France 24 電視台有幾分鐘介紹the "Exposition Générale" exhibition,
- Title: "Exposition Générale" (General Exhibition)
- Description: This exhibition looks back at forty years of contemporary art from the Fondation Cartier's collection, featuring works by artists such as Daido Moriyama, David Lynch, and Marc Newson.
- Dates: October 25, 2025 to August 23, 2026
- Location: 2 Place du Palais-Royal, Paris
- Today's Hours: 11:00 – 20:00
- Closed on: Monday
The Fondation Cartier pour l'Art Contemporain (French: [fɔ̃dasjɔ̃ kaʁtje puʁ laʁ kɔ̃tɑ̃pɔʁɛ̃]), known simply as the Fondation Cartier, is a contemporary art museum at 261 Boulevard Raspail in the 14th arrondissement of Paris, France.
History
The Fondation Cartier was created in 1984 by the Cartier SA firm as a center for contemporary art that presents exhibits by established artists, offers young artists a chance to debut, and incorporates works into its collection. The founding director was Marie-Claude Beaud.[1]
In 1994, it moved to its current location in a glass building designed by Pritzker Prize architect Jean Nouvel on the site of the former American Center for Students and Artists,[2] surrounded by a modern woodland garden landscaped by Lothar Baumgarten. The ground floor of the building is eight meters (26 feet) high and glassed in on all sides.[2]
In 2011, the president and founder of the Fondation Cartier, Alain Dominique Perrin, asked Nouvel to draw up preliminary plans for a new base on Île Seguin. By 2014, the foundation abandoned plans to relocate to the island and instead commissioned Nouvel to work on the expansion of its current premises.[3] By 2024, Fondation Cartier presented Nouvel's designs for a new site opposite the Louvre, occupying more than 8,400 m2 (90,000 sq ft) on the ground floor and lower levels of a listed building.[4][5]
Collection
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The museum displays exhibits of contemporary and international artists, and currently contains over 1500 works by more than 350 artists.[6] Its collections include monumental works such as The Monument to Language by James Lee Byars, Caterpillar by Wim Delvoye, Backyard by Liza Lou, La Volière (The Aviary) by Jean-Pierre Raynaud, and Everything that Rises Must Converge by Sarah Sze; works by contemporary French artists including Vincent Beaurin, Gérard Garouste, Raymond Hains, Jean-Michel Othoniel, Alain Séchas, Pierrick Sorin, Jean Giraud; and works by foreign artists including James Coleman (Ireland), Thomas Demand (Germany), Alair Gomes (Brazil), William Kentridge (South Africa), Bodys Isek Kingelez (the Congo), Guillermo Kuitca (Argentina), Yukio Nakagawa (Japan), Huang Yong Ping (China), and Damian Pettigrew (Canada).
Exhibitions
The museum opens daily except Monday, with an admission fee. Nearby Paris Métro stations include Raspail or Denfert-Rochereau on Line 4 and Line 6.
- 1986 : Les Années 1960, la décade triomphante
- 1987 : Hommage à Ferrari
- 1988 : MDF des créateurs pour un matériau
- 1988 : Vraiment faux
- 1991 : La Vitesse
- 1992 : À visage découvert – Machines d'architecture
- 1993 : Azur
- 1994 : Nobuyoshi Araki – Jean-Michel Alberola
- 1995 : Vija Celmins – Thierry Kuntzel – James Lee Byars – Bodys Isek Kingelez – Défilés et Vestiaires de Macha Makeieff et Jérôme Deschamps – Malick Sidibé –
- 1996 : Double vie, Double vue – Comme un oiseau – Tatsuo Miyajima – Marc Couturier – By Night
- 1997 : Amours – Coïncidences – Alain Séchas – Patrick Vilaire
- 1997 : Histoire de voir – la collection de la Fondation Cartier dans l'art contemporain dans les chateaux du Bordelais – Marina Faust – Seydou Keita – Gabriel Orozco – Jean-Michel Othoniel
- 1998 : Issey Miyake – Être nature – Francesca Woodman – Panamarenko – Gérard Deschamps
- 1999 : Sarah Sze – Herb Ritts – 1 monde réel – Radi Designers – Gottfried Honneger
- 2000 : Bernard Piffaretti – Thomas Demand – Le Désert – Okhai Ojeikere – Guillermo Kuitca – Cai Guo-Qiang
- 2001 : Gérard Garouste – William Eggleston – Un art populaire – Pierrick Sorin – Alair Gomes
- 2002 : Ce qui arrive – Takashi Murakami – Fragilisme
- 2003 : Daido Moriyama – Jean-Michel Othoniel – les Yanomami –
- 2004 : Hiroshi Sugimoto – Raymond Depardon – Pain couture par Jean-Paul Gaultier – Chéri Samba – Marc Newson
