Jacqueline de Ribes in 1953. She designed clothes for herself and for a socially prominent clientele.Credit...Horst P. Horst/Condé Nast, via Getty Images
Jacqueline de Ribes, Tastemaker and Fashion Avatar, Dies at 96
One of few people in the world of style who could legitimately claim the status of icon, she dressed to impress even before she became a designer.
Jacqueline de Ribes in 1953. She designed clothes for herself and for a socially prominent clientele.Credit...
As widely known for the image she projected as for her fashion career, she made no excuses. “Dressing up,” she once said, “doesn’t mean that you are frivolous; it has nothing to do with frivolity.”
時尚混搭女王
無論是在芭蕾舞首演的舞台上，還是在奧地利聖安東、法國梅傑夫或瑞士採爾馬特的阿爾卑斯山坡上，德·裡貝斯女士都以令人印象深刻的著裝著稱。在採爾馬特，她尤其鍾愛與服裝顏色相配的超大狐狸皮帽。 「有時她會穿著彷彿從薩金特畫作中走出來的服裝來家裡接待我，」瓦倫蒂諾曾這樣說道。
時尚編輯兼電視名人安德烈·萊昂·塔利回憶道：“每年12月舉行的Met Gala上，每個人都會站在大廳裡等待她的到來。她總是穿著最精緻、最出人意料的伊夫·聖羅蘭高級訂製禮服。”
然而，首先，德·裡貝斯女士將自己視為藝術家。身為時尚混搭女王，她深知自己擁有即興創作和巧妙搭配的天賦。
Queen of the Sartorial Mash-Up
Ms. de Ribes emphatically dressed to impress. “Sometimes she would receive me at home wearing something right out of a Sargent painting,” Valentino once said.
The fashion editor and television personality André Leon Talley recalled: “Everyone used to stand in the great hall and wait for her arrival at the Met Ball when it was held in December. She would have on the most exquisite, and unexpected, Yves Saint Laurent couture.”
First and foremost, however, Ms. de Ribes saw herself as an artist. Queen of the sartorial mash-up, she was well aware of her gifts for improvisation and bricolage.
from the 1980s.Illustrations by Nino Caprioglio
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Z世代、上帝、喬登彼得森、性與不成長有什麼共通點？我很想聽聽你的回答。當然，我的是《經濟學人》的文化版塊。所有這些主題都出現在我們今年閱讀量最大的一些故事中。
我們試圖以更廣泛的視角來看待可能吸引讀者的文化趨勢和主題。今年是了不起的一年：例如，我們研究年輕人是否以及為何拒絕長大的文章是《經濟學人》2024 年閱讀量排名第三的文章。有益的時間來靜修並補上一些期待已久的閱讀。這是您可能錯過的文化亮點的便捷指南。
圖書
1999 年，勞特利奇出版了《意義地圖：信仰的架構》，其中彼得森描述了一種關於人們如何建構意義、形成信念和進行敘事的理論。根據彼得森的說法，他的主要目標是研究為什麼個人和群體都參與社會衝突，探索個人支持他們的信仰體系（即意識形態認同）[8] 的推理和動機，這最終可能導致謀殺和病態的暴行，如古拉格、奧斯威辛集中營和盧安達種族滅絕。
2018 年1 月，企鵝蘭登書屋出版了彼得森的第二本書《生活的12 條規則：混沌的解藥》，其中以比他之前出版的作品更容易理解的方式討論了自助原則。 14][19][37 ]該書出現在多個暢銷書排行榜上。
彼得森的第三本書《超越秩序：生活的 12 條更多規則》於 2021 年 3 月 2 日發行。 2020 年 11 月 23 日，他的出版商加拿大企鵝蘭登書屋 (PRH Canada) 舉行了一次內部市政廳，許多員工批評了出版該書的決定。
彼得森的第四本書《與上帝摔角的人：對神聖的看法》於 2024 年 11 月 19 日再次由企鵝蘭登書屋出版。
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Books
In 1999, Routledge published Maps of Meaning: The Architecture of Belief, in which Peterson describes a theory about how people construct meaning, form beliefs, and make narratives.[8][34][35] According to Peterson, his main goal was to examine why individuals and groups alike participate in social conflict, exploring the reasoning and motivation individuals take to support their belief systems (i.e. ideological identification)[8] that can eventually result in murderous and pathological atrocities, such as the Gulag, the Auschwitz concentration camp, and the Rwandan genocide.[8][36]
In January 2018, Penguin Random House published Peterson's second book, 12 Rules for Life: An Antidote to Chaos, in which self-help principles are discussed in a more accessible style than in his previous published work.[14][19][37] The book appeared on several best-seller lists.[38][39][40]
Peterson's third book, Beyond Order: 12 More Rules for Life, was released on 2 March 2021.[41] On 23 November 2020, his publisher Penguin Random House Canada (PRH Canada) held an internal town hall where many employees criticized the decision to publish the book.[42]
Peterson's fourth book, We Who Wrestle with God: Perceptions of the Divine, was published on 19 November 2024, again by Penguin Random House.[43]
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