0608 2025 下午3點多 與燕 談半小時 多東海人
文藝獎評審 鄭善禧 1997年，鄭善禧獲得了第1屆中華民國國家文化藝術基金會國家文藝獎[4]
傳記 時報文化
- 黃寤蘭. 《鄭善禧：畫壇老頑童》. 臺北: 時報文化. 1998-09-21. ISBN 978-957-13-2694-8.
王惕吾送她30萬 王必成 27公頃的 南園 貴賓住
聯合報系員工的休假中心，以及王惕吾接待貴賓的地方。例如前美國首相柴契爾夫人、俄國總理戈巴契夫，曾經在這兒住宿。直到2007年歲末委外經營之前 ...
0608 2025 下午3點多 與燕 談半小時 多東海人
王惕吾送她30萬 王必成 27公頃的
黃寤蘭的經歷和認識人很多包括2位老年得子：何懷碩先生 書法家 夏鑄九
1997年，在《拳擊手》The Boxer (1997).中展現出精彩表演後，備受讚譽的演員丹尼爾·戴-劉易斯做出了一個出人意料的決定：他離開好萊塢，暫時告別演藝圈，轉而投身於一門截然不同的技藝——製鞋。他前往義大利佛羅倫薩，在製鞋大師斯特凡諾·貝默的指導下學習了近一年。在大約十個月的時間裡，丹尼爾·戴-劉易斯沉浸在手工皮鞋的精湛技藝中，學習了從裁剪、塑形到縫製、精加工的每一個步驟。
非凡之處在於，這並非為電影角色做鋪墊，也並非為了炒作噱頭。丹尼爾戴-劉易斯對製鞋的熱愛源自於真誠。他以嚴謹的方法派表演和對細節的執著而聞名，他對製鞋的投入與他對每一場演出的投入一樣。在義大利期間，他保持低調，淡出公眾視野，全心投入這項傳承百年的技藝，並保持著安靜專注的紀律。
他退出演藝圈後，影迷和電影界紛紛猜測他是否會回歸。 2002年，丹尼爾戴-劉易斯在馬丁史柯西斯執導的《紐約黑幫》 Gangs of New York (2002),中強勢回歸，飾演比爾「屠夫」卡廷，奉獻了一場精彩絕倫、令人難忘的演出。這個角色為他贏得了廣泛讚譽，並再次確立了他同儕演員中備受尊敬的地位。
丹尼爾戴-劉易斯的鞋匠學徒生涯展現了他的性格——他對精湛技藝的追求、對工藝的熱愛，以及他為了追求個人意義而放棄名利的決心。這提醒我們，真正的藝術可以展現出多種形式，無論是在銀幕上，還是在佛羅倫斯鞋匠安靜的工作室裡。
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Following The Boxer, Day-Lewis took a leave of absence from acting by going into "semi-retirement" and returning to his old passion of woodworking.[46] He moved to Florence, Italy, where he became intrigued by the craft of shoe-making. He apprenticed as a shoe-maker with Stefano Bemer.[21] For a time, his exact whereabouts and actions were not made publicly known.[48]
拍完《拳擊手》後，丹尼爾戴-劉易斯暫時告別演藝圈，進入「半退休」狀態，重拾他昔日的熱情——木工。 [46] 他搬到了義大利佛羅倫薩，在那裡他對製鞋工藝產生了濃厚的興趣。他師從斯特凡諾·貝默爾，成為一名鞋匠學徒。 [21] 有一段時間，他的確切行蹤和行蹤不為人知。 [48]
- "Daniel Day-Lewis". AskMen. Archived from the original on 23 May 2013. Retrieved 7 January 2010.
- ^ McGuigan, Barry (22 January 2007). "McClellan's return must get the game to care more". Daily Mirror. Archived from the original on 7 January 2022. Retrieved 13 June 2015.
- ^ Rebecca Flint Marx (2016). "Daniel Day Lewis: Biography". The New York Times. Archived from the original on 4 January 2016. Retrieved 28 January 2018.
