2014年10月1日 星期三

Deborah Cavendish (1920-2014), Duchess With an Uncommon Touch

Deborah Cavendish, Last Mitford Sister and Savior of Grand Estate, Dies at 94

Deborah Cavendish, the Dowager Duchess of Devonshire and the last of the six eccentric Mitford sisters, who turned her husband’s ancestral estate into one of England’s grand country houses and wrote books about it and her own fairy-tale life, died on Wednesday. She was 94.
Her son, Peregrine, announced her death in a statement, which did not say where she died or provide a cause.
On the jacket of her 2010 memoir,“Wait for Me!,” is a 1952 photograph of the regal duchess. In a long black gown, against portraits and period furniture, she is a figure of alabaster loveliness from another epoch — one of country estates and fox hunts, furs worn to bomb shelters and clever talk over tea with dictators. She was married to a duke, had lost a sister, a brother and two children and had yet to define herself.
Being a Mitford, Deborah could have hardly been conventional. Diana married a fascist in the presence of Goebbels and Hitler. Jessica was a Communist and prolific author. Unity Valkyrie, in love with Hitler, shot herself when Britain declared war on Germany. As a child, Pamela wanted to be a horse; she married a fabled jockey. Nancy’s books satirized the upper classes. And Deborah, tentatively, became a connoisseur of fine poultry.

Photo

David Freeman-Mitford and his wife, Sydney, with their children and family pets in the 1920s. Clockwise from top left are Nancy, Tom, Pamela, Deborah, Jessica, Unity and Diana. CreditCourtesy Jessica Mitford

