2013年5月12日 星期日

紀露霞


這兩場都看了半部. 滿分. 從老歌歌詞中可知台語之美.


【公視表演廳】寶島歌后紀露霞演唱會.2013-05-11 結束展演日期: 2013-05-12 23:00
寶島歌后-紀露霞,在台語流行歌謠發展史中,佔有舉足輕重的地位。
在台灣還沒有電視、電影、網路、手機的年代,她已經是家喻戶曉的歌手。
紀露霞的歌聲,記錄了當年台灣人的生活樣貌。

【公視藝文大道】帶您一起回憶台灣50年代最美、最溫暖的聲音。2013.5.10公視藝文大道第51集 穿越時空的寶島歌后-紀露霞


寶島歌后-紀露霞,在台語流行歌謠發展史中,佔有舉足輕重的地位。
在台灣還沒有電視、電影、網路、手機的年代,她已經是家喻戶曉的歌手。
紀露霞的歌聲,記錄了當年台灣人的生活樣貌。


78歲歌后封麥 紀露霞開心會歌迷
78歲的寶島歌后紀露霞28日將在國父紀念館舉辦封麥演唱會,昨天他在總彩排時表示,希望聽眾一起在她的歌聲中懷念舊時光,快樂一下。

一首又一首讓人懷念的台語老歌,今年78歲的寶島歌后紀露霞又將登台開演唱會,不過這次跟去年6月在台北中山堂舉辦個人首場演唱會不同,這次是他的封麥演唱會。

==寶島歌后 紀露霞==
大家能夠歡樂
懷念一下我們過去的情境
過去的生活 過去的歌曲
讓大家快樂一下

紀露霞表示,她年紀大了,演唱會的體力、壓力負擔很重,這次封麥演出,除了會唱經典歌曲,還要把幾乎失傳的歌曲一次唱足。

==寶島歌后 紀露霞==
我想把我以前灌過的唱片
再拿出來唱
因為我知道我的聽眾
都是一些老一輩的聽眾
所以他們應該很喜歡聽老歌
我就是特別選一些比較
懷念的歌曲 老的歌曲

紀露霞是民國40、50年代最具代表性的台語女歌手,更橫跨國、台語雙聲歌壇,他的成名曲,包括「綠島小夜曲」、「黃昏嶺」等歌,並為台語電影「林投姐」、「雨夜花」、「補破網」唱主題曲。

2月28日在台北國父紀念館最後登台演出,他說他要為歌迷演唱出最原汁原味的台語歌,也要用最真誠的歌聲,跟老歌迷一起懷念過去的舊時光。


►台灣歌謠史上最經典歌后 ►「公視表演廳」完整呈現

連 現今台語歌后江蕙都尊稱為歌后的只有一個人-紀露霞!在台語流行歌謠發展歷史中,紀露霞佔據著舉足輕重的地位。1955年進入歌壇,紀露霞是台灣第一位國 台語雙聲帶的紅歌手,更是民國四十年代至五十年代台語電影如「林投姐」、「雨夜花」、「瘋女十八年」等最主要的台語電影幕後代唱女歌手,當時傑出的詞曲家 如楊三郎、周添旺等都把作品如〈孤戀花〉、〈望你早歸〉交給她唱;其中,1957年紀露霞演唱周藍萍的作品「綠島小夜曲」,同年,紀露霞演唱由周添旺創作 的台語歌「黃昏嶺」,更造成轟動,一舉奠定寶島台語歌后的地位。

從在電台唱歌出道,到結婚退出歌壇,雖然在歌壇短短只有六年的時間,但紀露霞灌錄數以千計的歌曲,演唱過太多重要歌曲,在那個沒有電視、電影、網路、手機的年代,紀露霞的歌聲,不僅可以讓人一窺當年台灣庶民生活的樣貌,更多的是她代表了來自台灣回憶裡最美、最溫暖的聲音。

繼 2012年6月6日一票難求的首場個人演唱會之後,2013年2月28日再次舉辦個人演唱會。「因為以前許多歌曲都灌錄在黑膠唱片裡,現在已經不可考,但 為了滿足歌迷,這次曲目挑選失傳已久的重要曲目」。紀露霞整場唱足27首歌,除了台語歌謠外,更展現她國語、日語、英語多重語言天份,曲風更是從抒情、演 歌、拉丁、恰恰等多元音樂風格,游刃有餘展現天生歌手的本色,而觀眾們不忍散場的安可聲中,歌手與聽眾共同且快樂地回味過往舊時光。

