禮拜天美術神遊 (64)：Albrecht Dürer(1471~1528) 550歲紀念：portrait of Jacob Fugger、 print The Triumphal Arch...
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阿爾布雷希特‧丟勒，德國，1471–1528
松樹，1495–1497
紙本水彩和水粉畫，24.1 × 31.4 厘米
維也納阿爾貝蒂娜博物館
這幅描繪松樹的畫作——精準、低調、光彩奪目——體現了丟勒早期對自然世界的熱愛。這幅作品創作於他第一次義大利之旅期間或之後，將北方文藝復興時期的細節與蓬勃發展的文藝復興人文主義融為一體。每一根松針和每一根樹枝都經過近乎微觀的刻畫，並非將其視為理想化的象徵，而是值得靜靜敬畏的主題。沒有宏
Albrecht Dürer, German, 1471–1528
Pine, 1495–1497
Watercolor and gouache on paper, 24.1 × 31.4 cm
Albertina Museum, Vienna
This study of a pine tree—precise, understated, and luminous—embodies Dürer’s early devotion to the natural world. Executed during or just after his first Italian journey, the work bridges Northern Renaissance detail with burgeoning Renaissance humanism. Each needle and branch is rendered with near-microscopic attention, not as an idealized symbol but as a subject worthy of quiet reverence. No grand narrative intrudes; the pine stands alone, sovereign and singular.
The Richest Man Who Ever Lived: The Life and Times of Jacob Fugger. By Greg Steinmetz. Simon and Schuster; 283 pages; $27.95.
Goldenballs | The Economisthttps://www.economist.com › golden...
2015/07/30 — The Richest Man Who Ever Lived: The Life and Times of Jacob Fugger. By Greg Steinmetz. Simon and Schuster; 283 pages; $27.95. ALBRECHT DÜRER'S portrait of Jacob Fugger shows a man with thin lips and unforgiving ...
Portrait of the artist as an entrepreneur | The Economist
https://www.economist.com › portrait...
2011/12/17 — Albrecht Dürer Portrait of the artist as an entrepreneur. How the greatest figure of the northern Renaissance invented a ... No money is too much”), the buyer in the market—like the rich man in his hall, when his portrait was ...
Augsburg: fountains and Fuggerhäuser
Check-in host Lukas Stege visits a centuries-old waterworks, inspects a Dürer masterpiece at the Schaezlerpalais, tours the childhood home of Bertolt Brecht and cruises around on the local canals.
Albrecht Dürer - Wikipedia
https://en.wikipedia.org › wiki › Albr...
Albrecht Dürer (/ˈdjʊərər/; German: [ˈʔalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528), sometimes spelled in English as Durer or Duerer (without an umlaut), was a German painter, printmaker, and theorist of the German Renaissance.
One of the most famous self-portraits of all time is, not surprisingly, full of intrigue.
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