- 2005 : Juergen Teller – Ron Mueck – John Maeda – J'en rêve – Adriana Varejão – Rinko Kawauchi
- 2006 : Tabaimo – Gary Hill – Agnès Varda – Tadanori Yokoo
- 2007 : Lee Bul – Robert Adams – Rock'n'roll 39–59 – David Lynch
- 2008 : Patti Smith – Andrea Branzi – César – Terre Natale, Ailleurs commence ici (Raymond Depardon / Paul Virilio)
- 2009 : Beatriz Milhazes – William Eggleston – Né dans la rue
- 2010 : Jean Giraud – Moebius-Transe-Forme[7] – Metamoebius by Damian Pettigrew
- 2011 : Les Trésors du Vaudou[8] – Mathématiques, un dépaysement soudain[9]
- 2012 : Histoires de voir, Show and Tell[10] – Yue Minjun : L'Ombre du sourire[11]
- 2013 : Ron Mueck[12] – America Latina 1960 [13]
- 2014 : Mémoires Vives, Vivid Memories[14] – Diller & Scofidio + Renfro Musings on a Glass Box[15] – Guillermo Kuitca Les Habitants[16]
- 2015 : Bruce Nauman[17] – Beauté Congo 1926–2015 Congo Kitoko[18]
- 2021–2022: Damien Hirst – Cherry Blossoms[19]
See also
Louis-François Cartier (French pronunciation: [lwi fʁɑ̃swa kaʁtje]; December 2, 1819 – May 15, 1904) was a French businessman, jeweler and watchmaker. He founded the world renowned jewelry house Cartier in 1847. He was the grandfather of Pierre Cartier,[1] who opened the Cartier Building in New York, and internationalized the brand. He was the patriarch of the Cartier family.
Louis-François Cartier founded Cartier in Paris in 1847 when he took over the workshop of his master, Adolphe Picard.[18] In 1874, Louis-François' son Alfred Cartier took over the company, but it was Alfred's sons Louis, Pierre, and Jacques who established the brand name worldwide.[18]
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Louis ran the Paris branch, moving to the Rue de la Paix in 1899. He was responsible for some of the company's most celebrated designs, such as the mystery clocks (a type of clock with a transparent dial and so named because its mechanism is hidden), fashionable wristwatches and exotic orientalist Art Deco designs, including the colorful "Tutti Frutti" jewels.[19][20][21] During that time, Louis Cartier also pioneered the use of platinum in jewelry, a breakthrough innovation that enabled more intricate and delicate settings. The strength of platinum allowed for nearly invisible settings, putting the spotlight on diamonds and gemstones, and giving Cartier's creations a distinct elegance that redefined modern jewelry design.[22][23]
In 1904, Brazilian pioneer aviator, Alberto Santos-Dumont complained to his friend Louis Cartier of the unreliability and impracticality of using pocket watches while flying. Cartier designed a flat wristwatch with a distinctive square bezel that was favored by Santos-Dumont and many other customers.[24] This was the first and only time the brand would name a watch after its original wearer.[25] The "Santos" watch was Cartier's first men's wristwatch. In 1907, Cartier signed a contract with Edmond Jaeger, who agreed to exclusively supply the movements for Cartier watches.[26] Among the Cartier team was Charles Jacqueau, who joined Louis Cartier in 1909 for the rest of his life, and Jeanne Toussaint, who was Director of Fine Jewellery from 1933.
Pierre Cartier established a New York City branch in 1909, moving in 1917 to 653 Fifth Avenue, the Neo-Renaissance mansion of Morton Freeman Plant (son of railroad tycoon Henry B. Plant), designed by architect C.P.H. Gilbert.[27] Cartier purchased it from the Plants in exchange for $100 in cash and a double-stranded natural pearl necklace valued at the time at $1 million.[28] By this time, Cartier had branches in London, New York and Saint Petersburg and was quickly becoming one of the most successful watch companies.[11][3]
Designed by Louis Cartier, the Tank watch was introduced in 1919 and was inspired by the newly introduced tanks on the Western Front in World War I.[18] In the early 1920s, Cartier formed a joint-stock company with Edward Jaeger (of Jaeger-LeCoultre) to produce movements solely for Cartier. Cartier continued to use movements from other makers: Vacheron Constantin, Audemars Piguet, Movado, and LeCoultre. It was also during this period that Cartier began adding its own reference numbers its watches by stamping a four-digit code on the underside of a lug. Jacques took charge of the London operations and eventually moved to the current address at New Bond Street.