They had little formal schooling. Their emotionally detached Edwardian parents, who sent their only son to Eton, thought education was wasted on girls, who were expected to marry well. Deborah, the youngest, called Debo, grew up with governesses, tutors and servants in country seats, a London house and an island in Scotland. Despite the trappings, the family’s wealth was shaky and in the Depression years required economies.
From age 6, Deborah had a passion for chickens. In their drafty old Oxfordshire manse, she and her sisters hid in a linen cupboard heated by water pipes and made up secret languages. Her father, an irascible baron, hunted his children on horseback, with hounds. Visiting Munich with Unity in 1937, Deborah, 17, wrote home: “We have had quite a nice time here & we’ve had tea with Hitler & seen all the other sights.”
At 21, she married Andrew Cavendish, second son of the 10th Duke of Devonshire. His older brother was killed in World War II, and when his father died in 1950, he became the 11th Duke, inheriting vast wealth, including a castle in Ireland and Chatsworth, a 35,000-acre Derbyshire estate that had been in his family for generations.
Surrounded by 105 acres of gardens designed by Capability Brown and miles of meadows and wooded hills, Chatsworth’s magnificent 16th-century mansion, with ceilings painted by Antonio Verrio, had 297 rooms, 112 fireplaces, 68 lavatories, 26 baths, 32 kitchens and workshops, 17 staircases, and 1.3 acres of roof.
But it came with a catch: inheritance taxes of nearly $20 million, not to mention huge maintenance costs. Like many of Britain’s great country houses fallen on hard times, Chatsworth, outmoded and rundown, had long been open to the public, but its trickle of visitors and income left the duke and duchess in the red. They sold artworks and acreage to pay taxes totaling 80 percent of the estate’s value: $285 million in today’s money.Transforming Chatsworth from a museumlike relic into a self-sustaining family business, however, was a more ambitious long-term project that, because of the duke’s alcoholism and other problems, fell largely to the duchess. She made it the core of her life’s work.
She put in central heating, phones, new wiring and plumbing for 17 new bathrooms; opened gift shops and a market that employed 100 people and sold meat and produce, including the Duchess’s Marmalade and the Duke’s Favorite Sausages. She began lecturing on farming, drawing 200,000 people a year. Later came restaurants, catering services, boutiques and other moneymakers, including two hotels near Chatsworth.
Recognizing the commercial value of her involvement, she took a hands-on approach to running the house, greeting and leading tourists through the public rooms, teaching classes and feeding her chickens: Leghorns, Rhode Island Reds, Buff Cochins, Welsummers and less notable types that ran loose on the grounds like marauding gangs.
In 2002, Chatsworth became self-sufficient for the first time, covering its $6.5 million annual costs with income from the Chatsworth House Trust and proceeds from visitors, country fairs and the restaurants and shops she had started. Some 600,000 people a year visit Chatsworth, making it one of Britain’s most popular rural tourist sites.
Visitors found the duchess gracious and down to earth, a straight-backed, silver-haired aristocrat who spoke animatedly with anyone about interior design, livestock, gardening, fine arts and Elvis Presley, whom she adored and whose memorabilia she kept. She was properly “your grace,” but regarded herself as less exalted. “I’m a housewife,” shetold a reporter for The New York Times in 2003.
For many years, she and the duke, who was knighted in 1996, occupied 24 rooms that were off-limits to visitors. With the death of her husband in 2004, she became the dowager duchess, and her son, Peregrine, became the 12th Duke of Devonshire. Later, she moved to a nearby village, Edensor, and continued writing.
Since the early 1980s she had written a dozen books, many on Chatsworth, along with volumes of essays, reminiscences, cookbooks and letters exchanged with the travel writer Patrick Leigh Fermor. All were touched with autobiographical details. Her memoir’s title, “Wait for Me!,” referred to a lifetime of playing catch-up to her sisters.
She was born Deborah Vivien Freeman-Mitford on March 31, 1920, at Asthall Manor, the Oxfordshire estate of her parents, David Freeman-Mitford, the 2nd Baron Redesdale, and the former Sydney Bowles.
Denied formal educations, she and her sisters developed a rich fantasy life, creating a secret “Society of Hons,” which met in the warm linen cupboard at Swinbrook, another stone-cold family mansion.
There, they divided the world into “Hons” — or honorables, as barons’ daughters are known, and others they liked — and “Counter-Hons,” everybody else. They invented secret languages, Honnish and Boudledidge, which mimicked rural Oxfordshire accents, with distorted vowels and softened consonants, all pronounced in tones of hopeless yearning. A governess taught them the joys of village shoplifting.
They went their ways: Nancy (1904-73) wrote “The Pursuit of Love” and “Love in a Cold Climate.” Pamela (1907-94), married a horseman who became a physicist. Thomas (1909-45) was killed in the war. Diana (1910-2003) married Britain’s fascist leader, Oswald Mosley, and was imprisoned with him for most of the war. Unity (1914-48), who was Eva Braun’s rival for Hitler’s affections, died a decade after her attempted suicide with the bullet still in her head. Jessica (1917-96) eloped with Churchill’s nephew, and they moved to the United States. He was killed in the war, and she remained in America, writing “The American Way of Death” and other books.
Unlike her siblings, Deborah knew little of politics growing up. But her marriage to Lord Cavendish brought her into political circles. His uncle by marriage was the future prime minister Harold Macmillan, who found government jobs for him, and they had long been friends of the Kennedy clan (the families were related by marriage) and attended the inauguration and funeral of President John F. Kennedy.
Three of the couple’s six children died shortly after birth.
Besides her son, who holds the title Duke of Devonshire, her survivors include two daughters, Lady Emma Tennant and Lady Sophia Topley; eight grandchildren; and 18 great-grandchildren.
In 1999, Queen Elizabeth II named the duchess a Dame Commander of the Royal Victorian Order for her services to preserving Britain’s residential heritage.
Correction: September 24, 2014 
An earlier version of this obituary referred incorrectly to Andrew Cavendish, whom the duchess married at 21. He was the second son of the 10th Duke of Devonshire, not of the 10th Duke of Cavendish.

Duchess Deborah Cavendish was many things: a businesswoman who transformed her home into a tourist attraction; an author; an ELVIS PRESLEY fan; and a self-described housewife. Here is a look at her life.

Deborah Cavendish, Duchess With an Uncommon Touch, Dies at 94
The Dowager Duchess, the last of six eccentric Mitford sisters, was an...
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Dowager Duchess of Devonshire - obituary
The Dowager Duchess of Devonshire was the devoted chatelaine of Chatsworth and the last of the Mitford sisters

The Duchess at Chatsworth in 2005 Photo: REX

3:32PM BST 24 Sep 2014

The Dowager Duchess of Devonshire, who has died aged 94, was the youngest and last of the celebrated Mitford sisters, and the chatelaine of Chatsworth, the “Palace of the Peak” in Derbyshire, which from the 1950s onwards she made into both a glorious public spectacle and, really for the first time, a consummately stylish private home.


She was born Deborah Vivien Freeman-Mitford on March 31 1920, the sixth daughter of the eccentric 2nd Lord Redesdale, well-known to readers of Nancy Mitford’s novels as “Uncle Matthew”. “Debo” (as she was always known) was repeatedly assured throughout her childhood by her eldest sister Nancy that “everybody cried when you were born” on account of her being yet another girl.





