2024年11月11日 星期一

George MacDonald Fraser. 柯姆·托賓(Colm Tóibín,愛爾蘭語發音:[ˈkɔl̪ˠəmˠ t̪ˠoːˈbʲiːnʲ] KAW-ləm toe-BEAN,1955年5月30日—)是一位愛爾蘭小說家,散文家,劇作家,記者,評論家,詩人。《大師》

柯姆·托賓愛爾蘭語Colm Tóibín愛爾蘭語發音:[ˈkɔl̪ˠəmˠ t̪ˠoːˈbʲiːnʲ] KAW-ləm toe-BEAN,1955年5月30日)是一位愛爾蘭小說家,散文家,劇作家,記者,評論家,詩人





自1990年發表處女作小說《南方》以來,托賓已出版6部長篇小說、1部中篇小說,2部短篇小說集、2部戲劇和多部遊記、散文集。其中,《黑水燈塔船》、《大師》先後入圍布克獎決選名單,後者榮獲國際IMPAC都柏林文學獎(2006)。《布魯克林》獲2009年度英國科斯塔最佳小說獎

托賓的作品主要描寫愛爾蘭社會、移居他鄉者的生活、個人身份與性取向的探索與堅持等。他文筆優雅恬淡,內斂含蓄,被譽為「英語文學中的語言大師」。托賓先後在史丹佛大學德克薩斯大學普林斯頓大學教授寫作。2011年9月,他接替馬丁·艾米斯,擔任曼徹斯特大學創意寫作教授。2011年,英國《觀察家報》將其選入「英國最重要的三百位知識分子」。

目前,托賓擔任哥倫比亞大學英文與比較文學系梅隆講席教授。

作品

[編輯]

小說

[編輯]
年份譯名原名備註
1990南方The South
1992燦爛的石南花The Heather Blazing
1996夜的故事The Story of the Night
1999黑水燈塔船The Blackwater Lightship
2004大師The Master
2006母與子Mothers and Sons短篇小說集
2009布魯克林Brooklyn2015年改編電影《布魯克林之戀》,導演為約翰·克勞利
2010空蕩蕩的家The Empty Family短篇小說集
2012馬利亞的泣訴The Testament of Mary
2014《諾拉·韋布斯特》Nora Webster
2017《阿垂阿斯家族》House of Names
2021《魔術師》The Magician

短篇故事

[編輯]
年份原名備註
2013Summer of '38 (頁面存檔備份,存於網際網路檔案館紐約客》89冊 期(3): 58–65頁.

非小說

[編輯]
年份譯名原名備註
1994低賤血統:愛爾蘭邊境徒步行Bad Blood: A Walk Along the Irish Border
十字架:天主教歐洲之旅The Sign of the Cross: Travels in Catholic Europe
2002黑暗時代的愛:從王爾德到阿莫多瓦的男同性愛Love In a Dark Time: Gay Lives from Wilde to Almodóvar
2012《弒母新法:作家與家人》New Ways to Kill Your Mother: Writers and Their Families
賀!愛爾蘭作家柯姆托賓以所有作品榮獲法國「費米娜獎」特別獎。
今年的編輯工作中,重新整理托賓的作品占去相當大的比重。《大師》是托賓的代表作,寫的是英語文壇被稱作大師的大作家亨利詹姆斯。當時五十歲的他,期盼能從小說家轉向當時更趨文化主流的劇作家,卻意外遭逢失利,他的劇作首演撞上小他十歲的王爾德,所有觀眾都去看王爾德了,結果他的劇作非但票房淒慘,評論也不捧場。
一生投入在藝術事業中,除了工作一無所有,年過五十,才華卻被大眾冷漠否定,該何去何從?人要如何走出中年困頓與自我懷疑呢?
托賓當時以相仿約五十歲的年齡,寫出亨利詹姆斯長達五年的人生低潮,當年亨利將自己放逐在歐洲,憑著家族和自身的名氣,他在歐洲上流社會的社交圈中,見識歐洲貴族的沒落與美國企業家的天真豪氣,他低調地身處新舊大陸的文明衝突,漸漸地,他撿拾起破碎的靈魂,找到寫作方向重新出發,而締造出晚年三本入選現代文庫百大經典小說的名作:《鴿翼》、《奉使記》、《金缽記》。
歷經十年,新版換上高志仁的譯本,他的譯本純淨簡潔——
「天空顏色是深藍色的墨水,平勻悠長。」
「我妹妹不四處遊蕩,先生,她是一塊寶。」
「她計劃死亡,他想,就像她計劃寫書一樣,」
⋯⋯
心理寫實小說的重點並非情節,而是人物,隨著主角是亨利詹姆斯,全書出現的人物幾乎都是十九世紀末封閉的歐洲名人名流,這樣的譯本有其氣蘊,也符合人物拘束禮教的壓抑的內心世界。
十年經過,我才能明白托賓撰寫亨利詹姆斯做了多少研究,我在遍讀亨利詹姆斯的小說後,進入了他小說的美學世界,從他的藝術習慣深入到生存習慣。才知道這樣一本小說如何美麗而真實,真與美可以並存,在心理寫實小說中。不僅把所有時空地點及名人的譯名全部統一,然後我將同樣的研究工作應用在《魔術師》這本新作,托瑪斯曼的歷史就是廿世紀一名藝術家的公眾知識分子倖存史。
「他曾經在夜裡夢見去世的人,有的臉孔很熟悉,有的已經有點模糊,無由來去,即起即滅。」
這是《大師》全書的第一句話。
中年危機就像死亡蔭谷,在萬念俱灰的時候,亨利詹姆斯想起了什麼,又遇見了什麼?
新版書封上的畫作來自Davide Battsitin,一名1970年出生於威尼斯的畫家,被譽為威尼斯的光之畫家。我挑選了這幅畫,呈現當時人在威尼斯放逐的亨利詹姆斯的心境。
在聖馬可廣場總督府的光影。
在封面的飛獅和封底的聖狄奧多柱之間,是威尼斯的城門,相傳也是通往死亡的地方⋯⋯
雖然不像韓江得了諾貝爾獎。不過柯姆托賓以所有作品榮獲法國「費米娜獎」特別獎,我覺得很欣慰,因為我整理了托賓的重要作品。
我們都想追求完美傑作。但唯有字句真實而美好,生命是個謎。
一個人無私無我,為成就高貴的藝術孤獨奉獻。
「孤獨是藝術的懸念。」
這是一本了不起的傑作,啟示人生,來自當今最偉大的小說家之一。
再次推薦時報新版新譯本。失去自信的亨利詹姆斯獨自放逐在威尼斯,甚至抹去了自己的身影⋯⋯
任何時候一個人在家看到這本《大師》都覺得很美。困難與低潮會過去的。我的呼吸平勻悠長,腦海𥚃是威尼斯水天無窮變幻的光。
敬請分享收藏。