Re-organization
After the death of Pierre in 1964, Jean-Jacques Cartier (Jacques's son), Claude Cartier (Louis's son), and Marion Cartier Claudel (Pierre's daughter)—who respectively headed the Cartier affiliates in London, New York, and Paris—sold the businesses.
In 1972, Robert Hocq, assisted by a group of investors led by Joseph Kanoui, bought Cartier Paris.[29] In 1974 and 1976, respectively, the group repurchased Cartier London and Cartier New York, thus reconnecting Cartier worldwide.[29] The new president of Cartier, Robert Hocq, coined the phrase "Les Must de Cartier" (a staff member is said to have said "Cartier, It's a must!" meaning something one simply must have) with Alain Dominique Perrin, who was a General Director of the company.[30][31] As a result, in 1976, "Les Must de Cartier" became a diffusion line of Cartier, with Alain D. Perrin being its CEO.[32][33][34]
In 1979, the Cartier interests were combined, with Cartier Monde uniting and controlling Cartier Paris, London, and New York. Joseph Kanoui became vice president of Cartier Monde. In December 1979, following the accidental death of president Robert Hocq, Nathalie Hocq (daughter of Hocq) became president.[29][34]
Expansion into New Markets
In the 1980s, Cartier expanded its luxury offerings by entering the eyewear market. The brand introduced its first eyewear collections using premium materials such as gold, platinum, and buffalo horn. This venture allowed Cartier to further diversify its luxury accessories portfolio while maintaining its commitment to craftsmanship and design.[35]
Recent development
In 1981, Alain Dominique Perrin was appointed Chairman of Cartier SAA and Cartier International.[31][33] The next year, Micheline Kanoui, wife of Joseph Kanoui, became head of jewellery design and launched her first collection "Nouvelle Joaillerie."[32] In 1984, Perrin founded the Fondation Cartier pour l'Art Contemporain to bring Cartier into the twenty-first century, by forming an association with living artists. In 1986, the French Ministry for Culture appointed Perrin head of the "Mission sur le mécénat d'entreprise" (a commission to study business patronage of the arts). Two years later, Cartier gained a majority holding in Piaget and Baume & Mercier. From 1989 to 1990, the Musée du Petit Palais staged an exhibition of the Cartier collection, "L'Art de Cartier."[36]
Perrin founded an international committee in 1991, Comité International de la Haute Horlogerie, to organize its first salon, held on April 15, 1991; this has become an annual meeting place in Geneva for professionals in this field. The next year, the second exhibition of "L'Art de Cartier" was held at the Hermitage Museum in St Petersburg. In 1993, the "Vendôme Luxury Group" was formed as an umbrella company to combine Cartier, Dunhill, Montblanc, Piaget, Baume & Mercier, Karl Lagerfeld, Chloé, Sulka, Hackett, and Seeger.[37]
In 1994, the Cartier Foundation moved to the Rive Gauche and opened headquarters in a building designed for it by Jean Nouvel. The next year, a major exhibition of the Cartier Antique Collection was held in Asia. In 1996, the Lausanne Hermitage Foundation in Switzerland exhibited "Splendours of the Jewellery", presenting a hundred and fifty years of products by Cartier.[38]
In 2012, Cartier was owned, through Richemont, by the South African Rupert family, and Elle Pagels, a 24-year-old granddaughter of Pierre Cartier.[39][40]
Louis-François Cartier (1819-1904) est un célèbre joailler français, fondateur de Cartier en 1847. Père d'Alfred Cartier (1841-1925) et grand-père de Louis Joseph Cartier (1875-1942), Pierre Camille Cartier (1878-1964)[1] et Jacques-Théodule Cartier (1884–1942).
| Naissance | Ancien 7e arrondissement de Paris |
|---|---|
| Décès | (à 84 ans) 1er arrondissement de Paris |
| Sépulture | Cimetière des Gonards |
| Nationalité | |
| Activités | Bijoutier, horloger |
| Famille | Cartier |
| Enfant | Alfred Cartier |
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