阮越清在哈佛大學諾頓講座的講義，
明年要應諾頓講座百年慶而出書了。
書名為
To save and to destroy --- Writing as an other
馬可孛羅還會再譯嗎？
明年是越南終戰五十周年。
特權Shakespeare’s Most Famous Quotes
1. ‘To be, or not to be: that is the question’
(Hamlet Act 3, Scene 1)
2. ‘All the world ‘s a stage, and all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts.’
(As You Like it Act 2, Scene 7)
3. ‘Romeo, Romeo! wherefore art thou Romeo?’
(Romeo and Juliet Act 2, Scene 2)
4. ‘Now is the winter of our discontent’
(Richard III Act 1, Scene 1)
5. ‘Is this a dagger which I see before me, the handle toward my hand?’
(Macbeth Act 2, Scene 1)
6. ‘Some are born great, some achieve greatness, and some have greatness thrust upon them.’
(Twelfth Night Act 2, Scene 5)
7. ‘Cowards die many times before their deaths; the valiant never taste of death but once.’
(Julius Caesar Act 2, Scene 2)
8. ‘Full fathom five thy father lies, of his bones are coral made. Those are pearls that were his eyes. Nothing of him that doth fade, but doth suffer a sea-change into something rich and strange.’
(The Tempest Act 1, Scene 2)
9. ‘A man can die but once.’
(Henry IV, Part 2 Act 3, Part 2)
10. ‘How sharper than a serpent’s tooth it is to have a thankless child!’
(King Lear Act 1, Scene 4)
11. ‘Frailty, thy name is woman.’
(Hamlet Act 1, Scene 2)
12. ‘If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?’
(The Merchant of Venice Act 3, Scene 1)
13. ‘I am one who loved not wisely but too well.’
(Othello Act 5, Scene 2)
14. ‘The lady doth protest too much, methinks’
(Hamlet Act 3, Scene 2)
15. ‘We are such stuff as dreams are made on, and our little life is rounded with a sleep.’
(The Tempest Act 4, Scene 1)
16. ‘Life’s but a walking shadow, a poor player, that struts and frets his hour upon the stage, and then is heard no more; it is a tale told by an idiot, full of sound and fury, signifying nothing.’
(Macbeth Act 5, Scene 5)
17. ‘Beware the Ides of March.‘
(Julius Caesar Act 1, Scene 2)
18. ‘Get thee to a nunnery.’
(Hamlet Act 3, Scene 1)
19. ‘If music be the food of love play on.‘
(Twelfth Night Act 1, Scene 1)
20. ‘What’s in a name? A rose by any name would smell as sweet.’
(Romeo and Juliet Act 2, Scene 2)
21. ‘The better part of valor is discretion’
(Henry IV, Part 1 Act 5, Scene 4)
22. ‘To thine own self be true.‘
(Hamlet Act 1, Scene 3)
23. ‘All that glisters is not gold.’
(The Merchant of Venice Act 2, Scene 7)
24. ‘Friends, Romans, countrymen, lend me your ears: I come to bury Caesar, not to praise him.’
(Julius Caesar Act 3, Scene 2)
25. ‘Nothing will come of nothing.’
(King Lear Act 1, Scene 1)
26. ‘The course of true love never did run smooth.’
(A Midsummer Night’s Dream Act 1, Scene 1)
27. ‘Lord, what fools these mortals be!’
(A Midsummer Night’s Dream Act 1, Scene 1)
28. ‘Cry “havoc!” and let slip the dogs of war‘
(Julius Caesar Act 3, Scene 1)
29. ‘There is nothing either good or bad, but thinking makes it so.’
(Hamlet Act 2, Scene 2)
30. ‘A horse! a horse! my kingdom for a horse!‘
(Richard III Act 5, Scene 4)
31. ‘There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy.’
(Hamlet Act 1, Scene 5)
32. ‘Love looks not with the eyes, but with the mind; and therefore is winged Cupid painted blind.’
(A Midsummer Night’s Dream Act 1, Scene 1)
33. ‘The fault, dear Brutus, lies not within the stars, but in ourselves, that we are underlings.’
(Julius Caesar Act 1, Scene 2)
34. ‘Shall I compare thee to a summer’s day?’
(Sonnet 18)
35. ‘Let me not to the marriage of true minds admit impediments.’
(Sonnet 116)
36. ‘The evil that men do lives after them; The good is oft interrèd with their bones.’
(Julius Caesar Act 3, Scene 2)
37. ‘But, for my own part, it was Greek to me.’
(Julius Caesar Act 1, Scene 2)
38. ‘Neither a borrower nor a lender be; for loan oft loses both itself and friend, and borrowing dulls the edge of husbandry.’
(Hamlet Act 1, Scene 3)
39. ‘We know what we are, but know not what we may be.’
(Hamlet Act 4, Scene 5)
40. ‘Off with his head!’
(Richard III Act 3, Scene 4)
41. ‘Uneasy lies the head that wears the crown.’