Rebecca Flint Marx's 2016 book, "Daniel Day-Lewis: Biography," provides a comprehensive look at the life and career of the acclaimed actor. The book delves into his childhood, his early acting experiences, and his notable film roles, as well as his personal life and relationships. It also explores the unique methods and philosophies that have shaped his approach to acting.
Full Biography
From All Movie Guide: An actor whose on-screen intensity is rivalled only by his off-screen intensity, Daniel Day-Lewis is one of the most acclaimed and least understood performers of his generation. The stories surrounding his complete immersion in his roles are legendary, from his insistence on remaining in a wheelchair between takes for My Left Foot to his refusal to accept manufactured cigarettes in favor of rolling his own, 18th-century style, while filming The Last of the Mohicans. Day-Lewis' highly cerebral approach to his work may emanate in part from his background. Born in London on April 29, 1957, he was the son of Poet Laureate Cecil Day-Lewis and actress Jill Balcon. The influence of the cinema was particularly strong on his mother's side: she was the daughter of Sir Michael Balcon, the one-time head of Ealing Studios. Educated at various public schools, Day-Lewis took an early interest in acting. After dropping out of school at the age of thirteen, he managed to get a small part in John Schlesinger's Sunday, Bloody Sunday (1971). Following his debut, he decided to focus on his theatrical training, which he received at the Bristol Old Vic. He acted with that theatre and with the Royal Shakespeare Company for the rest of the decade, and in 1982 he made his second film appearance, playing a street thug in Gandhi. It was in 1986 that Day-Lewis first stepped into the realm of international acclaim. Two films which featured him in prominent roles, My Beautiful Laundrette and A Room With a View, opened on the same day in New York. A gay street punk in the former and an insufferable Edwardian prig in the latter, Day-Lewis astonished critics and audiences with his chameleon-like versatility. The New York Film Critics Circle took particular note of his talent, naming him the year's Best Supporting Actor for his work in both films. It was only a matter of time before Day-Lewis achieved leading man status, and two years later he did just that in Philip Kaufman's adaptation of Milan Kundera's The Unbearable Lightness of Being. The acclaim the actor received for his portrayal of a philandering Czech surgeon paled in comparison to that surrounding his performance as the cerebral palsy-stricken author and artist Christy Brown in Jim Sheridan's My Left Foot (1989). Day-Lewis won American and British Academy Awards as Best Actor for his work, sealing a reputation as one of the most engaging leading men of his generation. A subsequent return to the stage in Richard Eyre's National Theatre production of {-Hamlet} ended abruptly when Day-Lewis walked off the stage one night, mid-performance, due to "nervous exhaustion." He took a hiatus from film until 1992, when he reappeared, toned up and oiled down, to star in Last of the Mohicans. The film was a success, and it went some way towards giving Day-Lewis a reputation as an unconventional sex symbol. The following year, he returned to the other side of the Atlantic to star in Sheridan's In the Name of the Father, playing an Irish man wrongfully convicted of taking part in an IRA bombing. Best Actor Oscar, BAFTA, and Golden Globe nominations followed suit for his powerful performance. That same year, Day-Lewis' versatility was again on display, as he starred as a turn-of-the-century New York society man in Martin Scorsese's lavish adaptation of Edith Wharton's The Age of Innocence. Day-Lewis' screen appearances subsequently took on a more sporadic quality, and it was not until 1996 that he was again visible to film audiences. That year, he starred in Nicholas Hytner's adaptation of Arthur Miller's The Crucible. His portrayal of the tragically adulterous John Proctor netted strong reviews, as did his work in the following year's The Boxer, his third collaboration with Sheridan. Starring as a former boxer trying to make a new life for himself after being imprisoned for fourteen years for his work with the IRA, Day-Lewis turned in another powerful performance. Although the film received mixed reviews, the actor earned a Golden Globe nomination for his work. Subsequently forsaking film work for the simple life of a cobbler in Italy, Day-Lewis was reportedly drawn out of his self imposed exile through the efforts of producer Harvey Weinstein, actor Leonardo DiCaprio and former collaborator Scorsese. Lured to New York and back into the hustle and bustle of the film industry, it seemed that Scorsese had finally found an actor capable of the focused yet unhinged intensity that Gangs of New York's Bill the Butcher demanded. Once again submerging himself so much in the character that the lines of reality and fantasy would become blurred (rumors persisted that he would speak with his film accent even while off-screen in addition to taking lessons by a genuine butcher), Day-Lewis' decidedly methodic approach to creating convincing screen characters would ultimately pay off as many cited his Oscar nominated performance as one of the most convincing of the talented actor's career.
