People 人物 To Mention Only A FEW.: Isamu Noguchi (野口勇1904-1988)：與小野洋子Yoko Ono ( iconic 1960 work ‘Painting to Be Stepped On.’；conceptual art book ‘Grapefruit,’ a collection of poetic prompts for experiencing the world anew. ) 。「與時間抗爭：野口勇美術館40週年重新佈展 ‘Against Time: The Noguchi Museum 40th Anniversary Reinstallation’ 」美術館週三至週日開放, 未建的廣島原子彈慰靈碑Isamu Noguchi's Unfinished A-Bomb Cenotaph. A Noguchi Ceiling in a U-Haul Showroom

2026年2月19日星期四

Isamu Noguchi (野口勇1904-1988)：與小野洋子Yoko Ono ( iconic 1960 work ‘Painting to Be Stepped On.’；conceptual art book ‘Grapefruit,’ a collection of poetic prompts for experiencing the world anew. ) 。「與時間抗爭：野口勇美術館40週年重新佈展 ‘Against Time: The Noguchi Museum 40th Anniversary Reinstallation’ 」美術館週三至週日開放, 未建的廣島原子彈慰靈碑Isamu Noguchi's Unfinished A-Bomb Cenotaph. A Noguchi Ceiling in a U-Haul Showroom

祝小野洋子生日快樂！她於1933年的今天出生。野口勇大約在1959-1960年間於紐約與小野洋子相識。檔案照片顯示，野口勇曾出席小野洋子在錢伯斯街閣樓舉辦的系列活動（1960-1961年）以及1961年在卡內基音樂廳舉行的首場個人音樂會。在卡內基音樂廳，小野洋子舉辦了一系列突破界限的藝術家、音樂家和舞者的表演。上圖是野口勇在小野洋子閣樓的照片，照片中他站在小野洋子1960年的標誌性作品《待踩的畫作》之上。在友誼的早期，小野洋子贈送給野口勇一本她親手撰寫並繪製插圖的關於感知無形之美的書。在她開創性的概念藝術書籍《葡萄柚》中，她也特別為野口勇寫了一段題詞。《葡萄柚》是一本詩意盎然的書籍，旨在引導人們以全新的視角體驗世界。瀏覽這些檔案資料，並在「野口勇的紐約」展覽中了解更多關於野口勇和小野洋子的關係。展覽正在展出，展期至2026年9月13日。 ____ 圖片：1961年1月，小野洋子錢伯斯街閣樓系列活動的賓客。 [1] 小野洋子、野口勇與黛敏郎。 [2] 西蒙娜·福蒂、約翰·凱奇、理查德·馬克斯菲爾德、小野洋子（前景）、大衛·都鐸、小林健二、拉蒙特·楊、傑克遜·麥克洛、市柳井俊，以及（站在小野洋子作品《待踩的畫作》上）黛敏郎和野口鄧恩（前景），羅伯特·鄧恩和其他身份不明的客賓。 [3] 小野洋子，《隱形之花》，1952年。為野口勇創作的藝術家書籍，約於1952年獲贈。 1960年

Happy birthday to Yoko Ono, who was born on this day in 1933!

Isamu Noguchi first met Ono in New York around 1959–60. Archival photographs reveal that Noguchi was present at Ono’s Chambers Street Loft Series (1960–61) and first solo concert at Carnegie Hall in 1961, where she hosted boundary-crossing performances by artists, musicians, and dancers. A photograph above of Noguchi in Ono’s loft also shows him standing atop her iconic 1960 work ‘Painting to Be Stepped On.’

Early in their friendship, Ono gifted Noguchi a handmade book she wrote and illustrated about sensing invisible beauty. She also dedicated an unspecified text to Noguchi in her groundbreaking conceptual art book ‘Grapefruit,’ a collection of poetic prompts for experiencing the world anew.

View these archival materials and learn more about Noguchi and Ono’s relationship in the exhibition ‘Noguchi’s New York,’ now on view through September 13, 2026.

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Images: Guests at Yoko Ono’s Chambers Street Loft Series, January 1961. [1] Yoko Ono, Isamu Noguchi, and Toshiro Mayuzumi. [2] Simone Forti, John Cage, Richard Maxfield, Yoko Ono (foreground), David Tudor, Kenji Kobayashi, La Monte Young, Jackson Mac Low, Toshi Ichiyanagai, and in foreground (standing on Ono’s ‘Painting to Be Stepped On’), Toshiro Mayazumi and Isamu Noguchi, in background Robert Dunn and other unidentified guests. [3] Yoko Ono, ‘An Invisible Flower,’ 1952. Artist’s book for Isamu Noguchi, gifted c. 1960.

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Isamu Noguchi (野口勇1904-1988) 「與時間抗爭：野口勇美術館40週年重新佈展 ‘Against Time: The Noguchi Museum 40th Anniversary Reinstallation’ 」美術館週三至週日開放, 未建的廣島原子彈慰靈碑Isamu Noguchi's Unfinished A-Bomb Cenotaph. A Noguchi Ceiling in a U-Haul Showroom

These are the final days to see ‘Against Time: The Noguchi Museum 40th Anniversary Reinstallation’ before it closes on January 11.

Featuring more than 60 works, ‘Against Time’ reimagines Isamu Noguchi’s own arrangements of the Museum’s second floor galleries from 1985–88. From early portrait busts and abstract sculptures to project models and dance set designs, many of the works on view were considered to be personal breakthroughs for Noguchi, chosen to represent formative phases of his six-decade career.

As curator Matthew Kirsch writes, the exhibition “draws inspiration from that nascent period when Noguchi’s museum was still an active experiment, when the artist still stalked the galleries and tinkered with their layouts, attempting to improve on the restrictive model of the museum as he viewed it.”

這是「與時間抗爭：野口勇美術館40週年重新佈展」的最後幾天，展覽將於1月11日結束。「與時間抗爭」展出了60餘件作品，重新詮釋了野口勇於1985年至1988年間對美術館二樓展廳的佈置。從早期的肖像胸像和抽象雕塑，到計畫模型和舞蹈舞台設計，許多展出的作品都被認為是野口勇個人創作的突破之作，代表了他六十年藝術生涯中的重要階段。正如策展人馬修·基爾希所寫，本次展覽“從野口勇美術館尚處於萌芽階段的時期汲取靈感，那時他仍在美術館中穿梭，不斷調整佈局，試圖在他看來改進當時美術館的固有模式。” 美術館週三至週日開放，季節性開放時間為上午10點至下午5點。點擊我們個人簡介中的連結以了解更多資訊並規劃參觀。

The Museum is open Wednesday–Sunday, with seasonal hours from 10 am–5 pm. Visit the link in our bio to learn more and plan a visit.

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Installation views, ‘Against Time,’ (August 28, 2024–January 11, 2026). ©INFGM / ARS

#IsamuNoguchi #NoguchiMuseum #イサムノグチ

未建的廣島原子彈慰靈碑

Isamu Noguchi's Unfinished A-Bomb Cenotaph

Saturday, March 19 8:10/ 14:10/ 20:10

Sunday, March 20 2:10

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Isamu Noguchi's Unfinished A-Bomb Cenotaph - Special Programs - TV Programs - NHK WORLD - English
Sculptor Isamu Noguchi's Hiroshima cenotaph was never built. The pro

The Nelson-Atkins Museum of ArtA St. Louis U-Haul store is getting ready to unveil a restored ceiling by Isamu Noguchi. Originally built in 1947 for the American Stove Company, this is the only one remaining of three similar pieces by Noguchi.