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這篇的中文

因故遺失了
這種多才多藝的作家
創造著名歷史情境下的"反英雄(美女無數)"冒險小說系列小說不定包括參與所謂"第2次鴉片戰爭"一集



George MacDonald Fraser
Novelist who has died aged 82

George MacDonald Fraser's anti-hero, Sir Harry Flashman, entertained generations of fans with his adventures across the British Empire. The Flashman series, among other historical books, established him as a gifted, old-fashioned story-teller with a sharp wit, which he turned on Victorian values. However, he insisted the liberal left got it wrong when they thought he was attacking the empire – he said he saw it as a force for good in the world.

George MacDonald Fraser was born in Carlisle in 1925. The son of a doctor, he joined the Border regiment in 1943 and fought in Burma. Later he worked as a journalist in Carlisle, Canada and on the Glasgow Herald before he left to write full time after the 1969 publication of Flashman. The character was taken from the nineteenth century popular classic, Tom Brown’s School Days.

Jane Little spoke to fan and fellow author, Max Hastings, and to George MacDonald Fraser’s literary agent, Vivienne Schuster.

George MacDonald Fraser was born April 2nd 1925. He died January 2nd 2008.

George MacDonald Fraser, Author of Flashman Novels, Dies at 82


Published: January 3, 2008

George MacDonald Fraser, a British writer whose popular novels about the arch-rogue Harry Flashman followed their hero as he galloped, swashbuckled, drank and womanized his way through many of the signal events of the 19th century, died yesterday on the Isle of Man. He was 82 and had made his home there in recent years.

Skip to next paragraph
HarperCollins, about 2004

George MacDonald Fraser

The first Flashman novel.

The cause was cancer, said Vivienne Schuster, his British literary agent.

Over nearly four decades, Mr. Fraser produced a dozen rollicking picaresques centering on Flashman. The novels purport to be installments in a multivolume "memoir," known collectively as the Flashman Papers, in which the hero details his prodigious exploits in battle, with the bottle and in bed. In the process, Mr. Fraser cheerfully punctured the enduring ideal of a long-vanished era in which men were men, tea was strong and the sun never set on the British Empire.

The Flashman Papers include, among other titles, "Flashman" (World Publishing, 1969); "Flashman in the Great Game" (Knopf, 1975); and, most recently, "Flashman on the March" (Knopf, 2005). The second volume in the series, "Royal Flash" (Knopf, 1970), was made into a film of the same title in 1975, starring Malcolm McDowell as Flashman.