(Henry IV, Part 2 Act 3, Scene 1)
42. ‘Misery acquaints a man with strange bedfellows.’
(The Tempest Act 2, Scene 2)
43. ‘This is very midsummer madness.’
(Twelfth Night Act 3, Scene 4)
44. ‘Some Cupid kills with arrows, some with traps.’
(Much Ado about Nothing Act 3, Scene 1)
45. ‘I cannot tell what the dickens his name is.’
(The Merry Wives of Windsor Act 3, Scene 2)
46. ‘We have seen better days.’
(Timon of Athens Act 4, Scene 2)
47. ‘I am a man more sinned against than sinning.’
(King Lear Act 3, Scene 2)
48. ‘Brevity is the soul of wit.‘
(Hamlet Act 2, Scene 2)
49. ‘This royal throne of kings, this sceptred isle… This blessed plot, this earth, this realm, this England.’
(Richard II Act 2, Scene 1)
50. ‘What light through yonder window breaks.’
Romeo and Juliet Act 2, Scene 2)焦慮：全球化時代的韓國中產階級
作者: [美] 具海特權與焦慮：全球化時代的韓國中產階級
作者: [美] 具海根
出版社: 社會科學文獻出版社
譯者: 張海東 / 姚燁琳
出版年: 2024-8
頁數: 256
定價: CNY79.0
裝幀: 平裝
叢書: 社會研究新視野叢書
ISBN: 9787522834986
內容簡介 · · · · · ·
在《特權與焦慮》一書中，具海根審視了新自由主義全球化時代韓國中產階級的變遷，並指出全球經濟變革給這個階級帶來的影響遠非單純的經濟衰退和階級規模的縮減。
全球化導致中產階級內部出現了兩極分化，將少數受益於全球化經濟的群體與受其負面影響的廣大群體區分開來。這種內部分化為韓國社會注入了新的複雜動動力，因為新興富裕群體試圖將自己與其他中產階級區分開來，並建立新的特權階級地位。《特權與焦慮》一書探討了這些緊張關係如何在三個領域（消費與生活方式、居住隔離以及教育實踐）發揮作用。在這三個領域，富裕中產階級的主導取向是保留他們新獲得的特權並將其傳遞給自己的孩子。具海根認為，他們這種新的階級實踐使新自由主義全球化下的贏家和輸家都承受著巨大的焦慮。
目錄 · · · · · ·
致 謝／001
引 言 分裂的中產階級／001
第1章 韓國中產階級的興衰／029
第2章 增長的不平等／055
第3章 消費和階級區隔／085
第4章 階級形成 江南風格／109
第5章 教育的階級鬥爭／135
第6章 追求全球教育／163
結 論／191
參考文獻／209
索 引／229
譯後記／241
出版社: 社會科學文獻出版社
譯者: 張海東 / 姚燁琳
出版年: 2024-8
頁數: 256
定價: CNY79.0
裝幀: 平裝
叢書: 社會研究新視野叢書
ISBN: 9787522834986
內容簡介 · · · · · ·
在《特權與焦慮》一書中，具海根審視了新自由主義全球化時代韓國中產階級的變遷，並指出全球經濟變革給這個階級帶來的影響遠非單純的經濟衰退和階級規模的縮減。
全球化導致中產階級內部出現了兩極分化，將少數受益於全球化經濟的群體與受其負面影響的廣大群體區分開來。這種內部分化為韓國社會注入了新的複雜動動力，因為新興富裕群體試圖將自己與其他中產階級區分開來，並建立新的特權階級地位。《特權與焦慮》一書探討了這些緊張關係如何在三個領域（消費與生活方式、居住隔離以及教育實踐）發揮作用。在這三個領域，富裕中產階級的主導取向是保留他們新獲得的特權並將其傳遞給自己的孩子。具海根認為，他們這種新的階級實踐使新自由主義全球化下的贏家和輸家都承受著巨大的焦慮。
目錄 · · · · · ·
致 謝／001
引 言 分裂的中產階級／001
第1章 韓國中產階級的興衰／029
第2章 增長的不平等／055
第3章 消費和階級區隔／085
第4章 階級形成 江南風格／109
第5章 教育的階級鬥爭／135
第6章 追求全球教育／163
結 論／191
參考文獻／209
索 引／229
譯後記／241
鞥
民音社簽書。
有沒有看到他們後面有個YouTube的認證？出版社經營書的YouTube頻道訂閱人數驚人。大家猜，總共有多少訂閱人數？（比這個顏色的牌子數量還多很多。）
文學出版社，透過經營影音頻道，還有Book Club，找到了一大群讀者。這真的非常厲害。深深佩服。
剛剛完成在首爾的最後一個訪問，任務完成！回飯店！
明天回柏林。謝謝大家。果然今天又收到更多禮物。天哪！大家都好可愛。真的好幸福，可以遇到這麼多可愛的人。
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