2011.3.20 約1:30

紀露霞

紀露霞,本姓邱,叫邱秋英,一九三六年出生於台北,七個兄弟姊妹中排行第六,父母原住新竹,後來搬到台北工作養家活口,鄰居看紀露霞的母親一個人要帶七個小孩,就勸她 ...紀露霞:《望你早歸》、《苦戀歌》、《孤戀花》
紫藤廬座談「紀露霞與消失的1960年代」

《[[紀露霞]]和消失的一九六O年代》,《[[中國時報]]》[[人間副刊]]

2013年5月10日 星期五

Donald Keene 88 歲退休 歸回日本--精神家園



2011.4. 18 繼 Toyota 公司打算在宮田蓋大引擎廠


Donald Keene 直呼 胡不歸

Some Japanese Portraits by Donald Keene 日本文學散步

唐納德·基恩(Donald Keene)入籍日本,adult adoption

Lifelong Scholar of the Japanese Becomes One of Them

http://hcjapan.blogspot.tw/2012/04/keenes-love-for-japan-still-growing.html

Donald Keene’s Latest Japanese Adventure

Scholar Donald Keene, who has dedicated his life to studying Japanese literature, culture and customs, revealed last week that he's following another Japanese tradition: adult adoption.

Donald Keene arriving for his permanent relocation to Japan in 2011
Associated Press
Donald Keene, one of the world’s best-known Japanologists, has dedicated his life to studying Japanese literature, culture and customs. Last week, he revealed he’s following another Japanese tradition: adult adoption.
Mr. Keene, 90 years old, told an audience in northern Japan that in March he adopted his long-time friend Seiki Uehara, a 62-year-old performer of the shamisen, a Japanese stringed instrument.

“It felt like the natural course of things,” the former Mr. Uehara—now Seiki Keene—told JRT on Wednesday. The adoption grew out of a friendship that started in 2006, and eventually led to Mr. Uehara’s moving into Mr. Keene’s Tokyo home and helping the older man out with things like keeping his large collection of books organized.

Adult adoption is a fairly common practice in Japan, with around a third of all adopted individuals being adults, according to a survey carried out by the Ministry of Justice in 2010, ahead of stricter checks for accepting adoption applications. In 2011, there were 81,600 cases of adoption in Japan. In many cases, adult men are adopted into families in order to carry on the family name—and sometimes business—when there are no male descendants.

Mr. Keene, who’s known for books and scholarship introducing Japanese literature to the West—as well as his friendships with many of the Japanese literary giants of the postwar period, has no children or other family.

The pair originally came together over a keen interest in kojyoruri, an ancient form of Japanese musical performance. Mr. Uehara had performed in a similar style—jyoruri—for 25 years, as a shamisen player at the Bunraku-za puppet theater, under the stage name of “Tsurusawa Asazo V.” He retired in 1997 and returned to his home prefecture in northern Japan to help his family’s brewery business, but remained passionately interested in the genre.

Mr. Keene is known as a leading expert on kojyoruri. In November 2006, Mr. Uehara approached the older man backstage, after a Tokyo talk, to ask whether Mr. Keene would be his mentor on the subject. Mr. Uehara told Mr. Keene he “had no one to seek guidance from,” the younger man told JRT.

At the time, Mr. Keene was still teaching at Columbia University, where he’d been for more than half a century, and spending time in the U.S. as well as Japan. But following the March 2011 earthquake and tsunami, Mr. Keene decided to move permanently to Japan and become a Japanese citizen. That’s when he brought up to Mr. Uehara the idea of adoption.
“When he’d first mentioned adoption, I thought he was joking,” the junior Mr. Keene says. “But eventually I understood that he was being serious.” Now the younger man helps his adoptive father organize his busy schedule from their apartment in Tokyo, while holding shamisen performances of his own. The older Mr. Keene gained Japanese citizenship in 2012.

The pair say their cross-cultural partnership has been smooth so far. The former Mr. Uehara says his family was delighted at the news of his adoption, and that nobody close to Mr. Keene raised objections either. And what does the younger Keene think of his new surname?  “I like it a lot,” he told JRT. “I’ve finally managed to get used to it.”




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