In what amounted to an act of literary retribution, Mr. Fraser plucked Flashman from the pages of "Tom Brown's School Days," Thomas Hughes's classic novel of English public-school life published in 1857. In that book, Tom, the innocent young hero, repeatedly falls prey to a sadistic bully named Flashman.

In Mr. Fraser's hands, the cruel, handsome Flashman is all grown up and in the British Army, serving in India, Afghanistan and elsewhere. Now Brig. Gen.Sir Harry Paget Flashman, he is a master equestrian, a pretty fair duelist and a polyglot who can pitch woo in a spate of foreign tongues. He is also a scoundrel, a drunk, a liar, a cheat, a braggart and a coward. (A favorite combat strategy is to take credit for a victory from which he has actually run away.)

Last, but most assuredly not least, Flashman is a serial adulterer who by Volume 9 of the series has bedded 480 women. (That Flashman is married himself, to the fair, dimwitted Elspeth, is no impediment. She cuckolds him left and right, in any case.)

Readers adored him. Today, the Internet is populated with a bevy of Flashman fan sites.

Flashman's exploits take him to some of the most epochal events of his time, from British colonial campaigns to the American Civil War, in which he magnanimously serves on both the Union and the Confederate sides. He rubs up against eminences like Queen Victoria, Oscar Wilde, Florence Nightingale and Abraham Lincoln.

For his work, Flashman earns a string of preposterous awards, including a knighthood, the Victoria Cross and the American Medal of Honor.

Mr. Fraser was so skilled a mock memoirist that he had some early readers fooled. Writing in The New York Times in 1969 after the first novel was published, Alden Whitman said:

"So far, 'Flashman' has had 34 reviews in the United States. Ten of these found the book to be genuine autobiography."

The son of Scottish parents, George MacDonald Fraser was born on April 2, 1925, in Carlisle, England, near the Scottish border. His boyhood reading, like that of nearly every British boy of his generation, included "Tom Brown's School Days."

In World War II, Mr. Fraser served in India and Burma with the Border Regiment. His memoir of the war in Burma, "Quartered Safe Out Here" (Harvill), was published in 1993.

After leaving the military, Mr. Fraser embarked on a journalism career, working for newspapers in England, Canada and Scotland. He eventually became the assistant editor of The Glasgow Herald and in the 1960s, was briefly its editor.

Tiring of newspaper work, Mr. Fraser decided, as he later said in interviews, to "write my way out" with an original Victorian novel. In a flash, he remembered Flashman, and the first book tumbled out in the evenings after work.

"In all, it took 90 hours, no advance plotting, no revisions, just tea and toast and cigarettes at the kitchen table," he said in an interview quoted in the reference work "Authors and Artists for Young Adults."

Mr. Fraser's survivors include his wife, Kathy; two sons and a daughter. Information on other survivors could not immediately be confirmed.

His other books include several non-Flashman novels, among them "Mr. American" (Simon & Schuster, 1980); "The Pyrates" (Knopf, 1984); and "Black Ajax" (HarperCollins, 1997). With Richard Maibaum and Michael G. Wilson, Mr. Fraser wrote the screenplay for the James Bond film "Octopussy," released in 1983.

Mr. Fraser's latest book, "The Reavers," a non-Flashman novel, is scheduled to be published by Knopf in April.

For his work, Mr. Fraser received many honors, among them the Order of the British Empire in 1999. This award, according to every conceivable news account, was entirely genuine.

【おくやみ】

G・M・フレーザー氏死去 英作家

200814 0104

 ジョージ・M・フレーザー氏(英作家)2日、肺がんなどのため英マン島にある自宅近くの医療施設で死去、82歳。同国中部カーライル出身。ロイター通信が3日、報じた。

 冒険小説の「フラッシュマン」シリーズなどで知られる。ジェームズ・ボンドが活躍するスパイ映画007シリーズの「オクトパシー」(1983年)の脚本も手掛けた。(ロンドン共同)

George MacDonald Fraser作品列表

  1. 三剑客续集/Return of the Musketeers, The(英国)(1989).... .(编剧)
  2. 两个大太阳/Red Sonja(荷兰)(1985).... .(编剧)
  3. 007系列:八爪女/Octopussy(英国)(1983).... (screenplay) and.(编剧)
  4. 王子与乞丐/Crossed Swords(英国)(1978).... .(编剧)
  5. Royal Flash/Royal Flash(英国)(1975).... (screenplay).(编剧) You Tube 有德文預告片
  6. 生死剑侠/Four Musketeers, The(英国)(1974).... .(编剧)
  7. 豪情三剑客/Three Musketeers, The(英国)(1973).... .(编剧)



George MacDonald Fraser

Jan 10th 2008
From The Economist print edition

George MacDonald Fraser, inventor of Flashman, died on January 2nd, aged 82

Rex Features
HARRY FLASHMAN never knew George MacDonald Fraser. That was a pity, because Mr Fraser knew every scrap about Flashman, from the points of his swaggering moustaches to the tips of his gleaming spurs. He knew him as a scoundrel, a liar, a cheat, a thief, a coward and, not least, a toady, ever able to make himself shine in the eyes of his braying superiors. And he revelled in him as perhaps the finest fictional rogue ever to grace the map of the British empire.

