Proustian Hsu
2025年10月8日 ·
Selected poems：《涉過忘川：龐德詩選》（二讀）
書名：涉過忘川：龐德詩選
作者：艾茲拉·龐德
譯者：西蒙 水琴
出版社：北京聯合出版公司
出版日期：2023/03/01
[內容簡介]
艾茲拉·龐德是公認的20世紀影響力巨大的詩人，發起意象派詩歌運動，引領現代主義英詩革新。他以“要創新”的信念找尋藝術的新方向，在經驗中捕捉生活，在意象中呈示真相。龐德還發掘幫助了艾略特、喬伊斯、海明威等現代文學圖景中的重要人物，其對後代歐美詩人的影響持續至今。
本書收錄龐德近60年創作生涯各階段的代表詩作117首，包括早期詩集《回擊》、重要轉型作品《休·塞爾溫·莫伯利》、現代主義標誌性史詩《詩章》選篇等，並附艾略特為龐德詩集所作引言與譯者導讀，力圖完整呈現詩人在融匯各語種、地域的詩歌風格實踐中，始終不懈對現代性和通達世界的追求。
〈正逢其時〉
“謝謝您，不管會發生什麼。”然後她轉過身去
花兒低垂，風把它們吹散，轉瞬即逝，
曾照耀它們的陽光
也變得暗淡。不，不管發生什麼
剛過去的一小時陽光明媚，最高之神
也沒什麼更好的東西
比端視那過去的時辰更值得誇耀。
"Erat Hora,"
"Thank you, whatever comes." And then she turned
And, as the ray of sun on hanging flowers
Fades when the wind hath lifted them aside,
Went swiftly from me, Nay, whatever comes
One hour was sunlit and the most high gods
May not make boast of any better thing
Than to have watched that hour as it passed.
〈起來〉
我怎樣勞作？
怎樣不勞作
讓她的靈魂誕生，
給這些元素一個名字，一個中心！
她美如日光，如流水。
她沒有名字，沒有處所。
我怎樣勞作讓她的靈魂分離；
給她一個名字，給她存在！
你當然受困，糾纏，
你與未誕生的元素混合；
我愛一條溪流，一個影子。
我懇求你進入你的生活。
我懇求你學會說“我”，
當我問你；
因為你不是部分，而是整體，
無可分割，一個存在。
Ortus
How have I laboured?
How have I not laboured
To bring her soul to birth,
To give these elements a name and a centre!
She is beautiful as the sunlight, and as fluid.
She has no name, and no place.
How have I laboured to bring her soul into separation;
To give her a name and her being!
Surely you are bound and entwined,
You are mingled with the elements unborn;
I have loved a stream and a shadow.
I beseech you enter your life.
I beseech you learn to say ‘I’
When I question you;
For you are no part, but a whole,
No portion, but a being.
〈春天〉
春天，齊多奈。
——伊比庫斯
齊多奈的春天帶著她的隨從，
果樹仙女，溪水姑娘，
從色雷斯，頂著喧鬧的風漫步
這片森林
傳播鮮亮的細梢，
每一藤蔓
都披上了光芒。
狂野的慾望
像黑色的閃電降臨。
啊，困惑的心，
儘管每一枝條都復得去年之所失，
她，曾在仙客來中走動的她
如今，只是弱不禁風的幽靈。
譯註：
1 伊比庫斯（Ibycus），公元前六世紀古希臘詩人。
THE SPRING
'Ήρι μέν αζ τε κυδώνιαι—Ibycus Cydonian
Spring with her attendant train,
Maelids and water-girls,
Stepping beneath a boisterous wind from Thrace,
Throughout this sylvan place
Spreads the bright tips,
And every vine-stock is
Clad in new brilliancies.
And wild desire
Falls like black lightning.
O bewildered heart,
Though every branch have back what last year lost,
She, who moved here amid the cyclamen,
Moves only now a clinging tenuous ghost.
