這首交響曲的基調從頭到尾都陰鬱而充滿戲劇性。墨西哥指揮家阿隆德拉·德拉·帕拉將在2022年圖青勃拉姆斯音樂節上，攜手慕尼黑交響樂團演奏德沃夏克的第七交響曲。在排練期間，她與音樂家和專家們一起分析了這部名作。
德國之聲古典音樂頻道將推出八集系列紀錄片：《阿隆德拉·德拉·帕拉在圖青布拉姆斯音樂節》。該系列紀錄片將分別呈現約翰內斯·布拉姆斯和安東尼·德沃夏克的四部交響曲。
https://www.youtube.com/watch?v=x1JqTdDELvo
The underlying mood of this symphony is somber and dramatic to the very end. Mexican conductor Alondra de la Parra performs Dvořák’s Symphony No. 7 with the Münchner Symphoniker (Munich Symphony Orchestra) at the Tutzing Brahmstage festival 2022. During rehearsals, she analyzes the famous work with musicians and experts. DW Classical Music presents the eight-part series: Alondra de la Parra at the Brahmstage in Tutzing. The music documentaries will feature the 4 symphonies by Johannes Brahms and 4 symphonies by Antonín Dvořák
https://www.youtube.com/watch?v=x1JqTdDELvo
The underlying mood of this symphony is somber and dramatic to the very end. Mexican conductor Alondra de la Parra performs Dvořák’s Symphony No. 7 with the Münchner Symphoniker (Munich Symphony Orchestra) at the Tutzing Brahmstage festival 2022. During rehearsals, she analyzes the famous work with musicians and experts. DW Classical Music presents the eight-part series: Alondra de la Parra at the Brahmstage in Tutzing. The music documentaries will feature the 4 symphonies by Johannes Brahms and 4 symphonies by Antonín Dvořák
. Episode 1 / Brahms, Symphony No. 1: 
• Brahms: Symphony No. 1 | Music Documentary... Episode 2 / Dvořák, Symphony No. 8: • Dvořák: Symphony No. 8 | Music Documentary... Episode 3 / Brahms, Symphony No. 2: • Brahms: Symphony No. 2 | Music Documentary... Episode 4 / Dvořák, Symphony No. 9: • Dvořák: Symphony No. 9 | Music Documentary... Episode 5 / Brahms, Symphony No. 3: • Brahms: Symphony No. 3 | Music Documentary... Episode 7 / Brahms, Symphony No. 4: • Brahms: Symphony No. 4 | Music Documentary... Episode 8 / Dvořák, Symphony No. 6: • Dvořák: Symphony No. 6 | Music Documentary... Episode 6 at a glance: 00:00 The patriotic roots in Dvořák’s Symphony No. 7 01:04 Working with the orchestra on the 1st movement 01:57 The revolutionary character of Dvořák’s Symphony No. 7 02:41 Excerpt from the 1st movement 03:31 Rehearsing a very dramatic part of the 1st movement 04:11 A plea for peace and a passionate confession in the 2nd movement 04:59 The dark colors and sadness in the 2nd movement 05:56 Does the 2nd movement of Dvořák's Symphony No. 7 sounds like a lullaby? 06:33 Sample on the cello from the 2nd movement 07:12 Excerpt from the 3rd movement 07:38 Reflections on Dvořák's struggle for recognition as a Czech composer in the European music world 08:42 The folkloric character of the 3rd movement 09:39 Excerpt from the 4th movement When Dvořák composed his 7th Symphony in 1885, he was influenced by Brahms’s 3rd Symphony. Brahms had played the first and fourth movements for Dvořák on the piano during a visit to Vienna in 1883. Dvořák’s demands on himself were correspondingly high, as is evidenced by his words to his publisher Fritz Simrock: “The new symphony has been occupying me for a long, long time, but something decent should come out of it, because I want Brahms’s words to me ‘I still think of your symphony as being quite different from this (6th Symphony),’ to be true.” Dvořák composed his symphony, however, for the London Philharmonic Society, where he conducted its successful premiere on April 22, 1885. Dvořák meets the high compositional demands by working the entire symphony very densely, the musical events follow one another in rapid succession and the musical flow hardly comes to a standstill until the end. The basic mood is somber and dramatic until the very end, with brief lighter moments. The opening themes in the first and fourth movements are multi-layered and resist easy comprehension at first hearing. This is left to the second themes in both movements, which betray the most Brahmsian influence. The Tutzing Brahmstage is a small but elegant classical music festival. In 2022, it celebrated a double anniversary. The concert series was held for the 25th time and at the same time, it was the 125th anniversary of the death of the famous German composer. The Brahmstage festival takes place every year in Tutzing on Lake Starnberg in Upper Bavaria - the place where Brahms spent a summer composing important works in 1873. On four Sundays in October 2022, Brahms' four great symphonies were performed together with one symphony each by Antonin Dvořák - the 6th, 7th, 8th and 9th - in the Church of St. Joseph. As one of Munich's great symphony orchestras, the Münchner Symphoniker has been an integral part of the German musical landscape for over 75 years. They perform around 100 concerts a year in concert series in Bavaria, with guest appearances and tours in Germany and abroad. The orchestra with musicians from 17 different nations presents varied programs on large concert and open-air stages as well as in its own rehearsal hall at the Bavaria Studios. Alondra de la Parra's interview partners are Zurab Gvantseladze, principal oboe, Jakob Haas, violoncello, and musicologist Stephan Beck. Report & Direction: Holm Weber Co-direction: Dorothee Binding Camera: Matthias Boch Amadeus Hiller Simon Hermann Christian Berges Daniel Stupat Jan Klein Holm Weber Sound: Sara Misztela Make-up: Nilgün Konya Editing: Klaus Hellmig Color Correction: Jan von Stebut Production: Benedict Mirow - Nightfrog GmbH Commissioning Editor: Reiner Schild © Deutsche Welle 2023 Watch more videos with Musica Maestra Alondra de la Parra: • MUSICA MAESTRA - with conductor Alondra de... Subscribe to DW Classical Music:
Dvořák: Symphony No. 7 | Music Documentary with Alondra de la Parra & the Münchner Symphoniker
DW Classical Music
• Brahms: Symphony No. 1 | Music Documentary... Episode 2 / Dvořák, Symphony No. 8: • Dvořák: Symphony No. 8 | Music Documentary... Episode 3 / Brahms, Symphony No. 2: • Brahms: Symphony No. 2 | Music Documentary... Episode 4 / Dvořák, Symphony No. 9: • Dvořák: Symphony No. 9 | Music Documentary... Episode 5 / Brahms, Symphony No. 3: • Brahms: Symphony No. 3 | Music Documentary... Episode 7 / Brahms, Symphony No. 4: • Brahms: Symphony No. 4 | Music Documentary... Episode 8 / Dvořák, Symphony No. 6: • Dvořák: Symphony No. 6 | Music Documentary... Episode 6 at a glance: 00:00 The patriotic roots in Dvořák’s Symphony No. 7 01:04 Working with the orchestra on the 1st movement 01:57 The revolutionary character of Dvořák’s Symphony No. 7 02:41 Excerpt from the 1st movement 03:31 Rehearsing a very dramatic part of the 1st movement 04:11 A plea for peace and a passionate confession in the 2nd movement 04:59 The dark colors and sadness in the 2nd movement 05:56 Does the 2nd movement of Dvořák's Symphony No. 7 sounds like a lullaby? 06:33 Sample on the cello from the 2nd movement 07:12 Excerpt from the 3rd movement 07:38 Reflections on Dvořák's struggle for recognition as a Czech composer in the European music world 08:42 The folkloric character of the 3rd movement 09:39 Excerpt from the 4th movement When Dvořák composed his 7th Symphony in 1885, he was influenced by Brahms’s 3rd Symphony. Brahms had played the first and fourth movements for Dvořák on the piano during a visit to Vienna in 1883. Dvořák’s demands on himself were correspondingly high, as is evidenced by his words to his publisher Fritz Simrock: “The new symphony has been occupying me for a long, long time, but something decent should come out of it, because I want Brahms’s words to me ‘I still think of your symphony as being quite different from this (6th Symphony),’ to be true.” Dvořák composed his symphony, however, for the London Philharmonic Society, where he conducted its successful premiere on April 22, 1885. Dvořák meets the high compositional demands by working the entire symphony very densely, the musical events follow one another in rapid succession and the musical flow hardly comes to a standstill until the end. The basic mood is somber and dramatic until the very end, with brief lighter moments. The opening themes in the first and fourth movements are multi-layered and resist easy comprehension at first hearing. This is left to the second themes in both movements, which betray the most Brahmsian influence. The Tutzing Brahmstage is a small but elegant classical music festival. In 2022, it celebrated a double anniversary. The concert series was held for the 25th time and at the same time, it was the 125th anniversary of the death of the famous German composer. The Brahmstage festival takes place every year in Tutzing on Lake Starnberg in Upper Bavaria - the place where Brahms spent a summer composing important works in 1873. On four Sundays in October 2022, Brahms' four great symphonies were performed together with one symphony each by Antonin Dvořák - the 6th, 7th, 8th and 9th - in the Church of St. Joseph. As one of Munich's great symphony orchestras, the Münchner Symphoniker has been an integral part of the German musical landscape for over 75 years. They perform around 100 concerts a year in concert series in Bavaria, with guest appearances and tours in Germany and abroad. The orchestra with musicians from 17 different nations presents varied programs on large concert and open-air stages as well as in its own rehearsal hall at the Bavaria Studios. Alondra de la Parra's interview partners are Zurab Gvantseladze, principal oboe, Jakob Haas, violoncello, and musicologist Stephan Beck. Report & Direction: Holm Weber Co-direction: Dorothee Binding Camera: Matthias Boch Amadeus Hiller Simon Hermann Christian Berges Daniel Stupat Jan Klein Holm Weber Sound: Sara Misztela Make-up: Nilgün Konya Editing: Klaus Hellmig Color Correction: Jan von Stebut Production: Benedict Mirow - Nightfrog GmbH Commissioning Editor: Reiner Schild © Deutsche Welle 2023 Watch more videos with Musica Maestra Alondra de la Parra: • MUSICA MAESTRA - with conductor Alondra de... Subscribe to DW Classical Music: Dvořák: Symphony No. 7 | Music Documentary with Alondra de la Parra & the Münchner Symphoniker
DW Classical Music
沒有留言:
張貼留言