哈羅德·布魯姆的《詩歌與壓抑：從布萊克到史蒂文斯的修正主義》（1976）第2章《布萊克和修正主義》：
兩首抒情詩現在肯定需要什樣得誤讀：《倫敦》是相關先知《以西結》的修正主義文本。《老虎》是相關《約伯記》以及《失樂園》的修正主義文本。
AI Overview
哈羅德·布魯姆的《詩歌與壓抑：從布萊克到史蒂文斯的修正主義》（1976）是一部開創性的文學批評著作，它論證了詩歌是對前人詩人影響的反抗，詩歌的真正主題是其自身的壓抑。布魯姆認為，詩人透過「壓抑」前人來創造原創空間，並將佛洛伊德的理論修正為一種詩的「影響焦慮」。
Poetry and Repression: Revisionism from Blake to Stevens (1976) by Harold Bloom is a seminal work of literary criticism arguing that poetry is a struggle against the influence of precursor poets, where a poem’s true subject is its repression. Bloom argues that poets "repress" predecessors to create original space, revising Freudian theory into a poetic "anxiety of influence".
Internet Archive +3
Key concepts from Harold Bloom's work, which is available in a 1980 edition and for study at the Internet Archive, include:
Internet Archive +2The Anxiety of Influence: A "strong" poet, to achieve originality, must struggle against the "father-figure" poet that came before, resulting in a defensive, revisionary poetic act.
Repression as Poetic Method: Rather than expressing raw emotion, poems repress an earlier, stronger poetic voice, making the poem a "misreading" or "misprision" of its predecessor.
Revisionary Ratios: Bloom analyzes how poets use specific "tropic maneuvers" or rhetorical defenses to repress influence and clear creative space.
Focus Areas: The book features close readings of Romantics and modernists, including Blake, Wordsworth, Shelley, Keats, Tennyson, Browning, Yeats, and Stevens.
Amazon.com +4
Relevance in Literary CriticismAlternative to Formalism: Bloom offers an alternative to the "New Criticism," structuralist, and archetypal approaches of his time.
Defense of the Canon: He often defended the Western canon, critiquing what he termed the "School of Resentment," as discussed in critical reviews of his work.
Influence Study: It represents the culmination of his early work on poetic influence, bridging psychoanalysis with literary history.
Amazon.com +4
A review and analysis of the book is available via Duke University Press.
Duke University Press +1
| Previous | 以西結/厄則克耳Ezekiel, also spelled Ezechiel, was an Israelite priest. :Chapter 9 | Next |
| 1以後我聽見他高聲喊說：「懲罰此城的，快來！每人手中應拿着毀滅的工具。」 |
| 2看，有六個人從上邊朝北的門走來，每人拿着破壞的武器。他們中間有一個人身穿細麻衣，腰間帶着書記的墨盒。他們來到，就站在銅祭壇旁。 |
| 3那停在革魯賓上的以色列的天主光榮，就由革魯賓身上升起，來到聖殿的門限上，叫將那身穿細麻衣，腰間帶着墨盒的人召來。 |
| 4上主對他說：「你要走遍此城，即走遍耶路撒冷，凡因城中發生的醜惡之事而悲痛哀號的人，要在他們額上劃一個十字記號。」 |
| 5以後我聽見他向其餘的人說：「你們也跟着他走遍全城擊殺，你們的眼不要憐視，一點也不要顧惜； |
| 6把老人、少年、處女、嬰兒和婦女都要殺盡滅絕；但凡額上有十字記號的人，不可走近。你們從聖所這裏開始。」果然他們就從在聖殿前的長老開始。 |
| 7以後又向他們說：「你們要玷污這聖殿，使被殺者充塞整個庭院，然後出去！」他們就出去，在城中擊殺。 |
| 8他們去擊殺時，只留下我一人。我就伏地掩面呼求說：「哎！吾主上主，你在耶路撒冷發洩你的憤怒，要滅絕以色列的遺民嗎？」 |
| 9他回答我說：「以色列和猶大的家族，實在罪大惡極；此地充滿了血債，滿城都是暴行，他們還說：上主已離棄了此地，上主看不見。 |
| 10因此，我的眼也決不憐視，一點也不顧惜；反而我要把他們的行為，歸在他們頭上。」 |
| 11看啊，那身穿細麻衣，腰間帶着墨盒的人，回來報告說：「我已照你吩咐的做了。」 |
AI Overview
哈羅德·布魯姆的《詩歌與壓抑：從布萊克到史蒂文斯的修正主義》（1976）是一部開創性的文學批評著作，它論證了詩歌是對前人詩人影響的反抗，詩歌的真正主題是其自身的壓抑。布魯姆認為，詩人透過「壓抑」前人來創造原創空間，並將佛洛伊德的理論修正為一種詩的「影響焦慮」。
Poetry and Repression: Revisionism from Blake to Stevens (1976) by Harold Bloom is a seminal work of literary criticism arguing that poetry is a struggle against the influence of precursor poets, where a poem’s true subject is its repression. Bloom argues that poets "repress" predecessors to create original space, revising Freudian theory into a poetic "anxiety of influence".
Internet Archive +3Key concepts from Harold Bloom's work, which is available in a 1980 edition and for study at the Internet Archive, include:
Internet Archive +2The Anxiety of Influence: A "strong" poet, to achieve originality, must struggle against the "father-figure" poet that came before, resulting in a defensive, revisionary poetic act.Repression as Poetic Method: Rather than expressing raw emotion, poems repress an earlier, stronger poetic voice, making the poem a "misreading" or "misprision" of its predecessor.
Revisionary Ratios: Bloom analyzes how poets use specific "tropic maneuvers" or rhetorical defenses to repress influence and clear creative space.
Focus Areas: The book features close readings of Romantics and modernists, including Blake, Wordsworth, Shelley, Keats, Tennyson, Browning, Yeats, and Stevens.
Amazon.com +4Relevance in Literary CriticismAlternative to Formalism: Bloom offers an alternative to the "New Criticism," structuralist, and archetypal approaches of his time.
Defense of the Canon: He often defended the Western canon, critiquing what he termed the "School of Resentment," as discussed in critical reviews of his work.
Influence Study: It represents the culmination of his early work on poetic influence, bridging psychoanalysis with literary history.
Amazon.com +4A review and analysis of the book is available via Duke University Press.
Duke University Press +1
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