《詩章》
〈第一百一十七章〉（片段）
為了那藍色的閃光和瞬間
受到祝福
獻給老人的青春
那是悲劇
為了美麗的一天，有了和平
布朗庫西的鳥
在松樹幹的空洞裡
或者，當雪如同海水的泡沫
薄暮的天空點綴著榆樹的枝杈
在塔培亞懸崖下
哭訴出你的嫉妒——
打造一座教堂
或是祭壇，為扎格柔斯
塞墨勒之子
不帶嫉妒
如一扇窗戶的雙拱
或一根雄偉的廊柱
我的愛，我的愛
我愛的是什麼
你在哪裡
與世界搏鬥
我失去了中心
夢想碰撞
破碎——
我曾試圖在人間
打造樂園
弗朗索瓦·伯納德的破產，巴黎
或者阿萊格爾的雲雀之野
“他自己倒下”
向太陽高飛，然後墜下
“快樂地展翅”
在這裡鋪開法國之路
兩只老鼠，一隻飛蛾，是我的嚮導——
聽到過金蝴蝶的喘息
如同朝向一座跨越世界的橋梁
國王們在島上相聚，
沒有食物，飛離極地之後
食乳草為生
以進入秘境
做男人，不要做毀滅之人
Notes for CXVII et seq
For the blue flash and the moments
benedetta
the young for the old
that is tragedy
And for one beautIful day there was peace
Brancusi’s bIrd
in the hollow of pine trunks
or when the snow ,was like sea foam
Twilit sky leaded with elm boughs
Under the Rupe Tarpela
weep out your jealousies—
To make a church
or an altar to Zagreus
son of Semele
WIthout Jealousy
lIke the double arch of a window
Or some great colonnade.
M’amour, m’amour
what do I love
where are you?
That I lost my centre
fighting the world.
The dreams clash
and are shattered —
and that I tried to make a paradiso
terrestre.
La faillite de Francois Bernouard, Paris
or a field of larks at Ellegre,
“es laissa cader”
so high toward the sun and then falling,
“de joi sas alas”
to set here the roads of France
Two mice and a moth my guides —
To have heard the farfalla gasping
as towards a bridge over worlds.
That the kings meet in their island,
where no food is after flight from the pole.
Milkweed the sustenance
as to enter Arcanum
To be men not destroyers.
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These 20 Words Are Worth a Thousand Pictures
People-watchers, trainspotters and A.O. Scott agree: Ezra Pound’s “In a Station of the Metro” is one of the shortest great poems in English.
Mary de Rachewiltz, Ezra Pound’s Daughter and Defender, Dies at 101
Sent away as a baby, she remained loyal to her famous father, translating his poetry while fighting to distinguish his literary legacy from his fascist politics.
Ms. de Rachewiltz in 2004. She defended her father’s far-right politics, saying, “He fell into certain antisemitic clichés that were rampant in Europe and the U.S. at the time.”Yui Mok/PA
2004年，瑪麗·德·拉切維爾茨在倫敦為她父親、詩人埃茲拉·龐德1909年至1914年居住的故居揭幕紀念牌匾。圖片來源：理查德劉易斯/美聯社
2004年，德拉切維爾茨女士為她父親的極右翼政治立場辯護，稱「他陷入了當時在歐美盛行的某些反猶太主義陳詞濫調之中。」圖片來源：Yui Mok/PA
“Empty are the ways,
Ezra Pound 照片 Ezra Pound in Venice, 1963
"The Love Song of J. Alfred Prufrock"
Ezra Pound (1885–1972) was a highly influential American poet and critic, best known for his role in shaping Modernist literature. His literary output was vast and eclectic, and his innovative style left a lasting mark on 20th-century poetry. Pound is particularly recognized for his work in promoting fellow writers like T.S. Eliot, James Joyce, and H.D., as well as his pivotal contributions to Imagism, a movement that advocated for clarity of expression through precise visual imagery.
