大戰荷馬300回 荷馬史詩中描述了兩種主要的頭盔：古代青銅時代的野豬獠牙頭盔和後來帶有馬鬃冠飾的古風時期青銅頭盔。爭論電影中的奧德修斯和他的部下實際穿戴的盔甲，是次要問題； 由亞麻布製成，層層疊疊，粘合在一起，形成一個堅硬的外殼，包裹著軀幹和肩膀。希臘人稱之為「亞麻胸甲」（linothorax），幾個世紀以來，它一直是重裝步兵、騎兵和國王的標準裝備。亞歷山大大帝在高加米拉戰役中也穿著它。.......Armor of Ferdinand I, Holy Roman Emperor (1549)forced perspective透視錯覺 ： 麥特戴蒙在《奧德賽》打鬥場景中的二頭肌 (Matt Damon’s Biceps)？其實是身高僅1.4公尺的男主角的替身戴文道爾頓Devyn Dalton, a 4-foot-6 woman, ....實景拍攝不用 GREEN SCREEN. 綠幕是一種純綠色背景，用於影片和攝影製作中，以隔離拍攝對象並在後製中替換背景。

荷馬史詩中描述了兩種主要的頭盔：古代青銅時代的野豬獠牙頭盔和後來帶有馬鬃冠飾的古風時期青銅頭盔。野豬獠牙頭盔：《伊利亞德》第十卷中描述了奧德修斯在一次夜間襲擊中佩戴的特殊頭盔。製作方法：工匠將一排排白色野豬獠牙綁在皮革帽上，並在內部添加柔軟的氈襯。真實歷史：考古學家在西元前1600年至1150年的希臘墓葬中發現了這種野豬獠牙頭盔的實物，遠早於荷馬的時代。帶冠青銅頭盔：《奧德賽》第二十二卷中描述了奧德修斯和他的部下在日常戰鬥中佩戴帶有馬鬃冠飾的標準青銅頭盔。真實歷史：這些頭盔與荷馬所處的公元前8世紀使用的金屬盔甲和科林斯式頭盔風格相符。為何會出現這種混合風格？荷馬將古代故事與現代故事融合在一起。在特洛伊戰爭時期，荷馬的詩歌與當時聽眾所穿的現代裝備相得益彰。這種融合使得詩歌既充滿傳奇色彩，也讓古代聽眾倍感親切。如果你有興趣，我可以分享更多關於以下內容：詩歌中使用的盾牌和盔甲；歷史上的武器與荷馬描述的對比。請告訴我您接下來想了解什麼！

 Homer's epics describe two main types of helmets: ancient Bronze Age boar-tusk helmets and later Archaic bronze helmets with horsehair crests.

The Boar's Tusk Helmet

Found in the Iliad: Book 10 describes a special helmet worn by Odysseus for a night raid.
How it was made: Craftsmen tied rows of white boar tusks onto a leather cap and added a soft felt lining inside.
Real history: Archaeologists found real examples of this Boar's tusk helmet in Greek graves from 1600 to 1150 BCE, long before Homer lived. [1, 2, 3, 4]

The Crested Bronze Helmet

Found in the Odyssey: Book 22 shows Odysseus and his men wearing standard bronze helmets with horsehair crests for regular fights.
Real history: These matched the metal armor and Corinthian styles used during Homer's own time in the 8th century BCE. [1, 2, 3, 4]

Why the Mix Exists

Homer mixed old stories from the Trojan War era with the newer gear that his live audience wore.
This blend made the poems feel both legendary and familiar to ancient listeners. [1, 2, 3, 4]

If you want, I can share more about:

• The shields and body armor used in the poems
• How historical weapons compare to Homer's descriptions

Let me know what you'd like to explore next!

 奧德修斯和他的部下實際穿戴的盔甲由亞麻布製成，層層疊疊，粘合在一起，形成一個堅硬的外殼，包裹著軀幹和肩膀。希臘人稱之為「亞麻胸甲」（linothorax），幾個世紀以來，它一直是重裝步兵、騎兵和國王的標準裝備。亞歷山大大帝在高加米拉戰役中也穿著它。.......Armor of Ferdinand I, Holy Roman Emperor (1549)

奧德修斯和他的部下實際穿戴的盔甲與好萊塢電影裡那些光鮮亮麗的青銅胸甲截然不同。

它由亞麻布製成，層層疊疊，粘合在一起，形成一個堅硬的外殼，包裹著軀幹和肩膀。希臘人稱之為「亞麻胸甲」（linothorax），幾個世紀以來，它一直是重裝步兵、騎兵和國王的標準裝備。亞歷山大大帝在高加米拉戰役中也穿著它。

它的製作方法非常簡單，現代研究人員已經能夠復原。取上等亞麻布，用動物膠或麵粉糊粘合，壓製成約半英寸厚的硬質板，然後在晾乾的過程中將其塑形貼合身體。最後得到的盔甲輕盈透氣，而且出乎意料地堅韌。

The armor Odysseus and his men actually wore looked nothing like the polished bronze breastplates Hollywood keeps handing them.

