind his pale-blue eyes.
Playwright Noel Coward once said that if Mr. O'Toole had been any prettier, they would have had to call the movie "Florence of Arabia."

He went on to cut an impressive figure in more 1960s films: "Becket," "Lord Jim" and "The Lion in Winter," where he played Henry II opposite Katharine Hepburn as Eleanor of Aquitaine.

Actor Peter O'Toole, best known for his role in "Lawrence of Arabia," died at age 81. In interview excerpts, O'Toole discusses the "alchemy" of an actor's work, and actor Sir Patrick Stewart recounts seeing O'Toole perform in his younger years. Photo: AP
"He was a giant of his profession," said Mr. O'Toole's agent, Steve Kenis. 

Mr. O'Toole partied with stage veterans like Richard Harris and Richard Burton, leaving a trail of boozy mayhem in 1960s London. 

By 1973 he had received five best-actor nominations, but his career seemed to flag as carousing began to catch up with him when he suffered a near-fatal hemorrhage.

He gave up drinking, and he returned with strong performances in the notorious "Caligula" (1979) and "The Stunt Man" (1980), which provided him yet another Oscar nomination. But by then his good looks had begun to fade, his face becoming sunken and craggy in his later years as leading roles became few and far between.

Peter O'Toole, shown circa 1990, was nominated for eight Oscars and received an honorary one in 2003. David Montgomery/Getty Images
 
"Peter took his craft extremely seriously; the size of the role didn't matter," said Mr. Kenis.
He didn't win an Oscar until the Academy finally gave him an honorary award in 2003, the citation noting that his "remarkable talents have provided cinema history with some of its most memorable characters." His acceptance speech was nearly as memorable: "Always a bridesmaid, never a bride, my foot."

 my foot!
informal said to express strong contradiction:Efficient, my foot!

Seamus Peter O'Toole was raised in Leeds, England, the son of an Irish bookie. He served in the British Navy and worked briefly as a reporter before turning to acting.

A scholarship student at the Royal Academy of Dramatic Art in London, Mr. O'Toole won critical acclaim as Hamlet at the Bristol Old Vic. 

He continued to make stage appearances in Britain, often in plays by George Bernard Shaw. He appeared on Broadway in a 1987 revival of "Pygmalion."

In recent years, he played a pope in the Showtime drama "The Tudors," and also took a voice role as a jaded food critic in the animated movie "Ratatouille." He received a final Oscar nomination for "Venus" (2006).

"It is time for me to chuck in the sponge," he said in 2012, announcing his retirement. "The heart for it has gone out of me."

His daughter Kate O'Toole said: "His family are very appreciative and completely overwhelmed by the outpouring of real love and affection being expressed towards him, and to us, during this unhappy time."

"Thank you all, from the bottom of our hearts," said Ms. O'Toole in a brief statement.

Irish President Michael D. Higgins said Mr. O'Toole was "unsurpassed for the grace he brought every performance on and off the stage."

Broadcaster Michael Parkinson told Sky News television it was hard to be too sad about the news of his death. "Peter didn't leave much of life unlived, did he?" he said, chuckling, according to the Associated Press. "If you can't do something willingly and joyfully, then don't do it," Mr. O'Toole once said. "If you give up drinking, don't go moaning about it; go back on the bottle. Do. As. Thou. Wilt."

—Email remembrances@wsj.com
*****

Peter O'Toole - obituary

Peter O'Toole was a hell-raising actor who blazed to fame as Lawrence of Arabia but never fulfilled his early promise of true greatness

Peter O'Toole
Peter O'Toole Photo: PHIL COBURN
Peter O'Toole, the Irish-born actor who has died aged 81, was one of the most charismatic, unpredictable, eccentric and individualistic players of his generation.
Hailed both as a classicist and as an exponent of post-war realism in the new British drama, he seemed destined for greatness on the stage until David Lean’s Lawrence of Arabia (1962) turned him into a film star.
It was one of the most spectacular screen breakthroughs of the post-war years. Though his screen debut was in Kidnapped (1960), he had till Lawrence made little impression. Although Lawrence was presented as an heroic figure, Robert Bolt’s screenplay did not avoid the more debatable aspects of his life, including his sexuality. There is a revealing moment when he first dons Arab clothes and performs a little dance almost as if he were a woman in disguise. Moviegoers twigged instantly that this would be no ordinary portrayal.
 O’Toole was as famous in his private life for hell-raising exploits, alcoholic benders and independence of artistic judgement, as for his wildly variable performances on stage and screen. The traditional distinction between the actor and the role soon became something of a blur.


