Madonna(2) Madonna’s Latest Experiment: Looking Back.Madonna Will Never Go Gently.2023 Marina Abramović

But perhaps finally pausing to look back has showed her another path forward: her well-earned legacy era. “Something is ending,” she sang in “Nothing Really Matters” as she swooped around the stage alone, “and something begins.”

Madonna’s Latest Experiment: Looking Back

Her Celebration Tour is the pop superstar’s first retrospective, one which thematically explores her past and perhaps offers a glimpse of how she will chart her future.

Madonna performing at Barclays Center in Brooklyn on Wednesday night.Credit...The New York Times

Madonna Will Never Go Gently

And we wouldn’t want her to, our fashion critic writes, as the singer announces a world tour.

3 MIN READ

2018    When people say they want Madonna to age gracefully, what they really mean is: shut up. But celebrate her work, rather than her survival

THEGUARDIAN.COM

‘Bigger than any man she ever encountered’: the under-appreciated genius of Madonna

Love or hate her, everyone knows Madonna 💃👑
Happy 60th birthday to the Queen of Pop! 🎉

****

Local far-right politicians are calling the poster "political propaganda."

Marina Abramović Created a Poster for an Italian Sailing Event. Now, the Far-Right Wants to Censor It | artnet News

瑪莉娜·阿布拉莫維奇（塞爾維亞語： Марина Абрамовић，Marina Abramović，1946年11月30日－），出生於南斯拉夫貝爾格勒，是位行為藝術家。自1970年代開始活躍至今，從事行為藝術40年，被人稱為「行為藝術之祖母」（英語：grandmother of performance art）。現任巴德學院講師。瑪莉娜的表演探討著表演者與觀眾間的微妙關係、身體的極限與想像的各種可能性。

Marina Abramović
Marina Abramović during the 2012 Vienna International Film Festival
Born	November 30, 1946 (age 71) Belgrade, PR Serbia, FPR Yugoslavia
Education	Academy of Fine Arts, Belgrade Academy of Fine Arts, Zagreb
Known for	Performance Art, Body Art
Notable work	Rhythm Series (1973–1974) Works with Ulay (1976–1988) Balkan Baroque (1997) The Artist is Present (2010)
Movement	Conceptual art
Website	http://www.marinaabramovic.com

Marina Abramović (Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmoʋitɕ]; born November 30, 1946) is a Serbian performance artist.^[1] Her work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind. Being active for over four decades, Abramović refers to herself as the "grandmother of performance art."^[2] She pioneered a new notion of identity by bringing in the participation of observers, focusing on "confronting pain, blood, and physical limits of the body."^[3]