The Photo-Secession was an early 20th century movement that promoted photography as a fine art in general and photographic pictorialism in particular.
A group of photographers, led by Alfred Stieglitz and F. Holland Day in the early 20th century, held the then controversial viewpoint that what was significant about a photograph was not what was in front of the camera but the manipulation of the image by the artist/photographer to achieve his or her subjective vision. The movement helped to raise standards and awareness of art photography.
沒有留言:
張貼留言