Ask Google :FOUR BOOKS ABOUT BLOOMBURY BY UNIV. TORONTO PRESS
- The Bloomsbury Group: A Collection of Memoirs (edited by S.P. Rosenbaum): A revised edition featuring original member accounts, unpublished letters, and Woolf's writings, published by UTP.
- The Early Literary History of the Bloomsbury Group (edited by S.P. Rosenbaum): A historical look at the group's formative years, also from UTP.
- Edwardian Bloomsbury (edited by S.P. Rosenbaum): Part of Rosenbaum's series exploring the group's context.
- Georgian Bloomsbury (edited by S.P. Rosenbaum): Another contextual volume.
- University of Toronto Press (UTP): A publisher of scholarly books, including historical accounts and memoirs related to Bloomsbury.
- Bloomsbury Publishing: A major independent publisher (not UTP) known for its Bloomsbury Handbooks series and, famously, for Harry Potter, with academic arms like Bloomsbury Academic.
人工智慧概述
多倫多大學出版社 (UTP) 出版過一些關於布魯姆斯伯里團體的重要著作，例如 S.P. Rosenbaum 的文集（如《布魯姆斯伯里團體讀本》），但他們更以出版現代主義學術著作而聞名，而非著名的《布魯姆斯伯里手冊》系列的主要出版商（該系列由布魯姆斯伯里出版社，與 UTP 是不同的實體，詳見布盧姆斯伯里出版社，詳見布魯姆斯伯里出版社，詳見布魯姆斯伯里）。 UTP 的重點在於出版該團體時期的學術版本和回憶錄，並提供原始資料。
以下是一些與 UTP 相關的關於布魯姆斯伯里的重要出版物和著作：
《布魯姆斯伯里團體：回憶錄集》（S.P. Rosenbaum 編輯）：UTP 出版的修訂版，收錄了成員的原始敘述、未發表的信件和伍爾夫的著作。
《布魯姆斯伯里團體早期文學史》（S.P. Rosenbaum 編輯）：本書從歷史角度探討了該團體的形成時期，同樣由多倫多大學出版社 (UTP) 出版。
《愛德華時代的布魯姆斯伯里》（S.P. Rosenbaum 編輯）：本書是 Rosenbaum 探索該團體背景的系列著作之一。
《喬治時代的布魯姆斯伯里》（S.P. Rosenbaum 編輯）：本書是另一部背景研究著作。
主要區別：
多倫多大學出版社 (UTP)：一家學術書籍出版社，出版包括與布魯姆斯伯里相關的歷史記述和回憶錄在內的各類書籍。
布魯姆斯伯里出版社：一家大型獨立出版社（非多倫多大學出版社），以其布魯姆斯伯里手冊系列以及著名的《哈利波特》系列而聞名，旗下擁有布魯姆斯伯里學術出版社等學術出版部門。
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Additions to the revised edition include an early anonymous newspaper account of Bloomsbury, and observations by Quentin Bell, Beatrice Webb, Gerald Brenan, Christopher Isherwood, Frances Partridge, and others.
Bloomsbury, wrote E.M. Forster in 1929, ‘is the only genuine movement in English civilization.’ By this time the group’s influence had been extended from fiction, biography, economics, and painting through literary, social, and art criticism to publishing and journalism. Partly as a result of its influence, Bloomsbury has been widely misunderstood as a cultural, social, and even sexual phenomenon by both its friends and its detractors. As S.P. Rosenbaum observes in the foreword to this revised and expanded edition, Bloomsbury cannot be reduced to a creed or argued away because of its complexity. ‘What Bloomsbury stood for is what they were and what they did,’ he writes, ‘That is why a collection of descriptions of the Bloomsbury’s lives and works may be the only wholly satisfactory way of defining the Bloomsbury Group.’
The first section of the volume, Bloomsbury on Bloomsbury, contains the basic memoirs and discussions of the Group itself by the original members, Virginia and Leonard Woolf, Vanessa and Clive Bell, E.M. Forster, Roger Fry, John Maynard Keynes, Lytton Strachey, Duncan Grant, Desmond MacCarthy, and others. These recollections range from unpublished private correspondence and diaries to formal autobiographies. Published here for the first time is the remainder of Desmond MacCarthy’s unfinished Bloomsbury memoir. Virginia Woolf’s complete Memoir Club paper on Old Bloomsbury and excerpts from her letters and diaries also appear, as do letters about Bloomsbury by Lytton Strachey, Roger Fry, E.M. Forster, and Vanessa Bell. The second section, Bloomsberries, contains observations on individuals by other members of the group and their children. Virginia Woolf’s hitherto unknown biographical fantasy on J.M. Keynes is newly added, as are accounts of Molly MacCarthy, Lydia Lopokova, and David Garnett. Bloomsbury Observed, the last section, consists of reminiscences of the group mainly by their contemporaries. Additions to the revised edition include an early anonymous newspaper account of Bloomsbury, and observations by Quentin Bell, Beatrice Webb, Gerald Brenan, Christopher Isherwood, Frances Partridge, and others.
Also included are an updated chronology recording the principal events in the careers of Bloomsbury’s members and an enlarged bibliography.
Chapters
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