Mr Fraser had known him from the start of his career, when he was dragged bragging and hiccupping from the pages of “Tom Brown's Schooldays” and pitchforked out of Rugby; and he had followed him, like some devoted batman, through all his military campaigns, from Afghanistan to South Africa to the Indian wars. He had seen him frozen in a blanket in a corpse-strewn defile on the retreat from Kabul in 1842; almost split neatly in two by a grinning Chinaman in a top-knot while running guns down the Yangtse in 1860; struggling in an Indian swamp, after the great ghat massacre at Cawnpore, with what looked like man-eating crocodiles; and charging, by accident, for the Russian guns at Balaclava. As Flashman accumulated the tinware—the Victoria Cross, the Queen's Medal, the San Serafino Order of Purity and Truth (“richly deserved”), both he and Mr Fraser knew it was sheer terror that propelled him, delirium funkens, plus a large measure of luck. The great hero of Jallalabad was, in fact, “yellow as yesterday's custard”. But he always emerged in splendour.

And with women. Every Flashman novel writhed with them, preferably all bum, belly and bust, giggling and bouncing at the prospect of an officer “who had raked and ridden harder than most”. After the beauteous Fetnab (who “knew the ninety-seven ways of love...though...the seventy-fourth position turns out to be the same as the seventy-third, but with your fingers crossed”), came Lola Montez and Cassie and Susie the Bawd; and, finest of all, the Indian princess Lakshmibai, her “splendid golden nakedness” dressed in no more than bangles and a tiny veil. It was a serious disaster that could interrupt the tumbling for any long period of time.

Packed in a tea-chest

Mr Fraser had seen service too, far more soberly, with the Gordon Highlanders in Africa and the Fourteenth Army in Burma. He knew what it was like to be pinged by Japanese sniper fire, and had the medals to prove it. His own wartime adventures led him to write other stories about Private John McAuslan, “the dirtiest soldier in the world”—though his own particular cock-ups got him regularly demoted and not, like Flashman, moved smoothly from colonel to general. But, just like Flashman, he was sure there was little glory in war. Fighting was a job to be done, often reluctantly, with simple application and dogged common sense. As for the military virtues, “the best thing you can do with 'em is hang them on the wall in Bedlam.”

This was why there was no man better than Mr Fraser to stumble on the Flashman story. It began with his “discovery”, in 1965, of a batch of memoirs wrapped in oilskins and packed in a tea-chest in Ashby-de-la-Zouch, in Leicestershire. The first Flashman novel, written in a feverish 90 hours to get him out of a financial hole, was followed by 11 others and could have led to more, for Mr Fraser had never got started on the American Civil War. He brought his journalist's and historian's eye to bear on the “papers”, adding footnotes to correct Flashman's Arabic, adjust his dates and allow for possible unfairness to the fools and incompetents who commanded him. Generally, however, he found Flashman an impressively accurate observer. Between them they made the stories so good that some Americans thought they were real.

Would Flashman have liked him, had they met? Mr Fraser was a Scot, of course, solidly and loudly so, and Flashman had no love for Scotland. He found it (on his visits to Balmoral to the girlish Queen Victoria, all popeyes and buck teeth but “pretty enough beneath the neck”) a place of gloom and drizzle and long-faced holiness. He preferred Indian heat and sun. But Mr Fraser was a devoted son of the borders, born in Carlisle and writing both fact and fiction about the ruffian-reivers and cattle-stealers of the region: men who, in their shameless venturing and whoring and disrespect for law, were quite a lot like old Flashy, except that they were brave.

Flashman's more blatant chauvinism (“I pulled her across my knees and smartened her up with my riding switch”) and his racism (jabbering blacks and lounging sepoys would soon feel the smart of his rifle) were sometimes laid at Mr Fraser's door. But his own views were more moderately right-wing, extending to a liking for law and order and a horror of the metric system. And though he and Flashman between them seemed intent on savagely satirising the whole British imperial enterprise, the truth was more complicated. The novels illustrated both the folly of war and the unsung, unregarded heroism of the lower orders, the actual builders of the empire. In their sharp-sightedness, if not much else, here were two men who could clasp each other appreciatively by the hand.


smarten (sb/sth) up phrasal verb [M] MAINLY UK
to (cause to) become more clean, tidy and stylish:
[R] She's really smartened herself up since she left university.
You'll have to smarten up if you want to work in television.

a number of Indians known as Sepoy

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