The Mitford family in 1933 with Debo on bottom right


Debo took refuge in quaintly odd pursuits. Another sister, Jessica (“Decca”) Mitford, described her spending “silent hours in the chicken house learning to do an exact imitation of the look of pained concentration that comes over a hen’s face when it is laying an egg, and each morning she methodically checked over and listed in a notebook the stillbirths reported in the vital statistics columns of The Times”.

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As the youngest in a family of seven, Debo was constantly and mercilessly teased, despite the bellowing championship of her father. She was passionately fond of the country and country pursuits, and did not suffer from the brilliant, restless boredom so well-documented by her sisters. None of the girls was sent to school, as their father thought education for girls unnecessary; a succession of governesses was employed, one of whom, Miss Pratt, had her charges playing Racing Demon daily from 9am until lunchtime.



Debo on her way to Ascot in 1938 (TOPHAM PICTUREPOINT)

As a girl Debo was a fine skater, and was invited to join the British junior team; but the idea was vetoed by her mother. As an adolescent she witnessed several scandals surrounding her sisters — Diana’s divorce and remarriage, Jessica’s elopement, Unity’s involvement with Hitler — as well as the disintegration of her parents’ marriage.

She was famous for having chanted as a child, in moments of distress: “One day he’ll come along, the Duke I love.” When she married Lord Andrew Cavendish in 1941, however, he was a mere second son. Debo wrote to her sister, Diana Mosley, then in Holloway prison: “I expect we shall be terrificly [sic] poor but think how nice to have as many dear dogs and things as one likes without anyone to say they must get off the furniture.”

Debo remained surrounded by dogs for the rest of her life. In The House: A Portrait of Chatsworth (1982), the delightful and bestselling book she wrote, in between doing a lot of sums to illustrate that 365 ordinary-sized residences could fit into The House, with its 7,873 panes of glass and 53 lavatories, the Duchess took care to inform the reader: “It’s a terrible place to house-train a puppy.”



The Duke and Duchess on their wedding day in 1941 (RAYMONDS)

In 1944 Andrew’s elder brother was killed in action, and in 1950 the 10th Duke unexpectedly died. The Devonshires were left with 80 per cent death duties which took 17 years to settle. In 1959 they moved to Chatsworth, uninhabited since before the war.

When she had first seen the house after the war she had thought it “sad, dark, cold and dirty. It wasn’t like a house at all, but more like a barracks.” It had not been redecorated for decades, and during the war had been home to a girls’ boarding school.

But Debo embraced her role of chatelaine gaily, as she set about redecorating the house. “Debo has become the sort of English duchess who doesn’t feel the cold,” reported Nancy, disconsolately.

The Duchess was both beautiful and deceptively literate, although exceptionally modest. Lucian Freud painted her when she was 34, and Debo used to delight in the story of how an old woman was heard remarking, as she stood before the painting: “That’s the Dowager Duchess. It was taken the year before she died.” When the painting was completed, Freud allowed the Duke and Duchess to see it at his studio. “Someone else was already there,” she later recalled. “Andrew looked long at the picture until the other man asked, 'Who is that?’ 'It’s my wife.’ 'Well, thank God it’s not mine’.”

She also sat for Annigoni, to whom she found herself apologising for her face: “I know it’s not the sort you like.” The artist replied, not very graciously: “Oh well, it doesn’t matter, it’s not your fault.”

The Duchess kept aloof from her family’s literary and political pursuits. She visited her Fascist sister Diana in prison, and her Communist sister Decca in California, keeping a light touch with both.

After visiting Decca and doing the rounds of her Communist friends, Debo sent Decca a photograph of herself and her husband, dressed in their ducal robes for a coronation, garlanded with orders, chains and jewels, staring stonily ahead. Beneath the photo she wrote: “Andrew and me being active.”

Nancy used to address letters to her sister “Nine, Duchess of Devonshire”, her contention being that Debo never developed beyond the mental age of nine. Certainly the Duchess always maintained that she never read books and that her favourite reading matter was the British goatkeepers’ monthly journal, Fancy Fowl magazine and Beatrix Potter.

The epigraph in her book The House is taken from Hobbes, who was tutor to the 2nd and 3rd Dukes of Devonshire: “Reading is a pernicious habit. It destroys all originality of sentiment.”



The Duchess at Chatsworth in 2003 (CAMERA PRESS)

Chatsworth, however, was always filled with literati, and Patrick Leigh Fermor, a great friend, was determined that Debo was a closet reader, who sneaked books the way alcoholics sneak whisky. As a writer, she was a natural storyteller with a knack for the telling phrase and a delight in human eccentricities.

