2025年7月7日 星期一

女性裝飾品、首飾的設計三家及路邊攤: 美國 Alexander Calder (1898~1976)和 日本利用稻草設計品 /在她的設計下,鵝卵石成為獨特的珠寶 娜塔莉·馬圖林說,她的孩子們「教會了我如何看待石頭」。 動態雕塑Alexander Calder.(1898~1976)“He wanted a work of art to be an active event, an evolving circumstance.” 插畫 “佳美”(第5集):女性裝飾品、首飾的設計兩家: 美國 Alexander Calder.(1898~1976)和 日本利用稻草設計品 an artisan weaves it into modern ornaments, redefining straw craftwork. Rice Straw: Beauty within the Prayers of Daily Life




Alexander Calder ‘Untitled’ and Pablo Picasso ‘Bull’s Head’, both 1942

Alexander Calder.


自然物的設計

 “佳美”(第5集):女性裝飾品、首飾的設計兩家: 美國 Alexander Calder (1898~1976)和 日本利用稻草設計品 an artisan weaves it into modern ornaments, redefining straw craftwork. Rice Straw: Beauty within the Prayers of Daily Life 


https://www.facebook.com/hanching.chung/videos/883891943187328

https://hcpeople.blogspot.com/2024/01/5-alexander-18981976-artisan-weaves-it.html



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A gold chain with three pebbles hanging from it is lying on white paper. Underneath it is a sketch of the same necklace.
A sketch for a necklace made by Ms. Mathoulin, paired with the finished piece.Credit...Jeremie Souteyrat for The New York Times
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Stones and other objects collected in northeastern Spain.


在她的設計下,鵝卵石成為獨特的珠寶

娜塔莉·馬圖林說,她的孩子們「教會了我如何看待石頭」。

娜塔莉·馬圖林是一位法國珠寶設計師,生活和工作在倫敦郊區溫布頓。工作室抽屜裡擺放著貝殼和石頭。



With Her Designs, Pebbles Become Distinctive Jewelry

Nathalie Mathoulin said her young children “were the ones showing me the way of looking at stones.”


Shells and stones in a drawer at the atelier of Nathalie Mathoulin, a French jewelry designer who lives and works in the London suburb of Wimbledon.

A woman wears a blue V-neck shirt and two gold chains. One chain holds four smooth pebbles. The other holds a jagged stone.
Ms. Mathoulin wearing pieces she designed.
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A collection of smooth, irregularly shaped stones in shades of tan and caramel, all lying on a gray background.
Stones collected by Ms. Mathoulin on a beach in southwestern France.


Videos
昨天看過日本利用稻草設計裝飾品。可作“佳美第5集”直播題材。

Last month, New Yorkers had the rare opportunity to see aurora borealis, also known as the northern lights, illuminate the sky. At Storm King Art Center, Calder’s monumental stabile The Arch was backlit by a swath of magenta. Further north, at the Empire State Plaza Events, the sky was ablaze with color around his Triangles and Arches. “My grandfather rejected the idea of a work of art as a completed story,” Alexander S. C. Rower writes of the monumental outdoor works. “He wanted a work of art to be an active event, an evolving circumstance.”
For more information: https://tinyurl.com/e6n3tueh
[Images: The Arch (1975), Storm King Art Center, Mountainville, New York, 2024. Photograph by @tarajeannek; Triangles and Arches (1965), Empire State Plaza Art Collection, Albany, New York, 2024. © 2024 Calder Foundation, New York / Artists Rights Society (ARS), New York]



Rice Straw: Beauty within the Prayers of Daily Life

Core Kyoto

 
28m 00s
Broadcast on February 16, 2023 Available until March 31, 2025

Fushimi Inari Taisha holds a festival in November, burning rice straw in gratitude of a plentiful harvest. The straw symbolizes a meaningful connection as the deity of rice is believed to dwell within rice grains, and it is used in prayers for offspring and in New Year's decorations. Rice straw is also used in everyday items, and an artisan weaves it into modern ornaments, redefining straw craftwork. Discover the multifaceted beauty of prayer infused into rice straw throughout the centuries.




André Masson was born on this day in 1896. After fleeing Nazi-occupied France with his family in 1941, the French artist sheltered for a time in Calder’s Roxbury studio. He wrote a poem, embellished with drawings, which he gifted to the Calders. From then on Louisa displayed Masson’s ode to the studio along with Calder’s jewelry on her dressing bureau in Roxbury. An excerpt reads:
Hung from the studio’s rafters,
in the streaks of light a gong sensitive to the caprices of air
is struck only with the greatest caution
With the step of a dove it rings: what hour does it sound?
This is the hour of bustling centipedes
It is also the hour of the child with cherries.
Here the seconds lack the weight of the clock
they do not rest in the grass
they cannot conceive of immobility
they love the rustling of reeds
and the cry of the tree frog who breathes music
they play between your fingers, Calder, my friend.
The complete poem: http://tinyurl.com/yfdm7xn7
[Image: Louisa Calder’s dressing bureau with André Masson’s poem, The Studio of Alexander Calder, Roxbury, 1943. Photograph by Herbert Matter. © 2024 Calder Foundation, New York / Artists Rights Society (ARS), New York]

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