Tall, lean, blue-eyed, watchful, whimsical — and, by middle age, so emaciated that his friends feared for his health — O’Toole seemed regularly to veer close to self destruction. A self-confessed lover of sleaze, he once said: “I can’t stand light; I hate weather; my idea of heaven is moving from one smoke-filled room to another.”
When Laurence Olivier chose him in 1973 to inaugurate the National Theatre at the Old Vic in the title role of Hamlet, it was because O’Toole seemed like Britain’s next great actor. But the status of an Olivier, a Redgrave or a Gielgud always eluded him — or perhaps he it.
Though he became a greatly popular player, he did not stay with Olivier’s new National Theatre Company and went on to divide his career between stage and screen. The success of Lawrence of Arabia led to a flood of screen offers in meaty parts that contemporary actors envied. These included two aspects of King Henry II, first in Becket (1964), based on Jean Anouilh’s account of his troubled relations with Thomas à Becket, and secondly in The Lion in Winter (1968), James Goldman’s play about the ageing king’s dispute with his wife, Eleanor of Aquitaine. Though Katharine Hepburn won an Oscar as Eleanor, the conflict was even-handed and the two performers were equally riveting.
Peter O'Toole photographed in 163 (AP)
His acting ranged from the sublime to the ridiculous. It could be subtle, reserved, sensitive and deeply affecting. It could also be loud, self-regarding, mannered and imitative of the worst of the 19th-century barnstormers.
Among the more ridiculous was the Macbeth he played at the Old Vic in 1980. It was an attempt to restore the fortunes of that playhouse after the National Theatre had left it in 1976. Contradicting the advice he had given as Hamlet to the players at the same theatre under Olivier’s direction 17 years earlier, he sawed the air with his hands, tore passions to tatters, and ranted until the audience laughed in his face.
Undismayed, he joined in, especially when he heard one night, as he descended the staircase after dispatching Duncan, the siren of an ambulance passing the theatre. “I was dripping with blood. The ambulance howled as it went up the Waterloo Road. I got the giggles. So did the audience. It was bloody marvellous.”
Nonetheless, the production, disowned by fellow members of the Old Vic board, broke records in London and in the provinces. “I just wanted a crack at Macbeth on the principle of getting the worst over first. In the history of the British theatre, only three actors have pulled it off: Macready, Garrick, and Wolfit — and now me. I enjoyed every second.”
Among his more sublime performances was that of the dazed and lonely protagonist journalist in Keith Waterhouse’s Jeffrey Bernard Is Unwell (Apollo, 1989; revived 1999), reminiscing, ruminating, urinating, swaying, and stranded overnight in a London pub with a plastic carrier bag of liquor.
O’Toole, himself an experienced alcoholic, long since reformed, brought so much authenticity, poise and painful sincerity to the performance that many play-goers could not believe he was acting.
He loved the excitement and uncertainty of the theatre. “If I hadn’t become an actor I probably would have become a criminal,” he said once. “I’m a very physical actor. I use everything — toes, teeth, ears, everything. I don’t simply mean physical in the sense of movement and vigour. I find myself remembering the shape of a scene by how I’m standing, what I’m doing.”
Having achieved immediate recognition as TE Lawrence, the desert adventurer opposite Omar Sharif, he observed: “Stardom is insidious. It creeps up through the toes. You don’t realise what’s happening until it reaches your nut. That’s when it becomes dangerous.”
His scores of screen roles at this time included Joseph Conrad’s Lord Jim (1965), an angel in John Huston’s The Bible (1966), and a musical remake of Goodbye, Mr Chips (1969) opposite Petula Clark. Though he was Oscar-nominated for that role, the film as a whole was an embarrassment, and he should have taken note that Rex Harrison and Richard Burton had turned it down before him.
In 1972 he appeared in another musical, Man of La Mancha, opposite Sophia Loren, in which he played Don Quixote. These two films were temporary diversions he was wise not to repeat. Fortunately, in the same year (1972) he gave one of his best performances in the lead role in Peter Medak’s The Ruling Class, as a berserk British baronet who imagines himself to be Jesus Christ one minute and Jack the Ripper the next.
Peter O'Toole on screen
The son of an Irish bookmaker, Seamus Peter O’Toole was born at Connemara, Co Galway, on August 2 1932. The family moved to England when O’Toole was a boy. The young Peter left school at 14, and moved with his parents to Yorkshire.
He worked variously as a copy boy and reporter on the Yorkshire Evening News, as a jazz band drummer, and as a vacuum cleaner salesman. He first acted professionally at the Civic Theatre, Leeds, in 1949.
After National Service as a signalman in the Royal Navy, he saw Michael Redgrave’s King Lear at Stratford-upon-Avon in 1953; it was this that resolved him to attend the Royal Academy of Dramatic Art. He hitch-hiked to London and won an audition and a scholarship.
He joined the Bristol Old Vic, where between 1955 and 1958 he acted 73 parts, notably Jimmy Porter in Look Back in Anger (1957), John Tanner in Man and Superman, the title part in Hamlet and Peter Shirley in Shaw’s Major Barbara, in which he made his first London appearance (Old Vic, 1956).
His first West End part came in another Bristol transfer, this time as Uncle Gustave in the Swiss musical comedy Oh, My Papa! (Garrick, 1957).
It was, however, as the cynical Cockney Pete Bamforth, who befriended a Japanese captive in Willis Hall’s wartime jungle drama The Long and the Short and the Tall (Royal Court, 1959, and New, now Albery), that O’Toole first won wide critical acclaim.
