《 互動》(Interactions) ：日誌0101 2025 相信：New Year’s 2025: Celebrations Around the World沒新鮮花樣。 “The becoming has yet to happen.” 林義正老師 交情2022；他的幾位老師 。直播過西西里，日本東京豐洲魚產市場等 Renato Guttuso’s La Vucciria (1974) 燒火車 俄烏 中東戰爭 nhk 美麗日本鄉土日本人NO RAIN NO RAINBOW 昔日 Kamakura 初詣；《一日一言 元旦 》；神社寺廟初詣「二拜二拍手一拜」(Joel來談日本)
"Song of Myself" is a seminal poem by Walt Whitman, first published in 1855 as part of his collection Leaves of Grass. This poem is often regarded as a cornerstone of American poetry and is celebrated for its exploration of the self, nature, and the interconnectedness of all beings.
The poem opens with the famous lines, "I celebrate myself, and sing myself," establishing a tone of self-affirmation and universality. Whitman emphasizes the idea that every individual is part of a larger whole, suggesting that "every atom belonging to me as good belongs to you." This notion of shared existence is a recurring theme throughout the poem, where Whitman invites readers to embrace their own identities while recognizing their connection to others.
Whitman's style in "Song of Myself" is characterized by free verse, which allows for a fluid and organic expression of thoughts and emotions. The poem is divided into 52 sections, each exploring different aspects of life, including the body and soul, nature, love, and death. Whitman’s use of vivid imagery and sensory details creates a rich tapestry that captures the essence of human experience.
The poem also reflects Whitman's democratic ideals, celebrating diversity and individuality while advocating for social justice and equality. His inclusive vision encompasses a wide range of voices and experiences, making "Song of Myself" a profound meditation on the human condition.
無論答案是什麼，華盛頓都需要在事情發生之前解決這些問題。請記住：如果中國入侵或隔離台灣，它不會只是針對一個島國。它將尋求強行重塑印太地區秩序並破壞基於規則的全球經濟。如果沒有計劃，台灣危機就有可能破壞美國繁榮與安全的基礎。Whatever the answers, Washington needs to address these questions before something happens. Remember: If China invades or quarantines Taiwan, it wouldn’t just be targeting one island nation. It would be seeking to forcibly reshape the Indo-Pacific regional order and undermine the rules-based global economy. Without a plan, a Taiwan crisis risks undermining the foundations of American prosperity and security.
Putin Says ‘Everything Will Be Fine’ Despite Russia’s Growing Challenges
On E-Scooters and ATVs, Russia Swarms Ukrainian Positions in the East
Attacks by Russia are raising concerns over how Ukraine manages its military and countering assumptions that Moscow’s offensive would slow, analysts say.
普丁稱“一切都會好起來”，儘管俄羅斯面臨的挑戰越來越大
俄羅斯在電動滑板車和全地形車方面搶佔烏克蘭在東方的地位
分析人士表示，俄羅斯的襲擊引發了人們對烏克蘭如何管理其軍隊的擔憂，並反駁了莫斯科進攻將放緩的假設。
In Jab at Elon Musk, Scholz Condemns Foreign Meddling in German Election
Chancellor Olaf Scholz said Germany’s election will “not be decided by the owners of social media channels” in his annual New Year's Eve address.
Origami is magic made from a single sheet of paper. We introduce two artists and their fantasy-themed paper creations. And our expert, "Dr. Origami," will teach you how to make an easy origami craft.
Join our explorers as they pursue the cinematic beauty of Japan. Kyle Card hikes the newly designated long trail around majestic Mt. Fuji and discovers its secrets.
Takasago Junji won the Natural Artistry prize at the 2022 Wildlife Photographer of the Year competition. He shares the story behind his three-decade career and his love and respect for nature.
Discover story behind the "36 Views of Mt. Fuji" woodprint series; "The Great Wave off Kanagawa" by Hokusai. It is not just a huge wave and Mt. Fuji, the boat caught in the wave have a reason.
江戶時代 英文 德川或並用
相信：New Year’s 2025: Celebrations Around the World沒新鮮花樣
Wherever you are in the world, we wish you all a HAPPY NEW YEAR, full of peace, love, health, and happiness!
有內容的分析：11 Data Points and Discoveries That Surprised Us in 2024
Upshot staff members shared a selection of their favorite charts, documents, queries and calculations from the past year.
Woven from vintage saris, Suchitra Mattai’s abstracted landscape “Through the Forest, Across the Sea, and Back Home Again” at the National Museum of Women in the Arts in Washington, D.C., illustrates the journeys of people in diasporic communities, leaving their home countries. Red, pink, orange and brown represent both India, where the artist’s ancestors originated, and the Caribbean, where they arrived.Credit...Lawren Simmons for The New York Times
Last Chance
The Vivid Thread of Memories by the Yard
Suchitra Mattai uses vintage saris and vivid found materials to weave exquisite tapestries that challenge fixed histories about art and migration.
Woven from vintage saris, Suchitra Mattai’s abstracted landscape “Through the Forest, Across the Sea, and Back Home Again” at the National Museum of Women in the Arts in Washington, D.C., illustrates the journeys of people in diasporic communities, leaving their home countries. Red, pink, orange and brown represent both India, where the artist’s ancestors originated, and the Caribbean, where they arrived.Credit...Lawren Simmons for The New York Times
In “Future Perfect,” 2023, Mattai embellished a vintage needlepoint reproduction of a painting by Fragonard, “Young Girl Reading” (1769). The subject has a powerful headdress of freshwater pearls.Credit...Lawren Simmons for The New York Times
“This exhibition is the undoing,” Mattai said. “The becoming has yet to happen.”
Suchitra Mattai: Myth From Matter
Through Jan. 12. National Museum of Women in the Arts in Washington, D.C., 1250 New York Avenue NW; 800-222-7270, nmwa.org.
Renato Guttuso’s La Vucciria (1974) is a vibrant and iconic oil painting depicting Palermo’s bustling and colorful open-air food market, La Vucciria. This artwork is renowned for its meticulous detail, dynamic composition, and vivid palette, which captures the energy, abundance, and sensory overload of the Sicilian market.
Guttuso portrays an overwhelming array of goods—fresh fruits, vegetables, meats, fish, cheeses, and other staples—arranged with a sense of organized chaos. The scene includes vendors, customers, and the occasional still life elements, bringing the market to life. The figures blend into the atmosphere, emphasizing the communal and lively spirit of the place.
Symbolically, the painting reflects themes of Sicilian identity, cultural traditions, and the vibrancy of everyday life. Guttuso, known for his social realism, uses La Vucciria to connect viewers to the essence of Sicily, making it not only a celebration of the market but also a tribute to the people and culture of the region.
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