Day-Lewis typically disappeared from sight yet again after Gangs, waiting two years before appearing again in a movie, this time being directed by his wife in the drama The Ballad of Jack & Rose, but he would again be showered with praise for his portrayal of Daniel Plainview, the ambitious, misanthropic center of Paul Thomas Anderson's There WIll Be Blood. Day-Lewis appeaed in all but one scene of the two hour and forty minute movie, and his dominating performance garnered him nearly every industry and ciritics award at the end of 2007 including an Oscar nomination for Best Actor.
In 2009 he took the lead role in the cinematic adaptation of the smash stage musical Nine. But he was thrust back into the awards race yet again three years later for his lauded performance as the title character in Steven Spielberg's long-gestating biopic Lincoln. For his work in that movie, Day-Lewis captured the SAG award, and became the first man in the history of the Academy Awards to take home a third Best Actor statuette. ~ Rebecca Flint Marx, Rovi
Education
Institution - Bristol Arts Centre
Institution - Sevenoaks School
Location - Sevenoaks, Kent, England
Institution - Bristol Arts Centre
Location - Bristol, England
Institution - Sevenoaks School
Location - Sevenoaks , Kent
Institution - Bristol Old Vic Theatre School
Institution - Bedales School
Location - Petersfield, Hampshire, England
Institution - Bristol Old Vic Theatre School
Location - London, England
Institution - Bedales School
Location - Petersfield , Hampshire
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Day-Lewis returned to the US in 1993, playing Newland Archer in Martin Scorsese's adaptation of the Edith Wharton novel The Age of Innocence. Day-Lewis starred opposite Michelle Pfeiffer, and Winona Ryder. To prepare for the film, set in America's Gilded Age, he wore 1870s-period aristocratic clothing around New York City for two months, including top hat, cane, and cape.[41] Although Day-Lewis was sceptical of the role, thinking himself "too English" for it and hoping for something "more rough-and-tumble", he accepted due to Scorsese directing the film.[42] The film was critically well received, while Peter Travers in Rolling Stone wrote: "Day-Lewis is smashing as the man caught between his emotions and the social ethic. Not since Olivier in Wuthering Heights has an actor matched piercing intelligence with such imposing good looks and physical grace."[43]
1993年，丹尼爾戴-劉易斯回到美國，在馬丁史柯西斯根據伊迪絲華頓小說改編的電影《純真年代》中飾演紐蘭阿切爾。丹尼爾戴-劉易斯與米歇爾菲佛和薇諾娜瑞德聯想主演。為了準備這部以美國鍍金時代為背景的電影，他在紐約市穿了兩個月，穿著19世紀70年代的貴族服裝，包括高頂禮帽、手杖和披肩。 [41] 儘管丹尼爾戴路易斯對這個角色持懷疑態度，認為自己「太英國化」了，不適合這個角色，希望看到一些「更粗獷」的角色，但由於史柯西斯執導這部電影，他還是接受了。 [42]影片獲得了評論界的一致好評，彼得·特拉弗斯在《滾石》雜誌上寫道：「丹尼爾·戴-劉易斯將這位夾在情感與社會倫理之間的人物演繹得淋漓盡致。自奧利維爾在《呼嘯山莊》中的表演以來，還沒有哪位演員能將敏銳的才智與如此英俊的外表和優美的體態相媲美。
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