Pound's own writing was characterized by a deep engagement with history, culture, and language. His magnum opus, The Cantos, is a lengthy, often difficult poem that fuses elements from classical literature, economics, and politics. While Pound’s poetry is celebrated for its stylistic and intellectual daring, his reputation was marred by his political beliefs, particularly his support for Italian Fascism during World War II. After the war, Pound was arrested and later committed to a psychiatric hospital, where he remained for over a decade. Despite this, his influence on literature is undeniable, especially in the fields of poetry, translation, and criticism.
Major Works of Ezra Pound:
1. Personae (1909) – A collection of poems that showcases Pound’s early work and his experiments with different poetic voices.
2. Ripostes (1912) – This volume of poetry marked Pound’s departure from his earlier, more traditional style and included early experiments with Imagism.
3. Des Imagistes (1914) – An anthology of Imagist poetry, edited by Pound, featuring works by multiple poets, including himself.
4. Cathay (1915) – A translation of classical Chinese poetry, which had a profound influence on modernist poetry.
5. Lustra (1916) – A collection that includes some of Pound’s most famous early poems and displays his evolving style.
6. Homage to Sextus Propertius (1919) – A controversial interpretation of the work of the Roman poet Propertius, blending translation and creative adaptation.
7. The Cantos (1915–1962) – A long, unfinished poem consisting of more than 100 sections, or "cantos." This is Pound's most ambitious and complex work, incorporating a wide range of historical and cultural references.
8. Guide to Kulchur (1938) – A collection of essays in which Pound expresses his views on art, culture, history, and politics.
9. ABC of Reading (1934) – A critical text in which Pound outlines his views on literature, offering guidance to readers on how to approach poetry.
10. Selected Poems of Ezra Pound (1949) – A compilation of Pound’s significant poems up to that point, reflecting his literary journey and innovations.
Pound’s legacy is complex, intertwined with his literary achievements and his controversial political views, but his impact on modern poetry is undeniable.
#exploreenglishliterature #English #everyoneシ゚
。。。。。
LIFE AND WORKS OF EZRA POUND:
Ezra Pound, a pivotal figure in the modernist literary movement, was both a revolutionary poet and a contentious public figure. This research article explores Pound's extensive contributions to literature, detailing his life, education, and personal experiences. It further examines his major works in poetry and prose, highlighting how his innovative approaches reshaped literary traditions and his controversial political views influenced the reception of his work.
INTRODUCTION:
Ezra Pound's literary career spanned over half a century, making him a central figure in the development of modernist poetry. His work is characterized by its experimental approach to form and its engagement with a wide array of cultural, historical, and political themes. Pound's influence extends beyond his own poetry; he played a crucial role in shaping the careers of other major modernist writers such as T.S. Eliot and James Joyce. This article provides an in-depth analysis of Pound’s life and work, emphasizing both his artistic innovations and the complexities of his personal and political beliefs.
EARLY LIFE AND EDUCATION:
Ezra Pound was born on October 30, 1885, in Hailey, Idaho. His early years were spent in a rural setting, but his family moved to Pennsylvania, where Pound’s intellectual potential began to flourish. His father, Homer Pound, was a former miner and storekeeper, while his mother, Isabel Weston Pound, was a skilled writer and artist. The cultural environment of Pennsylvania, coupled with his mother's literary influence, fostered Pound’s early interest in literature and languages.
Pound attended the University of Pennsylvania, where he majored in Romance languages and literature. During his time at Penn, he was introduced to a variety of literary traditions, including classical, medieval, and Renaissance literature. His academic work was marked by a keen interest in the works of Dante, Chaucer, and the French Symbolists. This diverse literary exposure profoundly influenced his later poetry, evident in his eclectic and innovative style.
Following his graduation in 1905, Pound continued his education at Hamilton College and then in Europe, studying at the University of Venice and spending time in Paris. His exposure to European modernist movements and the avant-garde culture of early 20th-century Europe was instrumental in shaping his literary vision.
PERSONAL LIFE:
Pound’s personal life was characterized by a series of complex relationships and significant life events. He married Dorothy Shakespear, a writer and translator, in 1914. Their relationship was marked by both affection and tension, reflecting the challenges of maintaining personal relationships amidst a tumultuous career. Dorothy's influence on Pound’s work was significant, and her own literary pursuits complemented his creative endeavors.
