Mr. Brook once explained what made Mr. Carrière such an in-demand writer, whether the job was creating original material, adapting a novel or opera, or reining in an epic poem.
“Like a great actor, or a great cameraman, he adapts himself to different people he works with,” Mr. Brook told The Times in 1988. “He’s open to all shifts caused by the material changing, and yet he brings to it a very powerful and consistent point of view.”
布魯克先生曾解釋過卡里埃先生為何如此炙手可熱，無論創作原創作品、改編小說或歌劇，還是精簡史詩，他都能游刃有餘。
“就像一位偉大的演員或攝影師，他能根據不同的合作對象調整自己，”布魯克先生在1988年接受《泰晤士報》採訪時說道，“他樂於接受因素材變化而帶來的各種調整，同時又能保持其鮮明而連貫的觀點。”
多產的卡里埃先生也創作書籍和戲劇，經常與舞台導演彼得布魯克合作。他的興趣廣泛。
他與布魯克先生共同創作了《摩訶婆羅多》，這部長達九小時的舞台劇改編自梵文史詩，於1985年在法國阿維尼翁戲劇節上演，之後被改編成電影。他也曾與達賴喇嘛合著了一本書（《佛教的力量》，1996年）。他創作了一部名為《請，愛因斯坦先生》的小說，正如丹尼斯·奧弗比在2006年《紐約時報》的一篇評論中所寫，「這部小說以輕鬆迷人的筆觸，探討了愛因斯坦天才所帶來的一些最棘手的哲學問題，以及由此延伸出的20世紀科學界關注的諸多問題——現實的本質、因果關係的思維、自然的本質、可理解性的局限性的本質、可理解性的局限性。
他始終保持著一種刻意的好奇心。
「人們說我注意力非常分散，」他在1994年接受《衛報》採訪時說。 “但我認為，從一個主題到另一個主題，從一個國家到另一個國家，正是讓我保持活力、保持警覺的方式。”
The prolific Mr. Carrière also wrote books and plays, often collaborating with the stage director Peter Brook. His interests knew no bounds.
With Mr. Brook he created “The Mahabharata,” a nine-hour stage version of the Sanskrit epic, which was staged at the Avignon Theater Festival in France in 1985 and then made into a film. He once wrote a book with the Dalai Lama (“The Power of Buddhism,” 1996). He wrote a novel called “Please, Mr. Einstein” that, as Dennis Overbye wrote in a 2006 review in The New York Times, “touches down lightly and charmingly on some of the thorniest philosophical consequences of Einstein’s genius and, by extension, the scientific preoccupations of the 20th century — the nature of reality, the fate of causality, the comprehensibility of nature, the limits of the mind.”
His was deliberately ever curious.
“People say I am very dispersed,” he told The Guardian in 1994. “But I say that to pass from one subject to another, from one country to another, is what keeps me alive, keeps me alert.”
法國編劇讓-克洛德·卡里埃 ( Jean-Claude Carriare ~202189歲 ，多產作家…1979年將德國著名作家君特·格拉斯的小說《鐵皮鼓》改編成電影，並憑藉此片榮獲奧斯卡金像獎和坎城影展金棕櫚獎 )：This Is Not the End of the Book作者 Jean-Claude Carriare (Author), Umberto Eco (Author), Jean-Philippe de Tonnac
Oscar-winning French screenwriter Jean-Claude Carrière, whose 1979 adaptation of renowned German writer Günter Grass's novel "The Tin Drum" won an Academy Award and a Palme d'Or, has died aged 89. 2021
- Key Collaborations: Carrière is most famous for his long partnership with director Luis Buñuel, writing scripts for Belle de Jour (1967) and The Discreet Charm of the Bourgeoisie (1972).
- Renowned Works: He co-wrote The Unbearable Lightness of Being (1988), Cyrano de Bergerac (1990), and The Tin Drum (1979).
- Awards: He won an Academy Award for best short subject in 1963 (Heureux anniversaire) and received an Honorary Oscar in 2014 for his body of work.
- Style: Known for adapting complex literary works and bringing a surrealist, sharp wit to film, he was also a novelist and playwright.
《這不是書的終點》（英文版）平裝本 – 2012
作者：讓-克洛德‧卡里埃 (Jean-Claude Carriere)、翁貝托‧埃科 (Umberto Eco)、讓‧菲利普‧德‧托納克 (Jean-Philippe de Tonnac)
如今的愛書之人，有時或許會像埃科小說《玫瑰之名》中虛構的中世紀修士威廉·巴斯克維爾一樣，眼睜睜地看著文字在時間長河中消逝。在《這不是書的終結》一書中，埃科的作者翁貝托·埃科與他的文學夥伴讓-克洛德·卡里埃展開了一場精彩的對話，探討記憶及其種種陷阱、空白、遺漏和無法彌補的損失。兩人都收藏珍稀書籍，並欣然將書籍視為堅韌的倖存者，展開了一場充滿批判性、激情澎湃且妙趣橫生的書籍歷史之旅，從莎草紙捲軸到電子書，無所不包。他們一路探討科學與主體性、辯證法與軼事，學識淵博卻又不失輕鬆自如。這部對話錄是對馬歇爾‧麥克魯漢所稱的「古騰堡星系」的致敬之作，必將令所有讀者和愛書之人欣喜不已。
This Is Not the End of the Book (English) Paperback – 2012
作者 Jean-Claude Carriare (Author), Umberto Eco (Author), Jean-Philippe de Tonnac
A book lover today might sometimes feel like the fictional medieval friar William of Baskerville in Eco’s The Name of the Rose, watching the written word become lost to time. In This Is Not the End of the Book, that book’s author, Umberto Eco, and his fellow raconteur Jean-Claude Carriere sit down for a dazzling dialogue about memory and the pitfalls, blanks, omissions, and irredeemable losses of which it is made. Both men collect rare and precious books, and they joyously hold up books as hardy survivors, engaging in a critical, impassioned, and rollicking journey through book history, from papyrus scrolls to the e-book. Along the way, they touch upon science and subjectivity, dialectics and anecdotes, and they wear their immense learning lightly. A smiling tribute to what Marshall McLuhan called the Gutenberg Galaxy, this dialogue will be a delight for all readers and book lovers.
中產階級拘謹的魅力 The Discreet Charm Of The Bourgeoisie 路易斯·布紐爾 Luis Buñuel
| The Discreet Charm of the Bourgeoisie | |
|---|---|
 Theatrical release poster | |
| French | Le Charme discret de la bourgeoisie |
| Directed by | Luis Buñuel |
| Written by |
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| Produced by | Serge Silberman |
| Starring | |
| Cinematography | Edmond Richard |
| Edited by | Hélène Plemiannikov |
| Distributed by | 20th Century Fox |
Release dates |
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Running time | 101 minutes |
| Countries |
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| Languages |
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| Budget | $800,000 |
| Box office | $286,916[1] |
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