Certainly The House is a wonderfully rich and beautifully written work. It is organised around a Handbook of Chatsworth written in 1844 in the form of a letter from the “Bachelor Duke” (the 6th) to his sister and is full of very funny accounts of the foibles of earlier dukes and duchesses. Among other stories, it chronicles the war waged against woodworm by the wife of the 9th Duke (the former Lady Evelyn Fitzmaurice). Believing concussion to be the answer, the formidable beldame kept a little hammer in her bag to bang the furniture where they lurked.

The Duchess showed acute commercial flair in raising money for the Chatsworth estate, making a nonsense of her sister Nancy’s generalisation in Noblesse Oblige that aristocrats are no good at making money. She presided over the bread, cake, jam and chutney industries which grew up to feed the farm shop, which was described by the late Hugh Massingberd in The Daily Telegraph as “every greedy child’s idea of what a shop should be”.

Although the house had been open to the public ever since it was built, it was not until 1947 that the revenue from visitors went towards its upkeep. In 1973 the Duchess set up the Farmyard at Chatsworth, “to explain to the children that food is produced by farmers who also look after the land and that the two functions are inextricably mixed”. A little boy from Sheffield watched the milking, then told the Duchess: “It’s the most disgusting thing I’ve ever seen in my life. I’ll never drink milk again.”

Visitors to Chatsworth are able to buy items such as souvenirs, books, porcelain, knitwear, while the Farm Shop sells estate produce. A mail order business was established, along with cafés, restaurants and a commercial catering business.

Chatsworth Carpenters was an especially successful venture. The Duchess, in her gardener’s apron, was for many years a familiar sight at the Chelsea Flower Show, where she was to be seen busily selling furniture fit for a stately home to the owners of small town gardens.

The 11th Duke once observed: “My wife is far more important to Chatsworth than I am.” He added: “She is on the bossy side, of course; but I’ve always liked that in a woman.” She dealt heroically with her husband’s philandering nature and his weakness for alcohol, and the marriage was a happy one.

Despite living in a house overflowing with masterpieces by such artists as Rembrandt, Veronese, Murillo, Poussin and Reynolds, the Duchess always maintained that Beatrix Potter was her favourite artist, and Miss Potter’s enchanted world may indeed be the key to appreciating the genius loci of Chatsworth.



The Duchess with a herd of British Limousin cows on the Chatsworth estate (ANDREW CROWLEY)

The Duchess was an ardent conservationist of vernacular architecture and was president of the Derbyshire Historic Buildings Trust. She also chaired the Tarmac Construction Group and the Rare Breeds Survival Trust.

Her devotion to making Chatsworth a viable financial concern was well rewarded in 1981 when a charitable trust, capitalised by the sale of certain treasures, was established to preserve The House for posterity.

In 2001 the Duchess published Counting My Chickens… and other home thoughts, a collection of sharply observed musings on Chatsworth, gardening, poultry, dry stone walling, bottled water, the United States, Ireland, the Today programme, the Turner Prize and other topics. On the modern fashion for hiring business consultants, she wryly observed: “He arrives from London, first class on the train… Most probably he has never been this far north, so the geography and the ways of the locals have to be explained, all taking his valuable time. After a suitable pause of a few weeks (he is very busy being consulted) a beautiful book arrives, telling you what you spent the day telling him.”

After her husband’s death in 2004 she published a poignant tribute in Memories of Andrew Devonshire (2007). Other publications included In Tearing Haste: Letters between Deborah Devonshire and Patrick Leigh Fermor (2008); Home to Roost ... and Other Peckings (2009), a collection of occasional writings; and Wait for Me!... Memoirs of the Youngest Mitford Sister (2010). She was also a contributor to The Spectator and The Daily Telegraph. Her last book, All in One Basket, which brought together two earlier volumes of occasional writings, was published in 2011.

The Duchess claimed to buy most of her clothes at agricultural shows, adding: “After agricultural shows, Marks & Spencer is the place to go shopping, and then Paris. Nothing in between seems to be much good.”

Her dislikes included magpies; women who want to join men’s clubs; hotel coat-hangers; and drivers who slow down to go over cattle grids. She regretted the passing of brogues, the custom of mourning, telegrams, the 1662 Prayer Book, pinafores for little boys and Elvis Presley (“the greatest entertainer ever to walk on a stage”).

In 2003 she published The Chatsworth Cookery Book, introducing it with the words: “I haven’t cooked since the war.”

Debo Devonshire was appointed DCVO in 1999.

She is survived by her son Stoker, the 12th Duke of Devonshire, and by two daughters.



Dowager Duchess of Devonshire, born March 31 1920, died September 24 2014



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