In the 1920s and 1930s, Pound's personal life was intertwined with his political beliefs. He became increasingly involved in political activism, which was reflected in his writings and public statements. His move to Italy in 1924 marked the beginning of a more overt engagement with fascist politics, which would later become a significant aspect of his controversial legacy.
Pound’s later years were marked by his imprisonment in the United States for treasonous activities related to his support for Mussolini and his anti-Semitic broadcasts during World War II. His confinement in a mental institution from 1945 to 1958 profoundly affected him, both personally and professionally. Despite these challenges, Pound continued to work on his poetry and maintained correspondence with other writers.
MAJOR WORKS:
(I). POETRY :
1."PERSONAE" (1926):
Personae is a landmark collection in Pound’s career, bringing together many of his significant early modernist poems. This collection represents a critical moment in Pound’s development, showcasing his transition from early experimentation to more mature modernist forms. The poems in Personae are marked by their focus on clarity and precision, reflecting Pound’s commitment to the Imagist principles of economy and directness. The collection includes notable pieces such as “A Pact” and “The River Merchant’s Wife: A Letter,” which highlight Pound’s innovative use of language and form. Through these works, Pound explores themes of personal and cultural transformation, laying the groundwork for his later, more complex projects.
2. "THE CANTOS " (1917-1969):
The Cantos is Pound’s magnum opus, a sprawling and ambitious epic poem that spans over 800 pages. The work is characterized by its dense structure and wide range of references, including historical, literary, and political allusions. The Cantos are divided into several sections, each reflecting different phases of Pound’s intellectual and artistic journey. Notable sections include the early cantos that focus on themes of personal struggle and disillusionment, and later cantos that delve into political and economic criticism. The work is notable for its use of collage and fragmentation, reflecting Pound’s belief in the power of modernist techniques to convey complex and multifaceted ideas. The poem’s difficulty and its mix of languages and styles underscore Pound’s ambition to create a comprehensive, universal work of art.
3. "HUGH SELWYN MAUBERlLEY" (1920):
This collection is a pointed critique of contemporary society and the state of modern art. Through its satirical and critical lens, Hugh Selwyn Mauberley addresses the disillusionment with post-war culture and the decline of artistic and cultural values. The collection is known for its innovative form and sharp commentary, offering a stark critique of materialism and the commodification of art. Pound’s use of historical and literary references serves to highlight the contrast between the idealism of earlier artistic traditions and the perceived decline of contemporary culture. The work is an important reflection of Pound’s critical perspective on modern society and his commitment to artistic integrity.
4. "THE PISAN CANTOS" (1948):
Written during Pound’s imprisonment in the U.S., The Pisan Cantos represent a deeply personal and reflective phase of his work. The cantos are marked by a raw and intimate tone, reflecting Pound’s personal struggles and political disillusionment. The work incorporates elements of classical literature and personal experience, creating a complex tapestry of themes and emotions. The Pisan Cantos offer a glimpse into Pound’s state of mind during a period of intense personal and political upheaval, and they stand as a testament to his enduring creativity and resilience.
5. "CATHAY" (1915):
Cathay is a collection of translations and adaptations of Chinese poetry, based on the work of Ernest Fenollosa. This collection showcases Pound’s interest in non-Western literary traditions and his commitment to expanding the scope of modernist poetry. The translations are notable for their evocative imagery and their ability to capture the essence of classical Chinese poetry. Through Cathay, Pound introduces Western readers to the rich traditions of Chinese literature, demonstrating his belief in the universality of poetic expression and his dedication to bridging cultural divides.
6. "A DRAFT OF XXX CANTOS" (1930):
This section of The Cantos represents Pound’s continued experimentation with form and content. The work includes a series of cantos that explore themes of political and economic theory, reflecting Pound’s engagement with contemporary issues. The cantos are characterized by their use of historical and literary references, as well as their innovative structure. Through these works, Pound continues to develop his modernist techniques and his critique of modern society.