Of that performance Kenneth Tynan wrote: “To convey violence beneath banter, and a soured embarrassed goodness beneath both, is not the simplest task for a young player, yet Mr O’Toole achieved it without sweating a drop.”
At Stratford-upon-Avon in The Merchant of Venice his dashing young Shylock, a nouveau riche mercantile adventurer with social pretensions, was much admired, as were his playful Petruchio (opposite the 52-year-old Peggy Ashcroft) in The Taming of the Shrew and his powerful and thrilling Thersites in Troilus and Cressida.
Back in the West End in the title part of Brecht’s Baal (Phoenix, 1963) his acting soared above the play so impressively that one of Brecht’s biographers, Martin Esslin, dubbed O’Toole “the greatest potential force among all English-speaking actors”.
Peter O'Toole (Rex Features)
After the disappointment of his acceptable but uninspiring Hamlet at the launch of the National Theatre Company, he played one of his favourite types of character, the self-destructive hero, in David Mercer’s Ride a Cock Horse (Piccadilly, 1965), agonising over relationships with three women.
The following year, back in Ireland, he played Capt Boyle in O’Casey’s Juno and the Paycock at the Gaiety Theatre, Dublin, and three years after that he was back in Dublin again as John Tanner in Shaw’s Man and Superman, one of his favourite parts which he had played at Bristol 11 years earlier and which he played yet again in the West End (Haymarket, 1982).
At Dublin’s Abbey in 1969 his scarecrow Vladimir in Beckett’s Waiting for Godot came in what The Daily Telegraph at the time called “the Chaplin tradition: baggy trousers, battered bowler, clownish, absentmindedly surveying the audience as if it were infinity”. He later acted the part at Nottingham Playhouse.
Returning to his training ground, the Bristol Old Vic, in 1973, he took the title role in Chekhov’s Uncle Vanya, “shuffling, weary, pale and unprofiteering… one of the best things O’Toole ever did”, according to one critic. He also played King Magnus — “indolent, elegant, condescending” — in Shaw’s The Apple Cart, a role which he repeated in the West End (Haymarket, 1986).
When he led, in 1978, a tour of North America as Uncle Vanya, he also added Coward’s Present Laughter to his repertoire. As the flamboyant matinée idol, Garry Essendine, O’Toole used his own mannered and sometimes irritating self-indulgence with authority.
Following the fiasco of his Macbeth for Prospect Productions at the ailing Old Vic two years later, his mercurial Professor Higgins in Shaw’s Pygmalion (Shaftesbury, 1984) was warmly approved for its zest, rhythm, tonal variety, and tender eccentricity. It was seen on Broadway three years later.
In 1991 his ideas about the older Jimmy Porter in Osborne’s new play Déjà Vu clashed with the author’s at rehearsal and the Liverpool production was cancelled.
Tall, lean and blue-eyed: Peter O'Toole and Omar Sharif from the 1962 film 'Lawrence of Arabia
One of his better screen performances in the 1970s came in Clive Donner’s thriller for television Rogue Male (1976). O’Toole was engaging and, when it mattered, moving, as the resourceful but desperate hero, a British sportsman and would-be assassin of Hitler who, ruthlessly hunted down by Nazis, is forced to live like an animal.
The following year he acted in the dubious Roman epic Caligula, described by Variety magazine as “an anthology of sexual aberrations in which incest is the only face-saving relationship”.
In the uncommercial but intriguing film The Stuntman (1980), he was entirely at home as an impatient and overbearing director on a crazed film project which seemed to make sense only to him. O’Toole, who was again Oscar-nominated, later admitted that he had based his performance on the martinet David Lean, who had directed him in Lawrence of Arabia.
Less impressive were his outings in such schlock as Powerplay (1978), Strumpet City (1980), Supergirl (1984) and Buried Alive (1984).
His performance in Neil Jordan’s big budget Hollywood comedy High Spirits (1988), about a family who move into a haunted house, was nothing if not ebullient; he extracted more humour than the rest of the cast from a weak script in what became one of the turkeys of the year.
It is fitting that his swansong was on the West End stage, which he loved and dominated like no other. Keith Waterhouse’s Our Song provided him with another Bernard-like character — or at least that was how he played the hard-drinking advertising man infatuated with a younger woman.
Even those critics who professed to a sense of déjà vu were not inclined to complain about it, but rather revelled in another chance to see O’Toole running the entire gamut of his physical and vocal range. “The exhilarating theatrical swagger of his performance is matched by a real depth of emotion,” said the Telegraph. The play was a sell-out success.
The year 1992 also saw the publication of the first volume of his autobiography, Loitering With Intent. Besides committing to record his own account of a life rich in myth and hyperbole, O’Toole revealed a genuine writing talent whose promise is sadly cut short.
Having been denied as best actor Oscar many times, in 2003 O’Toole received a special honorary award, effectively for his lifetime’s work. He joked about this when, in 2006, he received yet another best-actor nomination, playing a 70-year-old roué in Venus, who romances his best friend’s grand-niece. The lifetime’s recognition, he quipped, had been premature because there was life in the old dog yet.
Peter O’Toole married, in 1960 (dissolved 1979), the actress Sian Phillips, with whom he had two daughters. He married secondly, in 1983, Karen Brown, with whom he had a son. The second marriage also ended in divorce.
Peter O’Toole, born August 2 1932, died December 14 2013
IN PICTURES: PETER O'TOOLE'S LIFE ON SCREEN