It was made of linen. Layers and layers of it, glued together into a stiff shell that wrapped the torso and shoulders. The Greeks called it the linothorax, and it was standard kit for hoplites, cavalry, and kings for centuries. Alexander the Great wore one at Gaugamela.

The recipe was simple enough that modern researchers have rebuilt it. Take fine linen, laminate it with animal glue or a flour-based paste, press it into a rigid panel about half an inch thick, then shape it around the body while it dries. What you get is light, breathable, and surprisingly tough.

Historical Photos說這專頁讚

Armor of Ferdinand I, Holy Roman Emperor (1549)

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綠幕是一種純綠色背景，用於影片和攝影製作中，以隔離拍攝對象並在後製中替換背景。工作原理：色度鍵控隔離：去除綠色背景的過程稱為色度鍵控或色度鍵合成。替換：編輯軟體可辨識特定的綠色範圍，使其透明，並在其下方疊加新的背景影像或影片。為什麼要使用綠色？色彩對比：綠色與人類膚色和普通衣物顏色差異顯著。數位感光度：數位相機感光元件對綠色更敏感，與其他顏色相比，捕捉綠色所需的光線更少。常見用途：電影與電視：增加特效、數位佈景或危險特技背景。新聞廣播：在新聞主播身後顯示天氣地圖或圖形。內容創作：用於視訊通話（如 Zoom）或直播的虛擬背景。基本設定與編輯技巧：照明：均勻照亮螢幕以避免產生強烈的陰影，並使主體與背景保持至少 6 英尺（約 1.8 公尺）的距離，以防止綠光。反射到他們身上。服裝：避免讓主體穿著綠色衣服或穿戴反光配件，因為這些物品可能會在摳像過程中消失或導致故障。軟體工具：使用 Adob​​e Premiere Pro 中的 Ultra Key 或 DaVinci Resolve 中的 Delta Key 等工具來取樣綠色並優化摳圖。

A green screen is a solid green backdrop used in video and photography production to isolate a subject and replace the background during post-production. [1, 2]

How It Works: Chroma Keying

Isolation: The process of removing the green background is called chroma keying or chroma key compositing.
Replacement: Editing software identifies the specific green color range, makes it transparent, and layers a new background image or video underneath. [1, 2, 3]

Why Use Green?

Color Contrast: Green stands far apart from human skin tones and ordinary clothing.
Digital Sensitivity: Digital camera sensors are more sensitive to green, requiring less light to capture a clean signal than other colors. [1, 2]

Common Uses

Film and Television: Adding special effects, digital sets, or dangerous stunt backdrops.
News Broadcasting: Displaying weather maps or graphics behind news anchors.
Content Creation: Virtual backgrounds for video calls (like Zoom) or live streaming. [1, 2, 3, 4, 5]

Basic Setup and Editing Tips

Lighting: Light the screen evenly to avoid harsh shadows, and keep your subject at least 6 feet away from the backdrop to prevent green light reflecting onto them. [1, 2]
Wardrobe: Avoid letting your subject wear green clothing or reflective accessories, which can disappear or cause glitches in the keying process. [1]
Software Tools: Use tools like Ultra Key in Adobe Premiere Pro or the Delta Key in DaVinci Resolve to sample the green color and refine the cutout. [1, 2]

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Damon explained that Nolan used forced perspective to create the illusion that Odysseus’ army was minuscule as compared with the man-eating giants they battle.Credit...Melinda Sue Gordon/Universal Pictures

《奧德賽》中霧氣瀰漫的森林裡的一場戰鬥場景。

達蒙解釋說，諾蘭運用了透視錯覺，營造出奧德修斯的軍隊與他們所對抗的食人巨人相比顯得渺小的錯覺。圖片來源：Melinda Sue Gordon/環球影業

Matt Damon’s Biceps in That ‘Odyssey’ Fight Scene? They’re Hers.

Devyn Dalton, a 4-foot-6 woman, is the leading man’s stunt double in Christopher Nolan’s summer blockbuster.

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麥特戴蒙在《奧德賽》打鬥場景中的二頭肌？其實是她的。 身高僅1.4公尺的戴文道爾頓是克里斯多福諾蘭這部暑假大大片中男主角的替身。 收聽 · 4分55秒 分享全文 記者頭像 208 《奧德賽》電影海報，描繪了身穿盔甲的高大人物與一名持劍者對峙的場景。 《奧德賽》打鬥場景劇照，特技演員戴文道爾頓取代麥特戴蒙出賽。圖片來源…

A shot from a fight scene in “The Odyssey,” with the stunt woman Devyn Dalton standing in for Matt Damon.Credit...

Dalton has been performing stunts since 2011, but the Christopher Nolan film is the first time she’s done stunts for a male A-lister