7. "LUSTRA" (1916):
Lustra is another important collection in Pound’s career, featuring a range of poems that reflect his ongoing experimentation with form and content. The collection includes works that explore themes of personal and cultural transformation, as well as innovative uses of language and imagery. Lustra is notable for its diverse styles and its reflection of Pound’s evolving literary vision. The collection represents a crucial period in Pound’s development as a modernist poet, showcasing his commitment to innovation and his exploration of new poetic forms.
PROSE:
1. "THE ABC OF READING" (1934):
The ABC of Reading is a seminal work in literary criticism, offering Pound’s insights into the art of writing and reading. The book advocates for clarity and precision in literature, critiquing contemporary trends that Pound saw as overly complex and obscure. Through its essays, The ABC of Reading provides a comprehensive overview of Pound’s literary philosophy, emphasizing the importance of effective communication and artistic integrity. The book is a critical reflection of Pound’s views on literature and his commitment to modernist principles.
2. "GAUDIER-BRZESKA" (1916):
In Gaudier-Brzeska, Pound explores the work of the French sculptor Henri Gaudier-Brzeska, highlighting his contributions to modernist art. The book reflects Pound’s deep engagement with contemporary artistic movements and his belief in the interconnectedness of different art forms. Through his analysis of Gaudier-Brzeska’s work, Pound offers insights into his own views on modernist aesthetics and the role of art in society. The book is an important part of Pound’s broader exploration of modernist art and its impact on literature.
3. "THE SPIRIT OF ROMANCE" (1910):
The Spirit of Romance is an early work of literary criticism that examines the development of romantic literature from its origins to contemporary practices. Pound’s analysis covers a wide range of literary traditions, including Italian, French, and English literature. The book reflects Pound’s deep knowledge of literary history and his commitment to understanding the evolution of literary forms. Through its critical examination of romantic literature, The Spirit of Romance offers valuable insights into Pound’s early literary theories and his engagement with literary traditions.
4. "MAKE IT NEW" (1934):
Make It New is a collection of essays that encapsulates Pound’s philosophy of modernist literature. The book covers a range of topics, including the role of the writer, the importance of historical context, and the need for artistic innovation. Through its essays, Make It New advocates for a modernist approach to literature that embraces experimentation and challenges traditional conventions. The book serves as a critical statement of Pound’s literary vision and his commitment to the modernist movement.
5. "A RETROSPECT" (1918):
A Retrospect is an important collection of essays in which Pound reflects on his literary career and the development of modernist poetry. The essays offer insights into Pound’s views on the evolution of literary styles and his contributions to the modernist movement. Through its critical reflections, A Retrospect provides valuable context for understanding Pound’s work and his influence on contemporary literature.
6. "LITERARY ESSAYS OF EZRA POUND" (1954):
This collection brings together a range of Pound’s critical writings, offering a comprehensive overview of his literary theories and critical perspectives. The essays cover a wide range of topics, including poetry, art, and literature, reflecting Pound’s engagement with contemporary literary and artistic debates. The collection serves as an important resource for understanding Pound’s contributions to literary criticism and his impact on modernist literature.
7. "THE SELECTED POEMS OF EZRA POUND" (1949):
This collection includes a curated selection of Pound’s most significant poems, offering readers a comprehensive overview of his poetic achievements. The selection highlights Pound’s innovative use of language and form, as well as his engagement with a wide range of themes and styles. Through its compilation of Pound’s work, the collection provides valuable insights into his contributions to modernist poetry and his influence on contemporary literature.
CONCLUSION:
Ezra Pound’s literary career represents a profound and complex journey through the landscape of modernist literature. His innovative approaches to poetry and prose reshaped literary traditions, while his controversial political beliefs have led to ongoing debates about his legacy. By examining Pound’s life, works, and the intersections of his personal and political beliefs, we gain a comprehensive understanding of his impact on literature and the challenges of evaluating his contributions in a broader cultural context. Pound’s work remains a powerful testament to the transformative potential of literature and a reminder of the complexities inherent in assessing the legacy of influential literary figures.
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