Peter O'Toole: In quotes

Peter O'Toole (left) and John Mortimer QC during the 12th annual Oldie of the Year Awards in 2004 Peter O'Toole (left) and John Mortimer QC during the 12th annual Oldie of the Year Awards in 2004

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A selection of some of the best quotes from actor Peter O'Toole, who has died aged 81.
On predicting his future career
"I will not be a common man because it is my right to be an uncommon man. I will stir the smooth sands of monotony" - from an early poem
On becoming an actor
"I hitched to London on a lorry, looking for adventure. I was dropped at Euston Station and was trying to find a hostel. I passed the Royal Academy of Dramatic Art, and walked in just to case the joint."
He later said his studies at Rada under a scholarship began "quite by chance... not out of burning ambition but because of all the wonderful-looking birds".
On drinking and health
"If you can't do something willingly and joyfully, then don't do it. If you give up drinking, don't go moaning about it; go back on the bottle. Do. As. Thou. Wilt."
His house rules for a New Year's Eve party at his Hampstead home: "Fornication, madness, murder, drunkenness, shouting, shrieking, leaping polite conversation and the breaking of bones, such jollities constitute acceptable behaviour, but no acting allowed."
"The only exercise I take is walking behind the coffins of friends who took exercise."
Peter O'Toole describes his "rabbit hutch" childhood to Michael Parkinson

On fame after Lawrence Of Arabia
"I woke up one morning to find I was famous. I bought a white Rolls-Royce and drove down Sunset Boulevard, wearing dark specs and a white suit, waving like the Queen Mum."
"Stardom is insidious. It creeps up through the toes. You don't realise what's happening until it reaches your nut. That's when it becomes dangerous."
On acting
"I'm a very physical actor. I use everything - toes, teeth, ears, everything. I don't simply mean physical in the sense of movement and vigour. I find myself remembering the shape of a scene by how I'm standing, what I'm doing."
"I take whatever good part comes along," O'Toole told The Independent on Sunday newspaper in 1990. "And if there isn't a good part, then I do anything, just to pay the rent. Money is always a pressure. And waiting for the right part - you could wait forever. So I turn up and do the best I can."
"The love of it is great, huge and it will be with me forever. I blundered into it, found I could do it well. It has raised me from nothing into something, not a lot, but something. If you do something well and you enjoy it, what more can you bloody well ask?"
On the critical savaging of his stage Macbeth in 1980: "The thought of it makes my nose bleed."
Nick Higham reports on the life and career of Peter O'Toole
On his honorary Oscar
When the Academy originally offered O'Toole the statuette he requested as he was "still in the game and might win the lovely bugger outright, would the Academy please defer the honour until I am 80?".
Upon receiving the lifetime achievement at the 75th Academy Awards in 2003: "Always a bridesmaid never a bride my foot!"
On subsidised theatre
"It is the same rules for us as it is for cricket, boxing, anything. We are an entertainment. We have to live and thrive in a competitive market. If we become an overprotected species we are dead."
O'Toole in Hamlet O'Toole is seen backstage at the opening night of Hamlet at the Old Vic theatre in London in 1963
On his retirement
A month before his 80th birthday in 2012, O'Toole announced it was time to "chuck in the sponge" and retire from stage and screen.
"The heart for it has gone out of me. It won't come back. My professional acting life has brought me public support, emotional fulfilment and material comfort. However it is my belief that one should decide for oneself when it is time to end one's stay. So I bid the profession a dry-eyed and profoundly grateful farewell."

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