他後來的講座經常融入戲劇元素。在其中一次講座中，他站在投影螢幕前，身體彷彿消失在身後牆上的影像和文字之中。他策劃了多個藝術展覽，包括2016年在德國卡爾斯魯厄一家博物館舉辦的「重置現代性」展覽，並創作了多部戲劇作品，其中包括由他的女兒聯合執導、於2014年在曼哈頓表演空間「廚房」上演的《蓋亞全球馬戲團》。
在拉圖博士最後十年的著作中，他撰寫了《面對蓋亞：關於新氣候體制的八場講座》（2017年）和《腳踏實地：新氣候體制下的政治》（2018年）等著作。在這兩本書中，他認為世界正在經歷一場認知衝擊，其規模之大堪比文藝復興和科學革命之間徹底改變西方文化的那場衝擊。
His later lectures often incorporated elements of theater. In one, he stood in front of a projected screen so that his body seemed to disappear into the images and the text appearing on the wall behind him. He curated several art exhibits, including “Reset Modernity,” a 2016 show at a museum in Karlsruhe, Germany, and wrote a number of theatrical pieces, including “Gaia Global Circus,” which was co-directed by his daughter and performed at the Kitchen, a performance space in Manhattan, in 2014.
In his last decade of work, Dr. Latour wrote, among other books, “Facing Gaia: Eight Lectures on the New Climatic Regime” (2017) and “Down to Earth: Politics in the New Climatic Regime” (2018). In them, he argued that the world was going through an epistemic shock as great as the one that revolutionized Western culture between the Renaissance and the Scientific Revolution.
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